Guidicelli Punch Quotes

#1. 'It ain't ever over. You can't have no future if you don't have no past, and the past ain't never done with you...At the end of your life, all you have is what you know.'

Vicki Pettersson

#2. You're living in the present. It's a reminder that you can see the future if you just point the glass in the right direction.

Maria V. Snyder

#3. In Zurich, in a cafe overlooking the Limmat, I ate butter-drenched white asparagus pulled from the ground that morning; it had the aftertaste of champagne. I've been able to appreciate epic meals in San Francisco, New Orleans, Berlin, Paris, Las Vegas.

J.R. Moehringer

#4. There's no question that a vinyl record is a lot nicer than a CD. It's nicer to hold in your hands, you can do more with it.

Simon Le Bon

#5. The line of dialogue belongs to the character; the verb is the writer sticking his nose in.

Elmore Leonard

#6. Whatever happens in Mogadishu, in Somalia, will happen in Great Britain. We have interlocking interests.

William Hague

#7. What a boon to live on the water! Such delicious shades and hues! This is a template worthy of the greatest painters. The textures of sand and stone could inspire incomparable sculptures, and the sounds - the steady lapping of the waves, the sweet chirping of the birds, make this a sanctuary.

Adriana Trigiani

#8. The world of adults seemed to budget for the carelessness of children.

Matthew Thomas

#9. Sometimes there isn't a good guy or a bad guy. Sometimes even the ones you want to believe turn out to be liars.

Sarah Dessen

#10. In this loveless everyday life eroticism is a substitute for love.

Henri Lefebvre

#11. Johnny Cash has only passed into the greater light. He will only become more important in this industry as time goes by ...

Dolly Parton

#12. America is so vast that almost everything said about it is likely to be true, and the opposite is probably equally true.

James T. Farrell

#13. That falls into the category of advice that sounds helpful but actually makes no freaking sense.

Shannon Messenger

#14. In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it.

Oscar Wilde