
Top 48 Do The Right Thing Film Quotes
#1. All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
Vikas Swarup
#2. The challenge of film is making it right there at that moment, and then you get to move on.
Bernadette Peters
#3. There have been so few decent films involving Negroes that right away everybody expects every film to do everything. But when you make a flick, there are maybe two things you're trying to put into that flick. You can put the other things in another time.
Jim Brown
#4. The only thing that surprised me about 'Lincoln' is that most of the critics who reviewed the film seem not to have grasped what should have been apparent right from the start, which is that 'Lincoln' is at bottom a play with pictures, not a screenplay.
Terry Teachout
#5. I always bring it up to my lawyer every now and then. And another reason we have to revisit it is because there is a restoration going on right now for the film through UCLA and Sundance.
Todd Haynes
#6. I respect the system out there in Hollywood, I really do, but I'm very intent on art versus commerce. I want to do it all - film, TV and theatre - if it's the right job.
Laura Donnelly
#7. It's terrifying. Women make their first film, their second film, and then it's like a nightmare, right, to make the third or fourth? I mean, it's almost like men can have three films in a row that don't do that well and keep on going.
Julie Delpy
#8. I didn't leave bodybuilding until I felt that I had gone as far as I could go. It will be the same with my film career. When I feel the time is right, I will then consider public service. I feel that the highest honor comes from serving people and your country.
Arnold Schwarzenegger
#9. I approach film no differently than I approach a role. I want to make sure the movie is right, the characters are right, I can really bring something to it as a visionary, a storyteller. It's great to point a camera, but can you tell a story?
Larenz Tate
#10. For instance, when I go to the premiere on Tuesday I probably won't watch the film at all - I'll be watching the audience just to see their reaction to different moments, what I'm doing right and what I'm doing wrong, stuff like that.
Devon Sawa
#11. I guess I'm a good manager now. Moreover, I'm loving the concept of donning the producer's hat. It's all very exciting as well as a great learning experience. You're a part of a film right from its conception to its execution, and that's an amazing feeling.
Malaika Arora Khan
#12. Most theater methodology is predicated on the idea of repeated actions. That's what you work toward. Having the actor repeat the same moment eight times a week. In a film, it's getting that one moment right.
Stephen Daldry
#13. You just have to have the right gear and a few people to put you in motion with a good aesthetic and the film will take care of itself.
Andrew Wight
#14. Whether it be through television, or through music, or through dance, or through film, whatever it is, as long as it's the right project that makes sense, then I'm all for it.
Derek Hough
#15. The least consideration of any film I've ever worked on is who is right for it.
Kelly Lynch
#16. If a film project were available and the timing was right, I might be interested.
Yann Martel
#17. In film, you get to take your time and make it right. In TV, it's all about the schedule. The train is moving and you sometimes just don't have time to make things right, which is painful 'cause you know it could be done better and you just have no choice.
Seth Gordon
#18. I tried working odd jobs that had nothing to do with creating, and it was difficult for me. In the end, I just always loved movies. When I'm making a film, I feel most alive, like I'm doing the right thing, and I'm in the place where I need to be.
Harmony Korine
#19. 'Do the Right Thing' was my first union film. I looked at the rosters, and for the most part, it was white males. Especially the Teamsters. So we had some conversations.
Spike Lee
#20. I finally, you know, moved to Mexico City, where the film industry is. I started working there as a producer, which is a very, very valid thing for women to do, because we always produce for men, right?
Patricia Riggen
#21. Getting your screenplay right is the most important thing you'll ever do on your film.
Yahoo Serious
#22. It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do.
Neil Jordan
#23. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward.
Charlotte Gainsbourg
#24. It's not that the film is violent, it's that people have an issue with violence right now.
Thomas Jane
#25. I really wanted to make a nonpolitical political film. I wanted something that folks in red states and blue states could look at and not ask if this is the right thing to do to be in this war, but what this war is doing to the fabric of our society.
Paul Haggis
#26. If everyone is there to make a good film, everyone is down to earth, and everyone is there for the right reasons - the scale doesn't really matter I think.
Zoe Kravitz
#27. My first horror film was - well, I don't know. 'Bless the Child' is sort of genre, but 'May' was such a cult hit that after that, I just started getting offers for horror. I think I got a little bit pigeonholed in it right off of 'May' because there was just such a large response to that film.
Angela Bettis
#28. I'm a right pain in the hole for my agent. I won't take certain parts if I think they're offensive or banal. For instance, I won't do a film if I think it's full of violence for violence's sake, or a television drama if I don't think it's intelligent writing.
Anne-Marie Duff
#29. Their bodies had met in perfumes, in sweat, frantic to get under that thin film with a tongue or a tooth, as if they each could grip character there and during love pull it right off the body of the other.
Michael Ondaatje
#30. Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write 'War and Peace' in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.
Stanley Kubrick
#31. The first time you see the film it takes you right back to those times and those moments. It's very difficult to be objective about the work because you really have to remove yourself and see it a couple of times before you can really involve yourself in the story.
Djimon Hounsou
#32. I love films. I love fiction films, too. I do. I love making them, but it has to be the right one. Hopefully, I'll never become a director for hire. It's horrible to make a film that you're not really interested in.
Oliver Stone
#33. Scripts are what matter. If you get the foundations right and then you get the right ingredients on top, you stand a shot ... but if you get those foundations wrong, then you absolutely don't stand a shot. It's very rare-almost never-that a good film gets made from a bad screenplay.
Tim Bevan
#34. With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
Peter Jackson
#35. I remember my very first audition for a film. I was in Seattle. They were taping the session, and I just went crazy. The director finally said, 'Zoe, what are you doing? The camera's right here. Just talk to me.' And it took that director saying that to me to change everything.
Zoe McLellan
#36. You can see all sorts of things in film acting if you know where to look and what to look for. One thing I often notice is that the actor is looking for his mark, the place where he has to stand to be in the right place in the shot.
Michael Caine
#37. Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving.
Eriq La Salle
#38. Summer movie idea: take all the sequels that are out right now, and make movies about their backstories.
Stephen Colbert
#39. 'She's Gotta Have It' and 'School Daze,' I really didn't know what I was doing. And the biggest indicator of that was the acting. 'Do the Right Thing' was like the first film where I really felt comfortable working with actors.
Spike Lee
#40. The whole thrust in my life right now is spinning my assignments around and making them work in a more personal way ( ... ) I wanted to go back and do the original thing: one camera, one lens, one film. You really have to put yourself in a position of danger to be creative.
David Alan Harvey
#41. Stuart Blumberg is suddenly an authority on the modern - or, dare we say, post-modern - family, thanks to the critically-acclaimed debut of his new film, 'The Kids Are All Right.'
Rachel Sklar
#42. Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.
Ron Perlman
#43. The real difficulty for smaller films, when they're made independently and it's time to go for a distributor, sometimes if it's a tough film and the people who financed it need their money back right away, it's much easier and lucrative to take a DVD deal.
Willem Dafoe
#44. My next film is always shaped by the last one ... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture.
Robert Benton
#45. I want to write a film. I need to think of the right idea and focus on that; I love writing.
Jack Whitehall
#46. You really have to soak up the culture of the people to get it right. If you're making a fiction film, it's entertainment, but you want it to be as real as possible.
Robert Duvall
#47. As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing.
Spike Lee
#48. The shark's just a shark, right? No one calls it Jaws. It doesn't call itself Jaws. The film is called Jaws, the shark is just a fucking shark. So how can you say, "I like the bit where Jaws bites the boat"?
Jonathan Trigell
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