Top 36 Beresford Quotes
#1. I'd love to work with the people who really got the film industry going again through the '70s: Peter Weir, Bruce Beresford, Gillian Armstrong, Fred Schepisi.
David Wenham
#2. Mr. Beresford put down the Daily Mail, which he was reading, and applauded with somewhat unnecessary vigour. He was politely requested by his colleague not to be an ass.
Agatha Christie
#3. The purpose of Art is to convey the truth of a thing, not to be the truth itself. SYLVIE BERESFORD TODD
Kate Atkinson
#4. If Miss Beresford had not been in such a hurry to marry a poor country clergyman, there was no knowing what she might not have become. But Dixon was too loyal to desert her in her affliction and downfall (alias her married life).
Elizabeth Gaskell
#5. There's no one in the house, obviously. It's probably good for you to go there anyway to make sure everything's all right." As if there would be a break-in in Beresford, New Hampshire. My mother presses the key into my palm. "Just sleep on it," she says. I know I should refuse, make a clean break.
Jodi Picoult
#6. You cannot build ships in a hurry with a Supplementary Estimate. Admiral Sir J. A. Fisher to Lord Charles Beresford. 27th February 1902.
Stephen Wentworth Roskill
#7. There were movies that always made me want to be a director. You see brilliant scenes and the way the emotions were handled. I thought, I'd really like to do that.
Bruce Beresford
#8. Film is shot in fragments, and the same moments can be shot again and again until the director is satisfied.
Bruce Beresford
#9. Quite a few operas are still being commissioned around the world, although nothing apart from audience popularity can ensure more than a few performances.
Bruce Beresford
#10. I didn't get upset because I wasn't nominated, but I was a little surprised.
Bruce Beresford
#11. I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
Bruce Beresford
#12. Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.
Bruce Beresford
#14. The number of opera houses around the world and the high attendance rates show that opera an art form that is more popular than ever.
Bruce Beresford
#15. Directing an opera is similar to directing a play. The singing must not get in the way of the drama.
Bruce Beresford
#16. It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.
Bruce Beresford
#17. With a film, I do my best to understand the author's intentions and try to bring the characters to life.
Bruce Beresford
#18. In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.
Bruce Beresford
#19. At HBO, they seem to be well-informed. They make what I think are really quite mature films.
Bruce Beresford
#20. When we were trying to get the money for Driving Miss Daisy, everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen.
Bruce Beresford
#22. In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.
Bruce Beresford
#23. With Cold Sassy Tree having its first production, I saw no necessity to do anything other than produce it with the correct setting.
Bruce Beresford
#24. For a director, the most challenging scenes are the dialogue scenes.
Bruce Beresford
#25. It's not enough to hit the notes. There is no point in the singers just standing there and sounding wonderful if they're not connecting with the characters they are portraying.
Bruce Beresford
#26. Understand that you can't change people; you can only change your attitude to those people.
Lucy Beresford
#27. On stage, the audience watches from a fixed viewpoint and the director cannot retake something he doesn't like. It has to work straight through.
Bruce Beresford
#29. In silent movies, they tended to put the camera down, and everybody walked in front of it and acted, and then they all walked off. Cutting was quite infrequent.
Bruce Beresford
#30. The music of the most popular operas is so highly esteemed, it can stand endless revivals.
Bruce Beresford
#31. Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined.
Bruce Beresford
#32. I'd really been interested in opera when I was about 16, and I really like staging them.
Bruce Beresford
#33. When I was 24 I went to Nigeria and it was such a culture shock, growing up in Australia and suddenly being the only white man in this unit full of black men.
Bruce Beresford
#34. In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.
Bruce Beresford
#35. Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the astonishing thing is, nobody wears these hats at all.
Bruce Beresford
#36. When the music and the characters are flawlessly synchronized, the opera develops an emotional force that movies and plays cannot match.
Bruce Beresford
