Top 13 Ann Quinlan Quotes
#1. The Karen Ann Quinlan case is where the right to life and the right to die got bound together, and I don't think they've ever gotten untangled.
Jill Lepore
#2. People have a habit of doing everyday things even under the oddest conditions.
Harper Lee
#3. I have the utmost admiration for makeup artists. It's truly magical what they can accomplish with their materials. The face and the body are really their canvas.
Richard Phillips
#4. One class. No masters. No slaves. No black. No white. No Jew. No Christian. One race
The human race.
Edith Hahn Beer
#5. There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.
Michael Hutchence
#6. Old forms of government finally grow so oppressive that they must be thrown off even at the risk of reigns of terror.
Herbert Spencer
#7. Can we please rename The Sandy Relief Bill to the Supplemental Iraq War Funding Bill so the GOP Congress can vote for it?
John Fugelsang
#8. We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us ... and we drown.
T. S. Eliot
#9. I'm definitely a serial entrepreneur and a serial snacker. And when it comes to snacks, I'm more of a salty snacker, though I've been known to have a craving for sweets from time to time.
Keith Belling
#10. For me, I've always wanted to do theater, so I gravitate toward it.
Justin Bartha
#11. But the mornings were most impressive. They were like the first dawn of creation; as though the world had been washed in dew and was still dripping wet and hushed with an air of expectancy
Ray Nestor
#12. There's too much of everything - too many bands, too many albums, too much information all the time. You're seeing fewer album releases treated as big events, because of the influx. It's almost a "here this week, forgotten next week" thing.
Matt Smith
#13. In their plush melodies and plummy platitudes, many Rodgers-and-Hammerstein songs were secular hymns, which so insinuated themselves into the ear of the Eisenhower-era listener that they became the liturgical music for the American mid-century.
Richard Corliss
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