
Top 13 Alyse Muldoon Quotes
#1. This is the trouble with history. You can't see what's not there. You can look at an empty space and see that something's missing, but there's no way to know what it was.
Naomi Alderman
#2. When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit.
Ed Helms
#3. A great composition to me is.. an incarnation of a genius, of all that was ever in him of the slightest consequence.
Neville Cardus
#4. The Sugar Frosted Nutsack is fantastic. It's volcanic and sexy and utterly unlike anything I've read before. It feels like the future in a dazzling way that has nothing to do with looking backward. It's been a long wait for a new novel from Mark Leyner, but worth it. Ten out of ten from me.
Douglas Coupland
#5. We love having the freedom that we have with the web; I mean, we don't have to answer to anybody. We have complete creative control; we don't have to worry about FCC regulations.
Emma Caulfield
#6. Beauty and happiness and life are all the same and they are pervasive, unattached and abstract and they are our only concern. They are immeasurable, completely lacking in substance. They are perfect and sublime. This is the subject matter of art.
Agnes Martin
#8. The road to success is always under construction
Lily Tomlin
#10. I'm so glad that Hollywood and America are embracing women when they get in their 40s instead of putting us out to pasture.
Vivica A. Fox
#11. I think that our future has lost that capital F we used to spell it with. The science fiction future of my childhood has had a capital F - it was assumed to be an American Future because America was the future. The Future was assumed to be inherently heroic, and a lot of other things, as well.
William Gibson
#12. It has occurred to me that the superhero really only originates in America. That seems to be the only country that has produced this phenomenon.
Alan Moore
#13. The Beatles had some juice when it came to distortion, but Clapton was finally able to break through those early studio engineers' fear of overloading. He defined the sound that guitarists spend the rest of their lives trying to get.
Joe Perry
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