Top 43 Sebastiao Salgado Quotes
#1. I'm not a religious person. The language of photography is symbolic.
Sebastiao Salgado
#3. There comes a moment when it is no longer you who takes the photograph, but receives the way to do it quite naturally and fully.
Sebastiao Salgado
#4. The light in Alaska in particular is so beautiful. So beautiful! Such incredible light.
Sebastiao Salgado
#5. It's more important for a photographer to have very good shoes, than to have a very good camera
Sebastiao Salgado
#6. I believe that the average person can help a lot, not by giving material goods but by participating, by being part of the discussion, by being truly concerned about what is going on in the world.
Sebastiao Salgado
#7. I looked through a lens and ended up abandoning everything else.
Sebastiao Salgado
#9. My way of photographing is my way of life. I photograph from my experience, my way of seeing things ...
Sebastiao Salgado
#10. Photography has become a small world with so many jealous people. You do a story and then a lot of people try to do the same thing.
Sebastiao Salgado
#11. I am a former economist. I never went to photography school to learn photography.
Sebastiao Salgado
#12. Most of the information we now get is through television and is mutilated. Photography offers the opportunity to spend much more time on a topic. It's relatively cheaper medium, and can allow a photographer really to live in another place, show another reality, get closer to the truth.
Sebastiao Salgado
#13. I have been photographing the portrait of an end of an era, as machines and computers replace human workers. What we have in these pictures is an archeology.
Sebastiao Salgado
#14. Photography is full of symbolism, it's a symbolic language. You have to be able to materialize all your thoughts in one single image.
Sebastiao Salgado
#15. In the end, the only heritage we have is our planet, and I have decided to go to the most pristine places on the planet and photograph them in the most honest way I know, with my point of view, and of course it is in black and white, because it is the only thing I know how to do.
Sebastiao Salgado
#16. The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
Sebastiao Salgado
#18. As in any person's life, there have been difficult moments: I have a son with Down's syndrome; through my photography, I have witnessed all manner of human degradation. But there have also been very happy moments.
Sebastiao Salgado
#19. I don't want anyone to appreciate the light or the palette of tones. I want my pictures to inform, to provoke discussion - and to raise money.
Sebastiao Salgado
#20. I have two children. I have a Down syndrome child whom I love very much, and my wife that I love.
Sebastiao Salgado
#21. We are animals, born from the land with the other species. Since we've been living in cities, we've become more and more stupid, not smarter. What made us survive all these hundreds of thousands of years is our spirituality; the link to our land.
Sebastiao Salgado
#22. I photographed with film for many years; now that I work in digital, the difference is enormous. The quality is unbelievable: I don't use flash, and with digital I can even work in very bad light. Also, it's a relief not to lose photographs to x-ray machines in airports.
Sebastiao Salgado
#23. Of course, I won't be abandoning photography, because it is my life.
Sebastiao Salgado
#24. If you take a picture of a human that does not make him noble, there is no reason to take this picture ...
If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things.
Sebastiao Salgado
#25. There are moments that you suffer a lot, moments you won't photograph. There are some people you like better than others. But you give, you receive, you cherish, you are there. When you are really there, you know when you see the picture later what you are seeing.
Sebastiao Salgado
#26. I'm not an artist. An artist makes an object. Me, it's not an object, I work in history, I'm a storyteller.
Sebastiao Salgado
#27. I discovered that close to half the planet is 'pristine.' We live in towns such as London, Paris or Sao Paulo and have the impression that all the pristine areas are gone, but they are not.
Sebastiao Salgado
#28. In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen.
Sebastiao Salgado
#29. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this.
Sebastiao Salgado
#30. I have tried to bring about better communication between people. I believe that humanitarian photography is like economics. Economy is a kind of sociology, as is documentary photography.
Sebastiao Salgado
#31. I try with my pictures to raise a question, to provoke a debate, so that we can discuss problems together and come up with solutions.
Sebastiao Salgado
#32. I don't believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.
Sebastiao Salgado
#33. We are living in a moment where we have broken the equilibrium of the planet. We are not paying attention to our intuitive side. We only pay attention to our reason. We have become an urban animal
Sebastiao Salgado
#34. ! discovered photography completely by chance. My wife is an architect; when we were young and living in Paris, she bought a camera to take pictures of buildings. For the first time, I looked through a lens - and photography immediately started to invade my life.
Sebastiao Salgado
#35. When I was starting out, when I put aside my career as an economist. I looked at every book, went to every show, did my first stories, developed my first films. A fabulous time.
Sebastiao Salgado
#36. We live in a society where we never prepare people to be a community.
Sebastiao Salgado
#37. The problem is, we live in a society where all that interests us is power and money. So we don't have any interest in our children, and what we leave for our children is not important.
Sebastiao Salgado
#38. It's not the photographer who makes the picture, but the person being photographed.
Sebastiao Salgado
#39. The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
Sebastiao Salgado
#40. I tell a little bit of my life to them, and they tell a little of theirs to me. The picture itself is just the tip of the iceberg.
Sebastiao Salgado
#41. I can be an artist a posteriori, not a priori. If my pictures tell the story, our story, human story, then in a hundred years, then they can be considered an art reference, but now they are not made as art. I'm a journalist. My life's on the road, my studio is the planet.
Sebastiao Salgado
#42. It is important what you eat now, what you do now. If we were interested in a sustainable planet where other generations have a right to a decent future, we would not live like this.
Sebastiao Salgado
#43. Of course I will continue photography. I love photography. But when you become old, it's too much.
Sebastiao Salgado
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