Ruth Prawer Jhabvala Quotes

#1. I always find the first thing that really bothers me when I start a screenplay is, I have to find a different form. You can't follow the form of the novel. It's a different thing completely. It's impossible. You just somehow have to find a structure for the whole thing. You have to crack that.

Ruth Prawer Jhabvala

#2. I am a central European with an English education and a deplorable tendency to constant self-analysis. I am irritable and have weak nerves.

Ruth Prawer Jhabvala

#3. All my early books are written as if I were Indian. In England, I had started writing as if I were English; now I write as if I were American. You take other people's backgrounds and characters; Keats called it negative capability.

Ruth Prawer Jhabvala

#4. Everyone is so estranged; no one is rooted. That's what I like to write about more than anything else. Everything being so mixed up. Racially mixed up, people moving from place to place, everything shifting.

Ruth Prawer Jhabvala

#5. The rest of the time Olivia was alone in her big house with all the doors and windows shut to keep out the heat and dust.

Ruth Prawer Jhabvala

#6. I never really had any close friends in India, and I felt a terrible loneliness and isolation for many years. Westernized Indians don't like my books and I tend not to like westernized Indians - so we're quits.

Ruth Prawer Jhabvala

#7. India always changes people, and I have been no exception

Ruth Prawer Jhabvala

#8. I like characters who are larger-than-life, whether life-loving women or the artist or guru who grabs everything. But I don't live among people like that.

Ruth Prawer Jhabvala

#9. I'm not interested in who am I. I'm interested in what's gone, the disinheritance, what I've been able to become or learn or fuse with or not fuse with. A certain freedom comes ... I like it that way.

Ruth Prawer Jhabvala

#10. It's technically extremely difficult to get down what you really mean, not what you think you mean, or what you think sounds good, but what's really there, what you really have to express, in words that somehow convey that meaning in an approximate way.

Ruth Prawer Jhabvala

#11. Film is not like a book; it's not a writer's baby at all. So many people have put in their talent, by that time that you feel grateful for what they've done, you don't feel possessive about it in any way.

Ruth Prawer Jhabvala

#12. She explains that often the people who mean the most to us have to be left behind because they cannot follow us along our destined path.

Ruth Prawer Jhabvala

#13. I stand before you as a writer without any ground of being out of which to write: really blown about from country to country, culture to culture till I feel - till I am - nothing. As it happens, I like it that way.

Ruth Prawer Jhabvala

#14. I am dissatisfied with everything I have ever written and regard it all only as a preparation for that one work which probably I don't have it in me to write but which I hope I can go on trying for.

Ruth Prawer Jhabvala

#15. One doesn't choose to become a writer. One is just born that way.

Ruth Prawer Jhabvala

#16. The misfortune to be born when I was, where I was. That was a piece of bad luck.

Ruth Prawer Jhabvala

#17. The landscape which, a few weeks earlier, had been blotted out by dust was now hazy with moisture.

Ruth Prawer Jhabvala

#18. India was a sensation. It was remarkable to see all those parrots flying about, the brilliant foliage and the brilliant sky. It was a tremendous pageant. I never noticed the poverty.

Ruth Prawer Jhabvala

#19. Perhaps I'm just fickle by nature and get tired of countries the way other women do of husbands or lovers.

Ruth Prawer Jhabvala

#20. England gave me a language and literature, the basis of what I am as a writer, but when I started writing more directly about my own experience, it wasn't England so much as what went before.

Ruth Prawer Jhabvala

#21. I only really woke up in India. It was my first experience of plenty, strangely enough, because everything in England was rationed. I loved sweets, but you couldn't get them; then there was this marvelous mitthai - I went crazy.

Ruth Prawer Jhabvala

#22. England opened up the world of literature for me. Not really having a world of my own, I made up for my disinheritance by absorbing the world of others ... I loved them: George Eliot, Thomas Hardy, Charles Dickens ... I adopted them passionately.

Ruth Prawer Jhabvala

#23. Once a refugee, always a refugee. I can't ever remember not being all right wherever I was, but you don't give your whole allegiance to a place or want to be entirely identified with the society you're living in.

Ruth Prawer Jhabvala

#24. The older books were quite light-hearted. But I think most of my novels do end on a deep note of pessimism. Shadows seem to be closing in. The final conclusion isn't that life is wonderful and everything is bright and cheery and in the garden.

Ruth Prawer Jhabvala

#25. I was never interested in film. Never. I never even thought of it. I wasn't even a film buff, I didn't see many films ever.

Ruth Prawer Jhabvala