Nico Muhly Quotes

#1. I didn't entertain the idea that my music would ever become available in any of the ways that I had previously known music to be available.

Nico Muhly

#2. Whenever I get asked to write orchestra music or music that is for a lot of players, I try to make it a little sad.

Nico Muhly

#3. Riding a horse is a relationship with a foreign creature, and with musicians it's a similar thing: "OK, I'm going to put something on the page that will spook you into rushing." Little games you can play.

Nico Muhly

#4. I think my generation is a lost generation in a way.

Nico Muhly

#5. When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.

Nico Muhly

#6. For me the best kind of film music is liturgical music. Liturgical music is essentially a million scores for the same film.

Nico Muhly

#7. Composition is interesting because, in a sense, you always have to let it go. Unless you're a true composer/performer, you're always sending a PDF and then someone else makes it. It's like instructions for a short story, faxed to every English student who's studying it.

Nico Muhly

#8. Every couple weeks I'll listen to Sibelius's Seventh Symphony, just to check in, to see how it's doing. It's doing OK.

Nico Muhly

#9. The score is doing a lot of work. It's like Wagner. It's like a yak carrying people.

Nico Muhly

#10. My urge, when I go to the store, is to buy everything. And it's the same when I'm composing. My first instinct is basically to bring the whole store home, and not make a decision about how things play out.

Nico Muhly

#11. Writing orchestra music, you need for the emotional content to come from everyone doing everything together, adding up as it goes, a crowd mentality.

Nico Muhly

#12. I'm trying to phase out my availability on the phone. People call you when you're walking down the street and say the most random stuff.

Nico Muhly

#13. There's a lot of violence in Beethoven not explicitly suggested by the notes or in his markings, necessarily. There's just a way that it looks on the page that encourages it to be played in a certain fashion.

Nico Muhly

#14. With chamber music you can get people who work on the music for months, rehearsing it every day for a couple of hours, and if they get it in a different way than you do, which is entirely possible, it's not as a result of anything other than their good musicianship.

Nico Muhly

#15. Because I had been in conservatory for so long, I was jealous of my friends in bands.

Nico Muhly

#16. As a composer you want to tell musicians two completely contradictory things. You want to say, "Play exactly what I wrote, but bring your own thing to it." In a lot of ways they feel like opposites, but in a sense, my job is to cajole or encourage decisions that I approve of.

Nico Muhly

#17. In really fancy restaurants they never point to the bathroom, they just gesture toward the bathroom or they'll lead you to the bathroom. The fancier the restaurant, the less pointing there is.

Nico Muhly

#18. I'm pretty clear about what I'm capable of doing.

Nico Muhly