Top 56 Louise Berliawsky Nevelson Quotes
#1. [Good taste] is a nineteenth-century concept. And good taste has never really been defined. The effort of projecting 'good taste' is so studied that it offends me. No, I prefer to negate that. We have to put a period to so-called good taste.
Louise Berliawsky Nevelson
#4. I still want to do my work. I still want to do my livingness. And I have lived. I have been fulfilled. I recognized what I had, and I never sold it short. And I ain't through yet.
Louise Berliawsky Nevelson
#5. If you have got a living force and you're not using it, nature kicks you back. The blood boils just like you put it in a pot.
Louise Berliawsky Nevelson
#7. You take a painting, you have a white, virginal piece of canvas that is the world of purity, and then you put your imagery on it, and you try to bring it back to the original purity.
Louise Berliawsky Nevelson
#11. I don't demand that all work be a masterpiece. What I am doing is the right thing for me - that is what I am and this is living. It reflects me and I reflect it.
Louise Berliawsky Nevelson
#12. What we start with is a conviction to fulfill our being. Horses, trees fulfill themselves. Why shouldn't people.
Louise Berliawsky Nevelson
#13. I believe in my work and in the joy of it. You have to be with the work and the work has to be with you. It absorbs you totally and you absorb it totally.
Louise Berliawsky Nevelson
#17. I feel that women 'and men,' but I mean the 'individual,' can be totally feminine and still be totally powerful.
Louise Berliawsky Nevelson
#18. I feel totally female. I didn't compete with men and I don't want to look like a man! I love being a lady and dressing up and masquerading and wearing all the fineries. I'm breaking down the idea that the artist has to look poor, with berets.
Louise Berliawsky Nevelson
#20. In my studio I'm as happy as a cow in her stall. That's the only place where everything is all right.
Louise Berliawsky Nevelson
#22. My husband's family was terribly refined. Within their circle you could know Beethoven, but God forbid if you were Beethoven.
Louise Berliawsky Nevelson
#23. There's no denying that Caruso came with a voice?that Beethoven came with music in his soul, Picasso was drawing like an angel in the crib.You're born with it.
Louise Berliawsky Nevelson
#24. In the first grade, I already knew the pattern of my life. I didn't know the living of it, but I knew the line ... From the first day in school until the day I graduated, everyone gave me one hundred plus in art. Well, where do you go in life? You go to the place where you got one hundred plus.
Louise Berliawsky Nevelson
#25. Another thing about creation is that every day it is like it gave birth, and it's always kind of innocent and refreshing. So it's always virginal to me, and it's always a surprise.
Louise Berliawsky Nevelson
#27. It gave me great pleasure to think that I could take wood, make it good, and make people like Rockefeller buy it with paper money.
Louise Berliawsky Nevelson
#29. I always wanted to show the world that art is everywhere, except it has to pass through a creative mind.
Louise Berliawsky Nevelson
#33. I think most artists create out of despair. The very nature of creation is not a performing glory on the outside, it's a painful, difficult search within.
Louise Berliawsky Nevelson
#36. No matter how individual we humans are, we are a composite of everything we are aware of. We are a mirror of our times.
Louise Berliawsky Nevelson
#37. I think that in the sexual act, as delightful as it can be, the very physical part of it is, yes, a hammering away. So it has a certain brutality.
Louise Berliawsky Nevelson
#42. I was discouraged about life, discouraged about people being blind, but I don't think I had a day that I ever questioned creativity. There has never been a day like that.
Louise Berliawsky Nevelson
#43. When you are doing a piece you are with it. You don't want to wait until next week, when experience will have given you something else.
Louise Berliawsky Nevelson
#47. The freer that women become, the freer men will be. Because when you enslave someone, you are enslaved.
Louise Berliawsky Nevelson
#48. You know when I decided to become professional - that means to expose yourself naked to the world with the other creative minds - I said, 'I'm going into areas I don't know. I might just fall right down to hell and kill myself.
Louise Berliawsky Nevelson
#49. A white lace curtain on the window was for me as important as a great work of art. This gossamer quality, the reflection, the form, the movement. I learned more about art from that than I did in school.
Louise Berliawsky Nevelson
#51. The outside wold pressures you into a mold, but if you don't accept that - you gamble with life. Call it gambling.
Louise Berliawsky Nevelson
#52. I was given the gifts of the artist, and the trouble that goes with them: So I have that blessing, and there was never a time thatI questioned it or doubted it ... For forty years, I wanted to jump out of windows.
Louise Berliawsky Nevelson
#53. Early in school, they called me 'the artist.' When teachers wanted things painted, they called upon me, they called upon 'the artist.' I am not saying that I learned my name, animals can learn their names, I am saying that they learned it.
Louise Berliawsky Nevelson
#54. I think people should think a million times before they give birth. The guilts of motherhood were the worst guilts in the world for me. They were really insurmountable. You see, you are depriving another human being of so many things, and the other party also knows it.
Louise Berliawsky Nevelson
#56. I never for one minute questioned what I had to do. I did not think for one minute that I didn't have what I had. If just didn't dawn on me. And so if you know what you have, then you know that there's nobody on earth that can affect you.
Louise Berliawsky Nevelson