Larry Fessenden Quotes

#1. In my films quite often, paranoia usually leads to the truth so it is kind of a psychological state of mind to think that what you fear may come true, and those are the types of stories that I like to tell.

Larry Fessenden

#2. I really think in life there is a lot of mystery and things we just can't understand, so your brain has to adapt. We all have to deal with the twists of fate whether they are explained or not and it's how you react in life to these curveballs that is really the measure of a man.

Larry Fessenden

#3. I'm an old school guy and love the guys in the monster suits and JAWS; even though everyone makes fun of the shark I think it's awesome. You know it's fake, but with my generation that was part of the charm.

Larry Fessenden

#4. When so much is left to the listener's imagination, it is bound to be more scary. But our stories are not just to frighten; they are engaged with the things that are really scary like loneliness and madness.

Larry Fessenden

#5. Glenn and I were listening to a radio show in the car, and he said, "Glass Eye Pix should do radio plays." I loved the idea of working in a different medium. We've made comics, books, movies, video games, models, advent calendars, why wouldn't we try audio plays?

Larry Fessenden

#6. I feel very strongly that a film isn't just a story, but the WAY that a story is told. It's why I am such a great fan of Hitchcock because it really is all in the filmmaking.

Larry Fessenden

#7. The unknown is the most frightening and mysterious thing, especially in the modern world where we can practically Google anything and find out the back story. I think to have that element of mystery [in your movie], it almost creates a frustration that is closer to real life.

Larry Fessenden

#8. I came to love the rhythm of the sound effects and the whole experience of listening to a story. I made a lot of stuff with my hands and so I loved being free to not watch a screen. I still love it to this day.

Larry Fessenden

#9. The biggest difference for me is that the tales really have no logical outlet, no particular infrastructure in which to present them as you would have with a film festival. There's no IMDb for audio dramas. So there's a lot of work with no particular reward.

Larry Fessenden

#10. Sound and sound design has always been very important to my approach to film, because it is a more subversive and allusive aspect of the medium.

Larry Fessenden

#11. The nature will continue, it's our existence that is finite and you are given this gift of life and you make your way with it, but fate and natural disasters will continue on.

Larry Fessenden

#12. It's always different, depending on the writer and the director. A collaborator like Graham Reznick delivers a fully finished piece, perfected in every way. Other writers direct the recording session and then leave quite a bit of the work to us.

Larry Fessenden

#13. Horror movies in a sense are about the things that you cannot control, cannot define and the things that you are afraid of, and that is what the boogey man is. The boogey man doesn't have a backstory, he is just the thing you fear and I think it is important to celebrate that aspect of horror.

Larry Fessenden