Kevin Brownlow Quotes

#1. My first restoration was on 'Napoleon,' trying to put the French version in with the English version, and it was most unsatisfactory.

Kevin Brownlow

#2. I realised that you could easily turn any room into a cinema with a projector, so I went on and on at my parents for one. They eventually got me a projector for Christmas when I was ten, and I realised I'd made a ridiculous mistake - I'd forgotten to say 'movie' projector; I got a still one.

Kevin Brownlow

#3. To me, film is a religion. I don't expect to get paid to make it, but I do expect total dedication.

Kevin Brownlow

#4. 'Napoleon' is pure cinema, and cinema was designed for sharing.

Kevin Brownlow

#5. Silent pictures show us how we lived and what our attitudes were. And as an art form, they can be wonderfully entertaining and often inspirational.

Kevin Brownlow

#6. I thought Michael Mortilla was an orchestra unto himself!

Kevin Brownlow

#7. The reason I put so much energy into it at the beginning was that while there were plenty of people looking after the talkies, almost nobody was doing the same for the silents. Now there are plenty of very good historians and restorers.

Kevin Brownlow

#8. Somebody said that part of my reaction to British cinema is actually, paradoxically, a patriotic one. I'm so disappointed that we're not better.

Kevin Brownlow

#9. It was 1953, and I was still at school. I'd borrowed a silent French film from the library for my 9.5mm projector. It was by Jean Epstein, and it was awful. So I rang the library and asked if they had anything else. They said they had 'Napoleon Bonaparte and the French Revolution.'

Kevin Brownlow

#10. Some directors were brilliant in the silent era but never felt at home in sound. It's like a sculptor being forced to take up painting.

Kevin Brownlow

#11. I was sent to boarding school - a grim place. The only good thing the headmaster did for us was every Sunday evening in the winter he would show us films in the chapel. He couldn't afford a sound projector, so we saw silent films, which you could then still rent from photographic shops.

Kevin Brownlow

#12. Friends told me not to bother with the silents - they're jerky, poorly photographed and ludicrously badly acted. But I was immediately struck by the freshness and vitality of these films.

Kevin Brownlow