Karen Allen Quotes

#1. I was always drawn toward the Actor's Studio. I studied at the Lee Strasberg Institute when I first came to New York. One of my favorite teachers was one of Al [Pachino]'s teachers, a guy named Charlie Laughton, who was just a wonderful, wonderful man.

Karen Allen

#2. There's something so wonderful about being an actor in New York.

Karen Allen

#3. Eventually you love people - friends or lovers - because of their flaws.

Karen Allen

#4. I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character.

Karen Allen

#5. There is a difference when you work with actors who have worked on the stage. When we're out there in front of an audience eight times a week, you can't do it on your own.

Karen Allen

#6. I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.

Karen Allen

#7. I think that there is a real beauty to the live aspect of the theater, and the working with a director for a month on a script in the isolation of a room and really deeply delving into who are these people, what is the story we're telling, how do we want to tell it?

Karen Allen

#8. If there are no other wonderful roles that come my way, I have a quite an interesting, dynamic life.

Karen Allen

#9. I said to myself, 'I've waited a long time in my life to have a child, and I'm missing it, I want to continue to have a career, but not this way.'

Karen Allen

#10. CGI is to me like watching a cartoon. It can be effective, if it's done well. A lot of times you don't feel any real risk. You're watching a bunch of computer-generated graphics.

Karen Allen

#11. Unfortunately, I feel as actors we have to fight for the right to really go in as many directions as possible.

Karen Allen

#12. I've had so many people just come up to me and say, 'When you came up on the screen, everybody in the theater applauded.' It's just so sweet, really.

Karen Allen

#13. People want to see a movie that casts a mature woman across from a mature man.

Karen Allen

#14. I try to offer as much as I can to the director so he has as much to work with as possible to create the character that, really, he wants to create in a sense.

Karen Allen

#15. When independent films break through and actually make it into any level of mainstream-ness or get seen by people or find a life actually in theaters, it's extraordinary. And it doesn't happen that often.

Karen Allen

#16. I've always done things the hard way. I was born like a piece of tangled yarn. The job is trying to untangle it, and I'll probably go on doing it for the rest of my life.

Karen Allen

#17. When I read a film script, I kind of see it in my head and I see the moments that shape what I understand the character to be. There's very little time for rehearsal.

Karen Allen

#18. I watch many, many, many independent films every year that you see once in a film festival and they're never heard of ever again. Many of them are very, very good.

Karen Allen

#19. As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.

Karen Allen

#20. I was so lucky. I was very broke and I was taking classes at Lee Strasberg's Institute and I saw a 3 X 5 index card on the bulletin board advertising for college-aged girls for a film. That was Animal House.

Karen Allen

#21. Sometimes I think candor is the only kindness.

Karen Allen

#22. Scripts [are] kind of a bare bones type of reading material.

Karen Allen

#23. A lot of times when I've been offered film series and stuff, if they shoot in Los Angeles, I lose interest.

Karen Allen

#24. I'm about as healthy as a person can be. I quit smoking seven or eight years ago.

Karen Allen

#25. I'm always surprised when people say, "Oh, it got such mixed reviews." I guess I didn't read them.

Karen Allen

#26. I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, you know?

Karen Allen

#27. I just felt like I had to create a life for myself where I was more independent.

Karen Allen

#28. I'm from a generation of fantastic actresses. It's a big pool of really wonderful actresses, and so many of them we never even get to see on the screen anymore.

Karen Allen

#29. I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.

Karen Allen

#30. I've never done anything for money. My first love is things of limited commercial appeal. I could be happy doing Shakespeare for the rest of my life.

Karen Allen

#31. I thought, I need to reinvent myself. I want every day of life to be wonderful, fascinating, interesting, creative. And what am I gonna do to make that happen?

Karen Allen

#32. I think it's very important that films like Bad Hurt don't get lost in the mix of the sci-fi-kill-everything-on-the-screen-blood-dripping-down-the-walls sort of the world of the cinema that we live in.

Karen Allen

#33. For me, the motivation really was to work with Al Pacino. To me, that seemed like an incredible opportunity, just a learning opportunity because I thought so highly of him.

Karen Allen

#34. When I was in my 20s and 30s, there was such a variety and diversity of types of films that you could see. So many of them were really more about the human condition and about relationships between people, and they were smaller films that had a much greater impact on me as a human being.

Karen Allen

#35. The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.

Karen Allen

#36. Idleness does drive me crazy, but I'd rather read or write than do anything just to work. A kind of respect has been instilled in me for acting: I love it too much to ever have a bad relationship with it.

Karen Allen

#37. If you just work on your upper body, you're not going to be a full-range dancer or performer. You've got to work in all directions as much as you possibly can.

Karen Allen

#38. I don't necessarily like being defined by my profession.

Karen Allen

#39. You want to move into worlds you've never been in before. It would be like going to the same restaurant all the time or going to the same place for vacation all the time. Where is the adventure in that?

Karen Allen

#40. I feel as though I would be delighted to come back into working in the film world, and working in the theater world again. I'm just gonna see what happens.

Karen Allen

#41. Caregivers of those with a traumatic brain injury had their blood pressure recorded at certain time of day
at meals and during other activities, .. The blood pressure of the people who had adopted the pets went down dramatically.

Karen Allen

#42. Let's just say I decided that while my son is young I don't want to do projects that would take me away for months.

Karen Allen