Top 91 Harvey Pekar Quotes
#1. I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
Harvey Pekar
#2. When you're dead, it robs life of many of it's pleasures
Harvey Pekar
#3. I've gotten more and more cut off from the regular comic-book world, from straight comics and stuff like that. Once in a while, I'll take a look at something.
Harvey Pekar
#4. I'm kind of concerned about 'Ego & Hubris' because I'm thinking that people will read it and maybe even be entertained by it, but at the end of it, you know, they'll wonder, 'Why did this guy write this? What was the point of it?'
Harvey Pekar
#5. I'm trying to get every man involved in art, into experimental music, or painting, or novel-writing.
Harvey Pekar
#6. I write about my life, choosing incidents that I think will be, for one reason or another, significant to people. Often because they may have experienced the same things.
Harvey Pekar
#7. There hasn't been enough change in comics to suit me. I don't know why exactly.
Harvey Pekar
#8. If there is something to worry about, my mind has a tendency to worry about it. That can cut two ways. It can really keep you on the ball, but if you worry about every little thing, it's not a good use of time and energy.
Harvey Pekar
#9. I'd like to see the comics' style expanded. I'd like to see artists synthesize traditional comics arts style with fine-arts styles or whatever. I like to see innovation. I don't like it when an art form becomes stagnant.
Harvey Pekar
#10. You can find heroism everyday, like guys working terrible jobs because they've got to support their families. Or as far as humor, the things I see on the job, on the street, are far funnier than anything you'll ever see on TV.
Harvey Pekar
#11. I don't mind if I show myself being cheap or unreasonable sometimes.
Harvey Pekar
#12. It's real easy for me to write a lot of stories. I just go and I live through something, and I go home and write about it. It's that quick.
Harvey Pekar
#13. I kept my poker face on and listened to him with an air of interest and respect (I thought of what it says in one of Rand's novels, how the winner can afford to be generous).
Harvey Pekar
#14. I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
Harvey Pekar
#16. I guess I wanted to show people, among other things, that you don't have to be a hero to get through cancer. You can be a craven coward and get through. You have to stay on your medication and take your treatments, that's all.
Harvey Pekar
#17. I don't understand how an adult can write those last two sentences and not want to kill themselves for being so despicable.
Harvey Pekar
#18. I wanted to write literature that pushed people into their lives rather than helping people escape from them.
Harvey Pekar
#19. I don't write about certain arguments I have with my wife. I'd get my head torn off if wrote about certain things.
Harvey Pekar
#20. There's no limitation on comics, nothing. From a logical standpoint, how can there be a limitation on comics? You can use any word in the dictionary. You can put them in any order you want to. You can use a vast variety of illustrating styles. People could do all sorts of things.
Harvey Pekar
#21. I'm sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.
Harvey Pekar
#22. I thought I had a great opportunity when I started doing my comic book in 1972. I thought there was so much territory to work in.
Harvey Pekar
#23. Life is about women, gigs, an' bein' creative.
Harvey Pekar
#25. Am I a guy who writes about himself in a comic book, or am I just a character in that book? If I die, will that character keep going, or will he just fade away?
Harvey Pekar
#26. I think you can do anything with comics that you could do in just about any art form.
Harvey Pekar
#27. I have to be a freelance writer for the rest of my life, unless I get some kind of real lucky break. But other than that, I'll always have to work. I always worry about whether my stuff is going to get over. Will they like this, will they like that?
Harvey Pekar
#28. It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing.
Harvey Pekar
#29. As a matter of fact, I deliberately look for the mundane, because I feel these stories are ignored. The most influential things that happen to virtually all of us are the things that happen on a daily basis. Not the traumas.
Harvey Pekar
#30. I wake up every morning in a cold sweat, regardless of how well things went the day before. And put that I said that in a somewhat but not completely tongue-in-cheek way.
Harvey Pekar
#31. I'm from the beatnik generation, where everybody wanted to be a poet or writer or something. And at that time, I was a jazz critic, and I was always thinking, theorizing about what makes great art or what's important in art.
Harvey Pekar
#32. I was sort of on a mission with 'American Splendor.' I wanted to try to prove that comics could do things. I wanted to expand them beyond superheroes and talking animals. And I knew that was going to take a long time. But I just started writing an autobiography about my quotidian life.
Harvey Pekar
#33. I've just been writing stuff down as it comes to me. I haven't thought, 'Let me write some major opus here.'
Harvey Pekar
#34. Everybody's like everybody else, and everybody's different from everybody else.
Harvey Pekar
#35. People writing about me have said that I've influenced a lot of people, and there are some artists who have credited me with influencing them.
Harvey Pekar
#36. Letterman ... he got his problems. We don't get along too well.
Harvey Pekar
#37. I continue to be disappointed that people don't try and diversify the kind of work they are doing in comics.
Harvey Pekar
#38. Cleveland has a very bad reputation, but there's a lot of stuff that's left over from when there were very wealthy people - the Art Museum and a world class symphony that's still world class.
Harvey Pekar
#39. I want to keep doing as much work as I can, and I want to keep the level high. I'm wondering if something is going to happen to me to screw it up.
Harvey Pekar
#40. I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.
Harvey Pekar
#41. My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.
Harvey Pekar
#42. I realize that I'm pretty flawed, but you know - I haven't killed anybody yet.
Harvey Pekar
#43. I've probably had my day in the sun. I think I've influenced a lot of comic book writers.
Harvey Pekar
#44. I think that the so-called average person often exhibits a great deal of heroism in getting through an ordinary day ...
Harvey Pekar
#45. You do not pursue potential conflict unless you hold power over your foe.
Harvey Pekar
#46. What kind of a day was it? A day like all others, that alters and illuminates our times. And you were there.
Harvey Pekar
#47. It didn't take long to establish myself, as far as people thinking my work was good. They liked it from the start.
Harvey Pekar
#48. I looked at her when she was saying this and I realized that there is absolutely nothing you can say to a person who would feel comfortable suggesting something like that, let alone a direct accusation.
Harvey Pekar
#49. I think you can find all the elements that you can find in great literature in mundane experiences.
Harvey Pekar
#50. People will believe absurd things - in the 19th century and now.
Harvey Pekar
#52. I really don't have a lot in common with the people who attend the Comic Con. It's like assuming that all people who write prose are the same.
Harvey Pekar
#53. And no business can possibly equate happy workers (community) with profit (effectiveness). Happy workers are much more productive workers and hence contribute to profit, but no organization is formed for the idea of pleasing its employees.
Harvey Pekar
#54. The film's success so far involves winning a couple of prizes at Cannes and Sundance, and getting some very nice reviews in newspapers and magazines. That hasn't had a big impact on my life yet.
Harvey Pekar
#56. I concentrate, more than I think virtually any comic book artist has in the past, on the so-called mundane details of every day life - quotidian life. What happens to a person during a working day, marital relations, and stuff like that.
Harvey Pekar
#57. It's extremely seldom that anybody wants me to change what I've written about them. Generally I portray them in a good light, if they're friends.
Harvey Pekar
#58. It's the stuff that happens right in front of your face when there's no routine and everything is unexpected. That's what I want to write about.
Harvey Pekar
#59. I don't think I made any really big mistakes; it's just that I chose something difficult to do. Looking back, I suppose I should be grateful that I got as far as I got.
Harvey Pekar
#60. Nationalism and ethnic pride, in the long run, delay human development, and the misery they cause must be recognized. If enough people saw that , maybe we wouldn't have so many wars.
Harvey Pekar
#61. Even a pretty traditional comic book writer can make valuable contributions to the Internet.
Harvey Pekar
#62. I came up with American Splendor. Some people think it's American Squalor.
Harvey Pekar
#63. I think comics have far more potential than a lot of people realize.
Harvey Pekar
#64. I can't write in a whole lot of different styles, trying to please the highbrows one time and the lowbrows the next. I pretty much have a basic style I employ.
Harvey Pekar
#65. It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be a footnote in history.
Harvey Pekar
#66. I'm always shook up and nervous and I've got the hospital record to prove it.
Harvey Pekar
#67. I'd been familiar with comics, and I'd collected 'em when I was a kid, but after I got into junior high school, there wasn't much I was interested in.
Harvey Pekar
#68. American Splendor is just an ongoing journal. It's an ongoing autobiography. I started it when I was in my early 30s, and I just keep going.
Harvey Pekar
#69. I think the people who would be the least interested in my work would be people who read lots of comic books.
Harvey Pekar
#70. I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys.
Harvey Pekar
#71. I'm just tired of people saying I'm a self-hating Jew because I'm critical of Israel or make fun of old Jewish ladies. I do not hate myself. And Jews who criticize Israel aren't necessarily mentally ill.
Harvey Pekar
#72. Every ethnic group thinks they are the chosen ones. ...
Harvey Pekar
#73. I'm pretty aggressive, and maybe obnoxious, about trying to get work.
Harvey Pekar
#74. It makes you feel good to know that there's other people afflicted like you.
Harvey Pekar
#75. Israel's creation was politically amazing and caused by a number of unusual events. And I understand. For centuries, Jews endured horrible suffering, and like other people, deserve the right to self-determination, but the way Israel is going now frightens me. Jews make awkward colonial overlords.
Harvey Pekar
#76. Misery loves company. There's a lot to that.
Harvey Pekar
#77. Since about 1980 Kenny Werner has been one of jazz's unsung heroes
Harvey Pekar
#78. Of course I don't think I have it made by any means. I'm too insecure, obsessive and paranoid for that.
Harvey Pekar
#79. I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.
Harvey Pekar
#80. I like to go back over history and check out what people have written and whether I agree with it or not.
Harvey Pekar
#81. I try and write the way things happen. I don't try and fulfill people's wishes.
Harvey Pekar
#82. Sometimes I want to convey something complex philosophically, and sometimes I just want to portray myself in a situation that I think other people have been in many times, but it hasn't been written about much.
Harvey Pekar
#83. I actually took them all on quite handily, although I learned when I came to study the issue that I was completely wrong. I also came to believe that the war on drugs is one of the last vestiges of institutionalized racism in our society.
Harvey Pekar
#84. People who are readers of fiction aren't particularly interested in comic books.
Harvey Pekar
#85. I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.
Harvey Pekar
#86. The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.
Harvey Pekar
#87. Things improved a little bit in the '80s; there was kind of a revival of alternative comics, but then they went downhill in the '90s.
Harvey Pekar
#88. Comics are words and pictures. You can do anything with words and pictures.
Harvey Pekar
#89. I met Robert Crumb in 1962; he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
Harvey Pekar
#90. Some of the most valuable stuff I do has to do with my dissenting from the general opinion about people in movements.
Harvey Pekar
#91. He wasn't a man, but a tape recorder, repeating catch phrases and old slogans without any thought to the concepts behind them, a dog stuck in the training of his youth and faithfully executing his tasks long after his master had moved on.
Harvey Pekar
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