Hans Hofmann Quotes

#1. A work of art is finished, from the point of view of the artist, when feeling and perception have resulted in a spiritual synthesis.

Hans Hofmann

#2. To experience visually, and to transform our visual experience into plastic terms, requires the faculty of empathy.

Hans Hofmann

#3. Through a painting we can see the whole world.

Hans Hofmann

#4. Since light is best expressed through differences in color quality, color should not be handled as a tonal gradation, to produce the effect of light.

Hans Hofmann

#5. What goes on in abstract art is the proclaiming of aesthetic principles ... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.

Hans Hofmann

#6. The difference between the arts arises because of the difference in the nature of the mediums of expression and the emphasis induced by the nature of each medium. Each means of expression has its own order of being, its own units.

Hans Hofmann

#7. Painters must speak through paint, not through words.

Hans Hofmann

#8. Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.

Hans Hofmann

#9. The impulse of nature, fused through the personality of the artist by laws arising from the particular nature of the medium, produces the rhythm and the personal expression of a work. Then the life of the composition becomes a spiritual unity.

Hans Hofmann

#10. To me, art is the glorification of the human spirit.

Hans Hofmann

#11. And so artistic creation is the metamorphosis of the external physical aspects of a thing into a self-sustaining spiritual reality .

Hans Hofmann

#12. It takes intelligence and training, self-discipline and fine-sensibility, to gain renewed life through leisure occupation. America now suffers spiritual poverty, and art must become more fully American life before her leisure can become culture.

Hans Hofmann

#13. Our entire being is nourished by color.

Hans Hofmann

#14. My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.

Hans Hofmann

#15. People say 'Hofmann has different styles'. I have not. I have different moods; I am not two days the same man.

Hans Hofmann

#16. In nature, light creates the color. In the picture, color creates the light.

Hans Hofmann

#17. Every art expression is rooted fundamentally in the personality and temperament of the artist.

Hans Hofmann

#18. The creative process lies not in imitating, but in paralleling nature translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive, and every work of art should be alive.

Hans Hofmann

#19. Genius is gifted with a vitality which is expended in the enrichment of life through the discovery of new worlds of feeling.

Hans Hofmann

#20. There is in reality no such thing as modern art. Art is carried on up and down in immense cycles through centuries and civilizations.

Hans Hofmann

#21. It is not the form that dictates the color, but the color that brings out the form.

Hans Hofmann

#22. Art and science create a balance to material life and enlarge the world of living experience. Art leads to a more profound concept of life, because art itself is a profound expression of feeling.

Hans Hofmann

#23. When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.

Hans Hofmann

#24. Color is a plastic means of creating intervals ... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.

Hans Hofmann

#25. A thought functions only as a fragmentary part in the formulation of an idea.

Hans Hofmann

#26. You must break all the rules of painting, but you must also convince me you've had a reason to do so.

Hans Hofmann

#27. The ability to simplify means to eliminate the unnecessary so that the necessary may speak.

Hans Hofmann

#28. Colors must fit together as pieces in a puzzle or cogs in a wheel.

Hans Hofmann

#29. The art of pictorial creation is so complicated - it is so astronomical in its possibilities of relation and combination that it would take an act of super-human concentration to explain the final realization.

Hans Hofmann

#30. I can't understand how anyone is able to paint without optimism.

Hans Hofmann

#31. The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing

Hans Hofmann

#32. Nature's purpose in relation to the visual arts is to provide stimulus not imitation ... From its ceaseless urge to create springs all Life all movement and rhythm time and light, color and mood in short, all reality in Form and Thought.

Hans Hofmann

#33. To worship the product and ignore its development leads to dilettantism and reaction.

Hans Hofmann

#34. Being inexhaustible, life and nature are a constant stimulus for a creative mind.

Hans Hofmann

#35. The product of movement and counter-movement is tension. When tension working strength is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.

Hans Hofmann

#36. Art cannot result from sophisticated, frivolous, or superficial effects.

Hans Hofmann

#37. To sense the invisible and to be able to create it, that is art.

Hans Hofmann

#38. Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world.

Hans Hofmann

#39. It isn't necessary to make things large to make them monumental; a head by Giacometti one inch high would be able to vitalize this whole space.

Hans Hofmann

#40. The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.

Hans Hofmann

#41. We are connected with our own age if we recognize ourselves in relation to outside events; and we have grasped its spirit when we influence the future.

Hans Hofmann

#42. Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.

Hans Hofmann

#43. Art is magic ... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.

Hans Hofmann

#44. Art is something absolute, something positive, which gives power just as food gives power. While creative science is a mental food, art is the satisfaction of the soul.

Hans Hofmann

#45. The width of a line may present the idea of infinity. An epigram may contain a world. In the same way, a small picture format may be much more living, much more leavening, stirring, awakening, than square yards of wall space.

Hans Hofmann

#46. A work of art is a world in itself reflecting senses and emotions of the artist's world.

Hans Hofmann

#47. The whole world, as we experience it visually, comes to us through the mystic realm of color.

Hans Hofmann

#48. An idea can only be materialized with the help of a medium of expression, the inherent qualities of which must be surely sensed and understood in order to become the carrier of an idea.

Hans Hofmann

#49. It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.

Hans Hofmann