Top 37 Bill Sienkiewicz Quotes
#1. So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration.
Bill Sienkiewicz
#2. After that I jumped, especially being in art school, to the illustrators.
Bill Sienkiewicz
#3. You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace.
Bill Sienkiewicz
#4. Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story.
Bill Sienkiewicz
#5. Nothing is really media driven or committee driven, so you can actually just produce something.
Bill Sienkiewicz
#6. But I'm aware of the fact that I'm working in a commercial venue where I'm producing something that I wouldn't normally be approaching the way I'm doing it.
Bill Sienkiewicz
#7. I want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.
Bill Sienkiewicz
#8. I wanted to learn how to paint rather than just doing black-and-white work.
Bill Sienkiewicz
#9. People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to.
Bill Sienkiewicz
#10. Kyle Baker's work is really funny, but it's also got a very clear vision.
Bill Sienkiewicz
#11. And I've never viewed comics as assignments for the client.
Bill Sienkiewicz
#12. To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.
Bill Sienkiewicz
#13. For a while I felt very alone; sort of out there in the world of comics, especially here in the States.
Bill Sienkiewicz
#14. If you're going to establish a certain level of unreality than you have to deal with it.
Bill Sienkiewicz
#15. But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube.
Bill Sienkiewicz
#16. So, when the special effects are at the service of the story and draw you into it, that is really the magic.
Bill Sienkiewicz
#17. To me, the technique was almost irrelevant; it was what was coming across.
Bill Sienkiewicz
#18. So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in terms of what I want to say with it is a little different.
Bill Sienkiewicz
#19. That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people.
Bill Sienkiewicz
#20. It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed.
Bill Sienkiewicz
#21. One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.
Bill Sienkiewicz
#22. And within the world that you've created, the physics of that world have to remain constant; they can't be amorphous and changing.
Bill Sienkiewicz
#24. I wanted to be complete, because I figured that, visually, there was an avenue to explore with painted stuff.
Bill Sienkiewicz
#26. So much of 'Jaws' was amazing because the mind filled in what was missing.
Bill Sienkiewicz
#27. But if I really want to produce my own work and tell stories, then I will.
Bill Sienkiewicz
#28. Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.
Bill Sienkiewicz
#29. I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar.
Bill Sienkiewicz
#30. So there's kind of a simultaneous aspect to pushing the boundaries, and being very safe.
Bill Sienkiewicz
#33. But there's still an avenue for smaller comics and personal expression.
Bill Sienkiewicz
#34. Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.
Bill Sienkiewicz
#35. And that, to me, is the main attraction to comics. It's an avenue to say what you want to say.
Bill Sienkiewicz
#36. There is a whole generation of people who are going to see movies or watch TV who don't want to work.
Bill Sienkiewicz
#37. I didn't want to feel constrained, so I took on the Mutants.
Bill Sienkiewicz
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