Worldly Misery Quotes

#1. Absence of worldly misery - that is called eternal bliss.

Dada Bhagwan

#2. Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.

Barbara Kingsolver

#3. We must be both more conservative and more liberal than most students of Christian worship: conservative in holding exclusively to God's commands in Scripture as our rule of worship, and liberal in defending the liberty of those who apply those.

John Frame

#4. in our culture, women can do anything a man can. and vice versa."
don alfonso's eyebrows shot up. "i do not believe it."
"it's true," sally said defiantly.
"in America, the women hunt while the men have babies?

Douglas Preston

#5. Now therefore, that my mind is free from all cares, and that I have obtained for myself assured leisure in peaceful solitude, I shall apply myself seriously and freely to the general destruction of all my former opinions.

Rene Descartes

#6. I step naked into the shower of truth - whole-hearted, bloody-minded, utterly selfish, no longer even pretending to enjoy or understand anything.

Selima Hill

#7. That which cures all worldly miseries, is called 'Scientific' Knowledge.

Dada Bhagwan

#8. Any kind of misery there is in the worldly life; the cause of it is moha (illusory vision).

Dada Bhagwan

#9. Europe needs an engine, and the Franco-German motor has provided that when the two nations have converged on important topics during critical periods. But that partnership shouldn't be a directorate for other EU members.

Francois Hollande

#10. There were always plenty of newspapers in the house. 'The Times', 'Guardian', 'Daily Telegraph' and 'Daily Mail' were all regular fixtures on the coffee table. I used to enjoy reading 'The Times' editorial pages and the 'Daily Mail' sports pages.

Lionel Barber

#11. I noticed that 'Lost' had sort of worn out our welcome; because of 'Lost,' audiences were no longer being patient with slow reveals: they wanted answers quickly, and they wanted story to develop much faster.

Marc Guggenheim