Top 53 Weymouth Quotes
#1. I don't personally feel that I have to save democracy and journalism.
Katharine Weymouth
#3. I would really love to work with Paul McCartney. Isn't that arrogant?
Tina Weymouth
#4. You learn just as much from your failures. Sometimes you love your failures even more.
Tina Weymouth
#5. Moderate to conservative Democrat. But I'm not going to impose my views on the editorial page.
Katharine Weymouth
#6. We had our unhappy moments but they got channelled into the kind of sadness that was necessary for singing a song about going nowhere. So it worked out very well I think.
Tina Weymouth
#7. I wasn't originally a bass player. I just found out I was needed, because everyone wants to play guitar.
Tina Weymouth
#8. We're no longer a newspaper in the morning, we're a 24/7 newspaper organization.
Katharine Weymouth
#9. If you have this passion for music, you don't stop doing it - it chooses you and doesn't release you.
Tina Weymouth
#10. We don't always know what we're doing. We often just get excited, put something down, and say, 'Oh, neat'.
Tina Weymouth
#11. People assume that I came back to Washington because of the 'Post', but the truth is less romantic. I came back for a job.
Katharine Weymouth
#12. Richard Lloyd of Television is one of my favorite guitarists. His mentor was Jimi Hendrix when he was just 14. Jimi was always pounding everything he knew into that kid.
Tina Weymouth
#13. Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed.
Tina Weymouth
#14. I play bass. I don't have to go out there and screech.
Tina Weymouth
#15. Even the Beatles found it hard to escape their image; they were trapped by it.
Tina Weymouth
#16. Art is not predictable. Art is not golf, as great as that may be. There are 360 degrees of choice to make.
Tina Weymouth
#17. David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters.
Tina Weymouth
#18. I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act.
Tina Weymouth
#20. It's hard to be perfect, It really is. I keep learning things after I've already bungled it.
Tina Weymouth
#21. We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.
Tina Weymouth
#22. I tend to like people that are generous and give other people the benefit of the doubt.
Tina Weymouth
#23. My mother doesn't cook; my grandmother didn't cook. Her kids were raised by servants. They would joke about Sunday night dinner. It was the only night she would cook, and apparently it was just horrendous, like scrambled eggs and Campbell's soup.
Katharine Weymouth
#24. I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense.
Tina Weymouth
#25. We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.
Tina Weymouth
#26. In Europe they understand that the arts are incredibly important both culturally and economically.
Tina Weymouth
#27. When Talking Heads started, we called ourselves Thinking Man's Dance Music.
Tina Weymouth
#28. I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild.
Tina Weymouth
#29. Women are often meeker in meetings and afraid to ask for raises and promotions. I've told countless female colleagues to stop apologizing when they ask for more. It's not personal, it's business.
Katharine Weymouth
#30. Sometimes you don't want to be a slapstick clown in order to convey a funny perception of the world.
Tina Weymouth
#31. I think I felt like a regular kid. Growing up in New York, I never felt I was a big deal.
Katharine Weymouth
#32. It's just such a pleasure to bring a talent you respect to the world.
Tina Weymouth
#33. I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.
Tina Weymouth
#34. It's not like I pretend the past doesn't exist or that I'm not proud to be a part of it.
Katharine Weymouth
#35. It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw.
Tina Weymouth
#36. I certainly hope to be a great publisher, and if people want to love me, too, that's even better.
Katharine Weymouth
#38. We groove off of everything, any sort of live show. The inner dialogue you're having with yourself, between you and the music, is for me the search for God.
Tina Weymouth
#39. Generosity is the key to all relationships. To friendships and bands. That's the golden rule.
Tina Weymouth
#40. Hillary Clinton famously talked about how raising a child takes a village. Except our society isn't set up that way. We're organized in nuclear units, and a single mom can ask her friends only so many times for help picking up the kids.
Katharine Weymouth
#41. I'm not going to hold my breath because life goes on. Life is too short to sit around moaning about what could have been or what was.
Tina Weymouth
#42. We don't really have more than acouple of solos. It's just the way our music is put together.
Tina Weymouth
#43. My grandmother knew J.F.K. and L.B.J. That was her world. I enjoy meeting interesting people. But that's not my world.
Katharine Weymouth
#45. There are no more barbershop quartets wearing boaters, even though I still like them. Life goes on.
Tina Weymouth
#46. Being able to allow people to be who they are without trying to change them is important.
Tina Weymouth
#47. Make it, not make it? What's the difference? Music is a language, it's a dance of life, and it can be a part of your life without being something that earns.
Tina Weymouth
#48. Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided.
Tina Weymouth
#49. Tom Tom Club has a whole different attitude and approach, not just musically but in performance. Some people said they liked it.
Tina Weymouth
#50. Sometimes, you have to go through a phase whether you like it or not.
Tina Weymouth
#52. When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.
Tina Weymouth
#53. We wore our safety pins on the inside of our clothes.
Tina Weymouth
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