Top 21 Trapanese Quotes
#2. What I love about film scoring is that all the answers are in the story. You just need to get in tune with the story and realize it musically.
Joseph Trapanese
#3. I try not to make any boundaries. I try to let all art influence me.
Joseph Trapanese
#4. Put another way, to write is human, to edit is divine.
Stephen King
#5. When a musician is conveying that fresh feeling, that's what appeals to me, even more so than the style.
Joseph Trapanese
#6. I started singing with the Amboy Dukes in '87. I sang 'Oh Baby Please Don't Go,' the old Van Morrison song by Joey Smith. I started singing more from then on.
Ted Nugent
#7. It was about you... what I wrote. It was all about you." His bottom lip began to quiver.
"I know," I said, my voice shaky. I started to cry then. There was no holding back. "I loved it, every word. It was so beautiful.
Renee Carlino
#8. Wonderland is here now.
Don't know what we might see.
Yesterday's gone forever.
But my future's up to me.
What a future it will be ... .
Lisa Schroeder
#9. No time ago
or else a life
walking in the dark
i met christ
jesus)my heart
flopped over
and lay still
while he passed(as
close as i'm to you
yes closer
made of nothing
except loneliness.
E. E. Cummings
#10. A lot of modern film scoring is about a lack of themes, so I try to find ways of using music that doesn't necessarily have thematic material in it to make the points when there is thematic material even stronger. It's cool to be able to combine old and new.
Joseph Trapanese
#11. It was the only way he knew to protect the court, the faery, and the only mortal who'd ever mattered to him.
Melissa Marr
#12. When people see the Cubevision logo, they should know it's something good, something worth checking out.
Ice Cube
#13. That's what I love about film scoring. Every situation is new. Every show is a new adventure.
Joseph Trapanese
#14. For me, when I watch something without music, I'm instantly thinking, "Okay, what am I going to do here? How am I going to convey this?" I take notes and really think about that.
Joseph Trapanese
#15. One important thing, just being a film composer in general, is to have a great respect for the art that you're working on - a great respect for the film and a great respect for the filmmakers.
Joseph Trapanese
#16. I try to talk as little as possible, unless I see something that I might disagree with.
Joseph Trapanese
#17. I want to live my life in such a way that when I get out of bed in the morning, the devil says, aw shit, he's up!
Steve Maraboli
#18. I have to put myself back in the audience's shoes and figure out what they would know and not know. But, there are also times when I do know what's coming up and I maybe need to hint at it, though not in a big way. It's a little bit of both. It's an interesting tightrope to walk.
Joseph Trapanese
#19. I'd been wandering about in the enchantments of romance, afflicted with the worst female curse on earth, the need to mold myself to expectations.
Sue Monk Kidd
#20. I'm interested in finding sounds and ideas that help bring the audience into the world that we [moviemakes] are all trying to create. Sometimes that's with synthesizers, and sometimes that's with French horns. I love using all of them, depending on the scenario.
Joseph Trapanese
#21. You look at love, and especially woman, as something hostile, something against which you put up a defense, even if unsuccessfully. You feel that their power over you gives you a sensation of pleasurable torture, of pungent cruelty. This is a genuinely modern point of view.
Leopold Von Sacher-Masoch
