Top 33 Tengo Quotes
#1. Tengo realized this was the first time he had ever heard anything resembling polite language from Fuka-Eri's mouth. No, it might not have been the first time, but he could not recall when he might have heard it before.
Haruki Murakami
#2. His father said nothing. Instead, he looked straight at Tengo as if he were reading a bulletin written in a foreign language.
1Q84, Murakami
Haruki Murakami
#3. This lady has deep feelings for Tengo, Ushikawa thought admiringly. Almost a kind of unconditional love. What would it feel like to be loved that deeply by someone else?
Haruki Murakami
#4. Tengo could hardly believe it
that in this frantic, labyrinth-like world, two people's hearts
a boy's and a girl's
could be connected, unchanged, even though they hadn't seen each other for twenty years.
Haruki Murakami
#6. My friend Phil Morrison directed a lot of my favorite videos back in the mid- to late-90s - all the Yo La Tengo videos that were funny, a Juliana Hatfield video. He was such an influence with me, and I wanted to do a video the way Phil used to do videos. I did that for Phil.
Tom Scharpling
#7. I'm certified as an instructor and I do teach courses at a cram school, but I'm not exactly a teacher. I write fiction, but I've never been published, so I'm not a writer yet, either." "You're nothing." Tengo nodded. "Exactly. For the moment, I'm nothing.
Haruki Murakami
#8. Wherever you go, whatever you do, you can never escape the pressure of this water. This memory defines who you are, shapes your life, and is trying to send you to a place that has been decided for you. You can writhe all you want, but you will never be able to escape from this power
Tengo
Haruki Murakami
#9. Tengo has an innate knack for precision in all realms, including correct punctuation and discovering the simplest possible formula necessary to solve a math problem.
Haruki Murakami
#10. Tengo had a gift for such work. He was a born technician, possessing both the intense concentration of a bird sailing through the air in search of prey and the patience of a donkey hauling water, playing always by the rules of the game.
Haruki Murakami
#11. During the writers' strike in 2007, we put on our own SNL episode there with old sketches. Michael Cera hosted, our musical guest was Yo La Tengo, and we gave Lorne a birthday cake as he sat in the audience.
Amy Poehler
#12. Tengo had no idea, of course, what Aomame had offered to the mood that time, but he could well imagine what the moon had given her: pure solitude and tranquility. That was the best thing the moon could give a person.
Haruki Murakami
#13. But still, he reflected, I ought to wash my pajamas more often. Life is so uncertain: you never know what could happen. One way to deal with that is to keep your pajamas washed.
Tengo, IQ84
Haruki Murakami
#14. I am hyper vigilant and would be dangerous if threatened ... If someone broke into my house or attacked me in the street, it's THEM I would fear for ... But as Yo La Tengo recently put it so succinctly: I am not afraid of you and I will beat your ass.
Haven Kimmel
#15. Tell me, Tengo, as a novelist, what is your definition of reality?" "When you prick a person with a needle, red blood comes out - that's the real world," Tengo replied.
Haruki Murakami
#16. He followed his daily routine, and she followed hers. But without her there, Tengo noticed a human-shaped void she had left behind.
Haruki Murakami
#17. Komatsu's view is that there are always two sides to everything," Tengo said. "A good side and a not-so-bad side.
Haruki Murakami
#18. A child should learn from early on what kind of activity supported his daily life, and he should appreciate the importance of labor. Tengo
Haruki Murakami
#19. Tengo made a point of asking people how old they were at the time of their first memory.
Haruki Murakami
#20. To Tengo, sexual desire was fundamentally an extension of a means of communication. And so, to look for sexual desire in a place where there was no possibility of communication seemed inappropriate to him.
Haruki Murakami
#21. Tengo was about to say something when he heard the connection cut. Everybody was hanging up on him. Like chopping down a rope bridge.
Haruki Murakami
#22. It is very simple, actually. It is because you and Tengo were so powerfully drawn to each other.
Haruki Murakami
#23. As he watched his father, Tengo started to have doubts about the difference between a person being alive and being dead. Maybe there really wasn't much of a difference to begin with, he though, maybe we just decided, for convenience's sake, to insist on a difference.
Haruki Murakami
#24. Tengo did not know for certain whether he wanted to be a professional novelist, nor was he sure he had the talent to write fiction. What he did know was that he could not help spending a large part of every day writing fiction. To him, writing was like breathing.
Haruki Murakami
#25. I don't really listen to the radio anymore, but some of the more contemporary people I like are Stereolab, Spiritualize, Yo La Tengo and Bedhead. There are other things too, like Pavement. They're a great band, with really good lyrics. But generally, I'm not overwhelmed by the state of indie-rock.
Dean Wareham
#26. I'm a slow learner. When people are so talented or facile at picking up an instrument and playing covers, like Yo La Tengo, I admire that. But I could never do that.
Kim Gordon
#27. I don't think it's a question of liking or disliking it," Tengo said ... "It was the one thing he was best at." "Hmm. I see," Kumi said. She pondered this. "But that might very well be the best way to live your life.
Haruki Murakami
#28. Cooking was not a chore for Tengo. He always used it as a time to think - about everyday problems, about math problems, about his writing, or about metaphysical propositions. He could think in a more orderly fashion while standing in the kitchen and moving his hands than while doing nothing.
Haruki Murakami
#29. What Tengo would have to do, it seemed, was take a hard, honest look at the past while standing at the crossroads of the present. Then he could create a future, as thought he were rewriting the past.It was the only way
Haruki Murakami
#31. But at some point Tengo noticed that returning to reality from the world of a novel was not as devastating a blow as returning from the world of mathematics.
Haruki Murakami
#32. As a teacher, Tengo pounded into his students' heads how voraciously mathematics demanded logic. Here things that could not be proven had no meaning, but once you had succeeded in proving something, the world's riddles settled into the palm of your hand like a tender oyster.
Haruki Murakami
#33. For some reason all the middle-aged women he knew were very efficient.
Haruki Murakami
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