
Top 33 Slumdog's Quotes
#1. I always wanted to make this film or another film. I thought the worst thing you could do was to react to Slumdog's success in some way. I thought it would be really foolish.
Danny Boyle
#2. I get invited to many more literary festivals than I used to because I'm associated with 'Slumdog Millionaire,' the brand. Many more doors have opened up for me as a result of the global success of the film, although I believe that I'm the same person that existed before it.
Vikas Swarup
#5. I'm a process server, so I have to wear a suit.
Seth Rogen
#6. Killing is a culturally loaded term, for most of us inextricably tied up with some version of a command that begins, "Thou shalt not." Every faith has it. And for all but perhaps the Jainists of India, that command is absolutely conditional. We know it does not refer to mosquitoes.
Barbara Kingsolver
#7. The casting of 'Slumdog Millionaire' is a dream. Anil Kapoor, as the sleazy TV host, diamonds winking in his earlobes, has never been better; the quietly understated Irrfan Khan turns in another bravura performance as the police inspector whose questioning brings out Jamal's story.
Shashi Tharoor
#8. I think 'Slumdog' was probably the first big film that happened in India, but even that seemed like a one-off thing.
Tena Desae
#9. One of the best things about the award season is that when a British film succeeds at the Oscars and BAFTAs, such as 'Slumdog Millionaire' in 2009 and 'The King's Speech' this year, the British public get right behind it with an immense sense of national pride.
Gurinder Chadha
#10. With false names, on the right nets, they could be anybody. Old men, middle-aged women, anybody, as long as they were careful about the way they wrote. All that anyone would see were the words, their ideas. Every citizen started equal, on the nets.
Orson Scott Card
#11. I don't know anything about the afterlife because I haven't been there yet.
Marina Abramovic
#12. Well, what do you know," Pham said. "Butterflies in jackboots.
Vernor Vinge
#13. The film 'Slumdog Millionaire' portrays the spirit you feel in India. For those who haven't been there, the film says it all.
Lynda Resnick
#14. How many more cars, clothes, toys and trinkets do we really need before we wake up and realize that half the world goes to bed every night with empty stomachs and naked bodies?
K.P. Yohannan
#15. 'Slumdog' was my first movie, and I had never been to India before - I was just a teenager in the U.K. with my headphones and my Nike shoes. What did I know about growing up in a slum?
Dev Patel
#16. I suppose I was affected by raw sounds and timbres more than a lot of other composers. Had I been involved with orchestral composing, I think the aspect that would have most endeared me to that field would have been the orchestration.
Wendy Carlos
#17. Above all, Danny Boyle's 'Slumdog Millionaire' is the work of an artist at the peak of his powers. India is his palette, and Mumbai - that teeming 'maximum city', with 19 million strivers on the make, jostling, scheming, struggling and killing for success - is his brush.
Shashi Tharoor
#19. I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
Salman Rushdie
#20. I'm not ugly, but I'm far from pretty.
Kwon Yuri
#21. We can't deny that films have a bigger reach. After the popularity of the 'Slumdog Millionaire,' a lot of people started reading Vikas Swarup's 'Q & A'. From a business sense, films are a good tool to increase the number of readers.
Ashwin Sanghi
#23. The line of head is strong, but the line of heart is weak. And most importantly, the line of life is short. The stars do not seem to be right.
Vikas Swarup
#24. Everything big-budget or stereotypical I was offered after 'Slumdog Millionaire' was a huge no-no.
Freida Pinto
#25. This oxidation of hydrogen in stages seems to be one of the basic principles of biological oxidation.
Albert Szent-Gyorgyi
#26. I think that I altered history in 'Elizabeth,' and I interpreted history far more than Danny Boyle or Richard Attenborough did to 'Slumdog Millionaire' or 'Gandhi.' They took Indian novels or Indian characters and very much stayed within the Indian diaspora.
Shekhar Kapur
#27. The question is - did Richard Attenborough have a right to make 'Gandhi?' And did Danny Boyle have a right to make 'Slumdog Millionaire?' Quite honestly, if they didn't have the right to make these films, I had no right to make 'Elizabeth.'
Shekhar Kapur
#28. In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the city, the handheld camerawork is amazing. A handheld camera is perfect for establishing point-of-view and for instilling the feeling that you are there.
Vilmos Zsigmond
#29. 'City of God' and 'Slumdog Millionaire' are both films that I really like, but they are stylistically the opposite of what I wanted to do.
Cary Fukunaga
#30. When I was a teenager, the number one book I was most obsessed with was 'Gone with the Wind.'
Rachel Cohn
#33. I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.
Vilmos Zsigmond
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