Top 34 Sirk Quotes
#1. The ghastly mother-in-law is well represented by a little comedy film of 1952: No Room for the Groom, directed by Douglas Sirk, the fine German director more famous for his melodramas that humanely criticize American morals and values.
Jeanine Basinger
#2. Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Rainer Werner Fassbinder
#4. Whereas with Sirk, everything is always filmed. No matter what the script, he's always a real director.
Jacques Rivette
#5. There arose a belief in style - and in banality. Banality encompassed politics, too, because it was a common belief that politics were not worthy of art.
Douglas Sirk
#6. Intellectualism came very late to America. That's why Americans are so proud of it. I found very few real intellectuals in America. But there are so many pseudo-intellectuals.
Douglas Sirk
#7. In the 19th century, you had bourgeois art without politics - an almost frozen idea of what beauty is.
Douglas Sirk
#8. I think the great artists (..) have always thought with the heart.
Douglas Sirk
#9. I never regarded my pictures as very much to be proud of, except in this, the craft, the style.
Douglas Sirk
#10. These happy endings all express the weak and sly promise that the world is not rotten and out of joint but meaningful and ultimately in excellent condition.
Douglas Sirk
#11. Yes, I was hired by Universal because they needed a comedy director. They had seen Scandal and liked it. I saw an opportunity even in those comedies to begin my project of American films.
Douglas Sirk
#12. The war was the end of an era, in art as well. And we were trying to create a new philosophy.
Douglas Sirk
#13. At the time I belonged to the socialist party, and Hitler came to power.
Douglas Sirk
#14. This is the dialectic - there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.
Douglas Sirk
#15. For a house, somewhere near Los Angeles I found an old church. Very old, no longer used. So we moved the church to the land, and I took off the steeple, and I got my hands dirty.
Douglas Sirk
#16. And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world.
Douglas Sirk
#17. I worked for UFA as a set designer, you know.
Douglas Sirk
#18. Throughout my pictures I employ a lighting which is not naturalistic.
Douglas Sirk
#19. At the same time, of course, Marxism arose - Rosa Luxembourg, Leninism, anarchism - and art became political.
Douglas Sirk
#20. And in movies you must be a gambler. To produce films is to gamble.
Douglas Sirk
#21. So slowly in my mind formed the idea of melodrama, a form I found to perfection in American pictures. They were naive, they were that something completely different. They were completely Art-less.
Douglas Sirk
#22. I think the great artists, especially in literature, have always thought with the heart.
Douglas Sirk
#23. Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.
Douglas Sirk
#24. My idea at this time, which was slowly developing, was to create a comedie humaine with little people, average people - samples from every period in American life.
Douglas Sirk
#25. A director in Hollywood in my time couldn't do what he wanted to do.
Douglas Sirk
#26. Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.
Douglas Sirk
#27. But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them.
Douglas Sirk
#28. There is a wonderful expression: seeing through a glass darkly. Everything, even life, is inevitably removed from you. You can't reach, or touch, the real. You just see reflections
Douglas Sirk
#29. I was making films about American society, and it is true that I never felt at home there, except perhaps when my wife and I lived on a farm in the San Fernando Valley.
Douglas Sirk
#30. I considered that the homes that people live in exactly describe their lives.
Douglas Sirk
#31. Rock Hudson was not an educated man, but that very beautiful body of his was putty in my hands.
Douglas Sirk
#32. Your characters have to remain innocent of what your picture is after.
Douglas Sirk
#33. If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.
Douglas Sirk
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