Top 52 Ruben Blades Quotes
#1. I was always interested in trying to find how different genres would affect the lyrics that I'd written. Salsa is where most of my songs have been recorded, the genre of salsa. It's very frenetic, fast-paced. And I felt that the lyrics sometimes were being lost.
Ruben Blades
#2. Everyone comes back. It makes no difference how far we wander, we always have our country, our land, in our souls and our minds.
Ruben Blades
#4. I think in New York we had respect and we would pretty much fill up the places where we went, but I never got the sense that we really were Number 1 here in New York among the Latin crowds.
Ruben Blades
#5. So that when I came to New York again, it was, I'm not too sure right now, but it was '74 or '75. I went to Miami in '74 and then I came to New York, I think, at the end of '74.
Ruben Blades
#6. At a certain point, people in Panama thought that everything was going to be solved as soon as Noriega was gone. Of course, the disappointment was huge.
Ruben Blades
#7. So that when I came from Panama ... my family was exiled in 1973 and they went to Miami.
Ruben Blades
#8. What I do not accept is the fact that so many people's talents were ripped off.
Ruben Blades
#9. So I went to Miami in '74 with my family and while I was there it became obvious that we needed money and we needed to do something, because my family, we left without anything really, and we didn't have any money to begin with.
Ruben Blades
#10. We had something to say. Whenever we played, people didn't dance, they listened.
Ruben Blades
#11. I really think that music itself, being one of the greatest possible vehicles for mass communication, should be probed to its extremes, to see how effective it can actually become, which is one of the reasons why I became also interested in presenting political points of view.
Ruben Blades
#12. People are a lot smarter than anyone gives them credit for being.
Ruben Blades
#13. I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.
Ruben Blades
#14. Tortured characters are, I think, an actor's dream.
Ruben Blades
#15. Basically, I would like to be considered for roles that are well-written. I think that part of the problem that we've had as actors is that they insist on looking at us as Latino actors and not as actors, period.
Ruben Blades
#16. A lot of times you're just conditioned by what's around you.
Ruben Blades
#17. Not everybody goes to government to serve themselves and not their country.
Ruben Blades
#18. It doesn't make sense for me to be a lawyer in a place where there is no law.
Ruben Blades
#19. I think being born in Panama was a blessing because Panama is a port city. It's a really - the mentality is that - I remember that of admitting things in. You know, ports, ideas come in and out all the time.
Ruben Blades
#20. I'm planning to retire from salsa. I'm planning to do a farewell tour.
Ruben Blades
#21. I was never particularly a part of the following of tango; I just liked it ... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.
Ruben Blades
#22. In general, both in Spanish and English, the quality of the entertainment media is horrible.
Ruben Blades
#23. In those days the big U.S. labels didn't have any particular interest in the Latin market.
Ruben Blades
#24. So that I saw music as a way of documenting realities from the urban cities of Latin America.
Ruben Blades
#25. There was no television, so the radio provided you with everything.
Ruben Blades
#26. There's something about the tango that brings even more emotion out of the lyrics.
Ruben Blades
#27. My mother never finished elementary school. My father didn't, and that was a reality for many of us.
Ruben Blades
#28. And music was a very important part of our lives. The radio was on all day.
Ruben Blades
#29. You know, it was uncomfortable doing the same thing. I don't like a rut.
Ruben Blades
#30. They're making a ton of money, and no one is getting a nickel.
Ruben Blades
#31. I was born in Panama, the Republic of Panama, on July 16, 1948 in Panama City, in an area called San Felipe.
Ruben Blades
#32. I was a kid, and I remember my mother singing. She was also a radio soap opera actress, but my mother sang.
Ruben Blades
#33. I decided we should book ourselves, so I started booking the band.
Ruben Blades
#34. Anywhere you had a commerce center, you had a lot of music.
Ruben Blades
#35. Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic music with a tremendous emphasis on copying the Cuban models.
Ruben Blades
#36. It was very interesting, and we went to Germany and we toured Germany like we were a German band in 1985.
Ruben Blades
#37. The grandmother, the mother, the worker, the student, the intellectual, the professional, the unemployed, everybody identified with the songs because they were descriptions of life in the city.
Ruben Blades
#38. So everything that ever happened, we knew about in Panama.
Ruben Blades
#39. I didn't do drugs, I never did do drugs. Never. I don't have any story of drugs, you know, to speak of. Never did drugs, never was interested in drugs and then I wasn't interested in the people around the drugs.
Ruben Blades
#40. So that in 1974, when I graduated as a lawyer, I figured I'm not going to be a lawyer under a military regime.
Ruben Blades
#41. Rock is young music, it is youth oriented. It just speaks for a generation.
Ruben Blades
#42. But, when I was about thirteen, I began to sort of sing in my neighborhood.
Ruben Blades
#43. To fix Panama, you need more than charisma and records: you need a program of action.
Ruben Blades
#44. Tango was very popular in Panama at the time when I was growing up. In the Fifties in Panama, the radio stations played all types of music.
Ruben Blades
#45. It's almost as if people think that in Latin America we're not hip to what's happening here.
Ruben Blades
#46. Yes, I was going to law school and it was closed in '69.
Ruben Blades
#47. I don't accept ideologies that are not a product of consensus. I don't have an ideology, but I do have a sense of what's right and what's wrong.
Ruben Blades
#48. The first time I played was in Buenos Aires - was in 1983. The dictatorship was in position.
Ruben Blades
#49. There was a lot of stuff happening in Havana that was being heard and appreciated by New Orleans musicians because of this situation. And vice versa.
Ruben Blades
#50. Everyone has a black guy inside them. Mine is a Cuban sonero who is 80-something years old and sings better than I do. His name is Medoro Madera. Medoro has been recording since 1997.
Ruben Blades
#51. And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.
Ruben Blades
#52. What is interesting in this is the exchange of music that occurred between New Orleans and Cuba, I mean, they had ferries that would go from one port to another.
Ruben Blades
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