Robert Longo Quotes

#1. The artist has to be a guardian of the culture.

Robert Longo

#2. As an artist - I'm sure like most creative people - you have a kind of board of directors that you make your work for. It's a group of people that you have, these friends, and you want to know what they think. In a weird way, you're making the work for them.

Robert Longo

#3. I think the pursuit of trying to understand things is really a critical issue. I see the issue of life and death in everything I do. I'm trying to find answers. It can be quite frustrating.

Robert Longo

#4. I started realizing I have enough history that some of it has been forgotten.

Robert Longo

#5. Art is a form of understanding like philosophy and science and mathematics are an understanding but the difference is that art has the capacity to hold all these different things. It is the form of understanding that is best suited for the contemporary time.

Robert Longo

#6. It's been like therapy to be able to play music and not embarrass my children too much. They've come to a bunch of the shows. It's kind of cool. I'm glad they like it.

Robert Longo

#7. The great thing about doing a show in New York is that you can work until the night before.

Robert Longo

#8. My degree was in sculpture. I always think that drawing is a sculptural process. I always feel like I'm carving the image out rather than painting the image. I'm carving it out with erasers and tools like that. I've always had this fondness for sculpture.

Robert Longo

#9. I'm trying to find answers. It can be quite frustrating, but at the same time, I'm never quite satisfied with what I'm doing, so I'm always looking for the next thing.

Robert Longo

#10. Is it a reproach on the form of our discipleship that the exhibition of actual suffering for Jesus on the part of those who walk in His steps always provokes astonishment as at the sight of something very unusual?

Charles M. Sheldon

#11. I've been dealing with epic images, and I realized all of a sudden that I grew up in the age of epics.

Robert Longo

#12. Stay away from excellence at all costs; it stinks.

Michael Leunig

#13. An artist should know art history. Shock value only lasts so long.

Robert Longo

#14. What lingers from the parent's individual past, unresolved or incomplete, often becomes part of her or his irrational parenting.

Virginia Satir

#15. I had a strong, really good upbringing, not puritanical.

Tom Selleck

#16. Education, in its highest sense, is conscious training of mind or body to act unconsciously. It is conscious formation of mental habits, not mere acquisition of information.

William George Jordan

#17. And I'm sort of deconstructing the process of what marks came first, what came later. Every aspect of the image is interesting to me to dissect and understand.

Robert Longo

#18. So in my uncertainty, I went to graduate school and there it all happened.

Ted Nelson

#19. I find that all these subjects that I'm dealing with tend to lead me to religion and politics one way or another. It's not something that I necessarily want to address, but it seems like it's screaming at me to pay attention to it.

Robert Longo

#20. It's really clear to me that you can't hang onto something longer than its time. Ideas lose certain freshness, ideas have a shelf life, and sometimes they have to be replaced by other ideas.

Alan Alda

#21. A lot of us grew up in public. That often means that you have to fail in public too.

Robert Longo

#22. The thing that's interesting as you get older as an artist is that the biggest challenge seems to be: how do you stay relevant?

Robert Longo

#23. We singers have a different level of responsibility from other musicians. We have words that we must convey; we have meanings that we must convey through these lyrics.

Jessye Norman

#24. Whether with Reason, or with Instinct blest, Know, all enjoy that pow'r which suits them best.

Alexander Pope

#25. I do have great respect for painting, but I am definitely not a painter. I make drawings of paintings, and I'm jealous of painting for sure, but, for me, the paper gives my work a limit.

Robert Longo

#26. When I look back on everything I've done, it all somehow makes sense to me. But it doesn't make sense when you're actually doing it.

Robert Longo

#27. When I get home and turn on the radio, I hear songs that are new to me, but to everybody else they're old. I try to keep the music fresh in my head.

Chamillionaire

#28. An artist can have an intention, but the viewer has their own subjective experience.

Robert Longo

#29. If you're fortunate enough with your history, like with Men in the Cities, your work becomes so absorbed in culture that the authorship of it doesn't exist anymore.

Robert Longo

#30. I can't come up with the titles. My wife hates my titles. She doesn't even want to know about them.

Robert Longo

#31. You make the work for yourself first and the next line is the people you trust, and you know that they're going to tell you what they feel. They let you know if you're dishing bullshit or if it's real.

Robert Longo

#32. I made a body of work, which was like trying to make movies on a wall and was made up of all different images and materials. I had the aspiration to make movies because I thought that was the cycle. I had this insane egomaniac idea that I could make movies because I made these gigantic art projects.

Robert Longo

#33. The translation process becomes a highly subjective thing - turning reds and blues into black-and-whiteness. It's really bizarre for me.

Robert Longo

#34. It's weird making a drawing of painting. I start to realize that charcoal is this incredibly fragile material. I'm making images of paintings out of dust.

Robert Longo

#35. Unless you've touched a corpse before, you can't comprehend the visceral wrongness of inert flesh wrapped around an inanimate object that wears your mother's face.

Elan Mastai

#36. I always imagine that I want to make art that is going to kill you,whether it's going to do it visually or physically, I'll take either way.

Robert Longo

#37. The ebb and flow as an artist is a bizarre experience, for sure. I was lucky enough to become successful pretty young - in late '79, 1980 - with a body of work that got recognized and became an archetype.

Robert Longo

#38. Dying young is the easy way out. It's much harder to keep your edge and keep it going.

Robert Longo

#39. There are no guidelines for what happens when you get successful as an artist. My heroes were artists like Acconci, and he didn't make any money. That's what I thought success was.

Robert Longo