Top 92 Quotes About Vitruvius

#1. The architect who really designs for a human being has to know a great deal more than just the Five Canons of Vitruvius.

Richard Neutra

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#2. Propriety is that perfection of style which comes when a work is authoritatively constructed on approved principles. It arises from prescription, from usage, or from nature.

Marcus Vitruvius Pollio

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#3. Music assists him in the use of harmonic and mathematical proportion.

Vitruvius

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#4. There are also half bricks ... As the bricks are always laid so as to break joints, this lends strength and a not unattractive appearance to both sides of such walls.

Marcus Vitruvius Pollio

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#5. A harmonious design requires that nothing be added or taken away.

Marcus Vitruvius Pollio

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#6. But as for me, Emperor, nature has not given me stature, age has marred my face, and my strength is impaired by ill health. Therefore, since these advantages fail me, I shall win your approval, as I hope, by the help of my knowledge and my writings.

Marcus Vitruvius Pollio

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#7. The leaves of these [larch] trees are like those of the pine; timber from them comes in long lengths, is as easily wrought in joiner's work as is the clearwood of fir, and contains a liquid resin, of the color of Attic honey, which is good for consumptives .

Marcus Vitruvius Pollio

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#8. Architecture depends on Order, Arrangement, Eurythmy, Symmetry , Propriety , and Economy.

Marcus Vitruvius Pollio

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#9. Thus by such victory, not by machines but in oppositions to the principle to the principles of machines, has the freedom of states been preserved by the cunning of architects.

Marcus Vitruvius Pollio

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#10. At Jaffa in Syria and among the Nomads in Arabia , are lakes of enormous size that yield very large masses of asphalt, which are carried off by the inhabitants thereabouts.

Marcus Vitruvius Pollio

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#11. Oak ... lasts for an unlimited period when buried in underground structures ... when exposed to moisture ... it cannot take in liquid on account of its compactness, but, withdrawing from the moisture, it resists it and warps, thus making cracks.

Marcus Vitruvius Pollio

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#12. A liberal education forms ... a single body. Those, therefore, who from tender years receive instruction in the various forms of learning, recognize the same stamp on all the arts, and an intercourse between all studies, and so they more readily comprehend them all.

Marcus Vitruvius Pollio

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#13. Proportion is that agreeable harmony between the several parts of a building, which is the result of a just and regular agreement of them with each other; the height to the width, this to the length, and each of these to the whole.

Vitruvius

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#14. The thickness of the walls should be sufficient for two armed men to pass each other with ease.

Vitruvius

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#15. I, therefore, O Caesar, do not publish this work, merely prefixing my name to a treatise which of right belongs to others, nor think of acquiring reputation by finding fault with the works of any one.

Vitruvius

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#16. Nothing requires the architect's care more than the due proportions of buildings.

Vitruvius

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#17. Harmony is an obscure and difficult musical science, but most difficult to those who are not acquainted with the Greek language; because it is necessary to use many Greek words to which there are none corresponding in Latin.

Vitruvius

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#18. Bricks should be made in Spring or Autumn so that they may dry uniformly.

Marcus Vitruvius Pollio

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#19. In fact, all kinds of men, and not merely architects, can recognize a good piece of work ...

Marcus Vitruvius Pollio

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#20. Next I must tell about the machine of Ctesibius, which raises water to a height.

Marcus Vitruvius Pollio

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#21. In the midst of all this great variety of subjects, an individual cannot attain to perfection in each, because it is scarcely in his power to take in and comprehend the general theories of them.

Marcus Vitruvius Pollio

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#22. As for philosophy, it makes an architect high-minded and not self-assuming, but rather renders him courteous, just, and honest without avariciousness. This is very important, for no work can be rightly done without honesty and incorruptibility.

Marcus Vitruvius Pollio

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#23. Bodies which contain a greater proportion of water than is necessary to balance the other elements, are speedily corrupted, and lose their virtues and properties.

Vitruvius

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#24. In order that the mortar in the joints may not suffer from frosts, drench it with oil-dregs every year before winter begins. Thus treated, it will not let the hoarfrost enter it.

Marcus Vitruvius Pollio

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#25. Care should be taken that all buildings are well lighted: in those of the country this point is easily accomplished, because the wall of a neighbour is not likely to interfere with the light.

Vitruvius

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#26. Architects should be educated, skillful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens

Marcus Vitruvius Pollio

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#27. With the ripening of the fruits in Autumn the leaves begin to wither and the trees, taking up their sap from the earth through the roots, recover themselves and are restored to their former solid texture. But the strong air of winter compresses and solidifies them.

Marcus Vitruvius Pollio

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#28. Architect's designs must refer to the unquestionable perfection of the body's symmetry and proportions. If a building is to create a sense of eurythmia, it is essential that it mirrors these natural laws of harmony and beauty

Marcus Vitruvius Pollio

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#29. Water from clay pipes is much more wholesome than that which is conducted through lead pipes, because lead is found to be harmful for the reason that white lead is derived from it, and this is said to be hurtful to the human system.

Marcus Vitruvius Pollio

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#30. The design of a temple depends on symmetry , the principles of which must be most carefully observed by the architect.

Marcus Vitruvius Pollio

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#31. Cold winds are disagreeable, hot winds enervating, moist winds unhealthy.

Marcus Vitruvius Pollio

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#32. For siege works against bold and venturesome men should be constructed on one plan, on another against cautious men, and on still another against the cowardly.

Marcus Vitruvius Pollio

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#33. Beauty is produced by the pleasing appearance and good taste of the whole, and by the dimensions of all the parts being duly proportioned to each other.

Vitruvius

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#34. An easy approach to the walls must be provided against: indeed they should be surrounded by uneven ground, and the roads leading to the gates should be winding and turn to the left from the gates.

Vitruvius

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#35. Basilicas should be constructed on a site adjoining the forum and in the warmest possible quarter, so that in winter business men may gather in them without being troubled by the weather.

Marcus Vitruvius Pollio

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#36. Nothing suffers annihilation, but at dissolution there is a change, and things fall back to the essential element in which they were before.

Marcus Vitruvius Pollio

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#37. If our designs for private houses are to be correct, we must at the outset take note of the countries and climates in which they are built.

Marcus Vitruvius Pollio

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#38. From food and water, then, we may learn whether sites are naturally unhealthy or healthy.

Marcus Vitruvius Pollio

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#39. Altars should face the east, and should always be placed on a lower level than are the statues in the temples, so that those who are praying and sacrificing may look upwards towards the divinity.

Marcus Vitruvius Pollio

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#40. Economy consists in a due and proper application of the means afforded according to the ability of the employer and the situation chosen; care being taken that the expenditure is prudently conducted.

Vitruvius

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#41. In accordance with the foregoing investigations on mathematical principles, let bronze vessels be made, proportionate to the size of the theatre, and let them be so fashioned that, when touched, they may produce with one another the notes of the fourth, the fifth, and so on up the double octave.

Marcus Vitruvius Pollio

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#42. There are also in some places springs which have the peculiarity of giving fine singing voices to the natives, as at Tarsus in Magnesia and in other countries of that kind.

Marcus Vitruvius Pollio

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#43. Noting all these things with the great delight which learning gives, we cannot but be stirred by these discoveries when we reflect upon the influence of them one by one.

Marcus Vitruvius Pollio

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#44. In Sparta , paintings have been taken out of certain walls by cutting through the bricks, then have been placed in wooden frames, and so brought to the Comitium to adorn the aedileship of [C. Visellius] Varro and [C. Licinius] Murena.

Marcus Vitruvius Pollio

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#45. But I, Caesar, have not sought to amass wealth by the practice of my art, having been rather contented with a small fortune and reputation, than desirous of abundance accompanied by a want of reputation.

Vitruvius

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#46. The [engineer] should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory.

Marcus Vitruvius Pollio

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#47. The proper form of economy must be observed in building houses for each and every class.

Marcus Vitruvius Pollio

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#48. Burn shavings and splinters of pitch pine, and when they turn to charcoal, put them out, and pound them into mortar with size. This will make a pretty black for fresco painting.

Marcus Vitruvius Pollio

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#49. The third order, called Corinthian , is an imitation of the slenderness of a maiden; for the outlines and limbs of maidens, being more slender on account of their tender years, admit of prettier effects in the way of adornment.

Marcus Vitruvius Pollio

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#50. This was how Dinocrates, recommended only by his good looks and dignified carriage, came to be so famous. But as for me, Emperor, nature has not given me stature, age has marred my face, and my strength is impaired by ill health.

Vitruvius Pollio

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#51. The construction of temples of the Ionic order to Juno , Diana , Father Bacchus, and the other gods of that kind, will be in keeping with the middle position which they hold; for the building of such will be an appropriate combination of the severity of the Doric and the delicacy of the Corinthian .

Marcus Vitruvius Pollio

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#52. The temple of Ceres should be in a solitary spot out of the city, to which the public are not necessarily led but for the purpose of sacrificing to her.

Vitruvius

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#53. For not all things are practicable on identical principles

Marcus Vitruvius Pollio

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#54. There are ... many ... names for winds derived from localities or from the squalls which sweep from rivers or down mountains.

Marcus Vitruvius Pollio

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#55. I am moreover inclined to be concise when I reflect on the constant occupation of the citizens in public and private affairs, so that in their few leisure moments they may read and understand as much as possible.

Vitruvius

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#56. Dimension regulated the general scale of the work, so that the parts may all tell and be effective.

Vitruvius

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#57. Heat is a universal solvent, melting out of things their power of resistance, and sucking away and removing their natural strength with its fiery exhalations so that they grow soft, and hence weak, under its glow.

Marcus Vitruvius Pollio

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#58. It is no secret that the moon has no light of her own, but is, as it were, a mirror, receiving brightness from the influence of the sun.

Marcus Vitruvius Pollio

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#59. Consistency is found in that work whose whole and detail are suitable to the occasion. It arises from circumstance, custom, and nature.

Vitruvius

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#60. Perhaps, to the uninformed, it may appear unaccountable that a man should be able to retain in his memory such a variety of learning; but the close alliance with each other, of the different branches of science, will explain the difficulty.

Vitruvius

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#61. Architecture is a science arising out of many other sciences, and adorned with much and varied learning; by the help of which a judgment is formed of those works which are the result of other arts.

Vitruvius

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#62. If then, at this great distance, our human vision can discern that sight, why, pray, are we to think that the divine splendor of the stars can be cast into darkness?

Marcus Vitruvius Pollio

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#63. As regards the efficacy of the art and the theories of it, I promise and expect that in these volumes I shall undoubtedly show myself of very considerable importance not only to builders but also to all scholars.

Marcus Vitruvius Pollio

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#64. From prescription, in the case of hypaethral edifices, open to the sky, in honor of Jupiter Lightning, the Heaven, the Sun, or the Moon: for these are gods whose semblances and manifestations we behold before our very eyes in the sky when it is cloudless and bright.

Marcus Vitruvius Pollio

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#65. Now architecture consists of order, which in Greek is called taxis ... Order is the balanced adjustment of the details of the work separately, and, as to the whole, the arrangement of the proportion with a view to a symmetrical result.

Marcus Vitruvius Pollio

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#66. When the juices of trees have no means of escape, they clot and rot in them, making the trees hollow and good for nothing.

Marcus Vitruvius Pollio

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#67. Some have held that there are only four winds: Solanus from the east; Auster from the south; Favonius from due west; Septentrio from the north. But more careful investigators tell us that there are eight.

Marcus Vitruvius Pollio

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#68. Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance.

Vitruvius

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#69. Wind is a floating wave of air, whose undulation continually varies.

Vitruvius

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#70. Some springs are acid, as at Lyncestus and in Italy in the Velian country, at Teano in Campania, and in many other places. These when used in drinks have the power of breaking up stones in the bladder, which form in the human body.

Marcus Vitruvius Pollio

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#71. When it passes towards the east, the sun begins to have less effect upon it, and a thin line on the edge of its bright side emits its splendour towards the earth.

Vitruvius

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#72. There will be no propriety in the spectacle of an elegant interior approached by a low mean entrance.

Marcus Vitruvius Pollio

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#73. Quicksilver is used for many purposes; without it, neither silver nor brass can be properly gilt.

Vitruvius

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#74. From the exterior face of the wall towers must be projected, from which an approaching enemy may be annoyed by weapons, from the embrasures of those towers, right and left.

Vitruvius

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#75. The lanes and streets of the city being set out, the choice of sites for the convenience and use of the state remains to be decided on; for sacred edifices, for the forum, and for other public buildings.

Vitruvius

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#76. The fact is that pictures which are unlike reality ought not be approved, and even if they are technically fine, this is no reason why they should offhand be judged to be correct, if their subject is lacking in the principles of reality carried out with no violations.

Marcus Vitruvius Pollio

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#77. I think that men have no right to profess themselves architects hastily, without having climbed from boyhood the steps of these studies and thus, nursed by the knowledge of many arts and sciences, having reached the heights of the holy ground of architecture.

Vitruvius

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#78. Some people do indeed say that Eratosthenes could not have inferred the true measure of the earth. Whether true or untrue, it cannot affect the truth of what I have written on the fixing of the quarters from which the different winds blow.

Marcus Vitruvius Pollio

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#79. There are also kinds of water that cause death, as they run through harmful juices in the soil and become poisonous.

Marcus Vitruvius Pollio

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#80. Pytheos made a mistake by not observing that the arts are each composed of two things, the actual work and the theory of it. One of these, the doing of the work, is proper to men trained in the individual subject, while the other the theory is common to all scholars.

Marcus Vitruvius Pollio

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#81. The oak ... has not the efficacy of the fir , nor the cypress that of the elm .

Marcus Vitruvius Pollio

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#82. While all bodies are composed of the four elements, that is, of heat, moisture, the earthy, and air, yet there are mixtures according to natural temperament which make up the natures of all the different animals of the world, each after its kind.

Marcus Vitruvius Pollio

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#83. The architect must not only understand drawing, but music.

Marcus Vitruvius Pollio

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#84. All machinery is derived from nature, and is founded on the teaching and instruction of the revolution of the firmament.

Marcus Vitruvius Pollio

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#85. Of course, we need not be surprised if artistic excellence goes unrecognized on account of being unknown; but there should be the greatest indignation when, as often, good judges are flattered by the charm of social entertainments into an approbation which is a mere a pretence.

Marcus Vitruvius Pollio

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#86. In all matters but particularly in architecture ... that which is signified is the subject of which we may be speaking and that which gives significance is a demonstration on scientific principles ... One who professes himself an architect should be well versed in both directions.

Marcus Vitruvius Pollio

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#87. Since, therefore, individuals as well as the public are so indebted to these writers for the benefits they enjoy, I think them not only entitled to the honour of palms and crowns, but even to be numbered among the gods.

Vitruvius

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#88. An architect ought to be an educated man so as to leave a more lasting remembrance in his treatises.

Marcus Vitruvius Pollio

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#89. For we must not build temples according to the same rules to all gods alike, since the performance of the sacred rites varies with the various gods.

Marcus Vitruvius Pollio

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#90. For an object under the eye will appear very different from the same object placed above it; in an inclosed space, very different from the same in an open space.

Vitruvius

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#91. In setting out the walls of a city the choice of a healthy situation is of the first importance: it should be on high ground, neither subject to fogs nor rains; its aspects should be neither violently hot nor intensely cold, but temperate in both respects.

Vitruvius

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#92. Marble is not alike in all countries.

Vitruvius

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