Quotes About Varda

#1. If the purpose of the stumpy little NFT theatre under Waterloo Bridge is not to acquaint young audiences with Ozu, with Ophuels, with D. W. Griffith and with Agnes Varda, then what exactly does it exist for?

David Hare

#2. [My favourite are] the films of Agnes Varda, because of her sense of humor and the intimate, personal way she tells her stories. She is brave in taking creative risks, and her curiosity in others is so contagious. This brings me closer to the subjects in her films.

Maya Goded

#3. Agnes Varda changed my view of cinema; she directs from an artistic point of view, and a film is most of all the expression of an artistic director. I learnt to enter the world and the imagination of a director.

Julie Gayet

#4. Atra esterni' ono thelduin
Mor' rana li'fa unin hjarta onr
Un du evari'nya ono varda
(May good fortune rule over you
peace live in your heart
may the stars watch over you)

Christopher Paolini

#5. I'm trying to capture something more fragile than a regular story. I love what people bring me.

Agnes Varda

#6. I live in cinema. I feel I've lived here forever.

Agnes Varda

#7. At that time, when I started, in the '50s, cinema was very classical in its aims.

Agnes Varda

#8. I don't watch my own films. There is little time; I'd rather see another film.

Agnes Varda

#9. You have to be strong to be a carpenter, maybe, but the director of a film doesn't need to have muscles.

Agnes Varda

#10. I quit seeing some people who were saying bad things about women; I don't even want to meet them or see them.

Agnes Varda

#11. Nostalgia doesn't make sense, because it's like bringing the memories back to be a special part of my day or to be part of my week. And I'm inside my memories the same way I'm inside my everyday life.

Agnes Varda

#12. Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It's just going through my body of work as something I can pick from.

Agnes Varda

#13. It's interesting work for me to tell my life, as a possibility for other people to relate it to themselves - not so much to learn about me.

Agnes Varda

#14. I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.

Agnes Varda

#15. I'm interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.

Agnes Varda

#16. It's peaceful to think about the family as a group. I totally believe in extended families.

Agnes Varda

#17. If we opened people up, we'd find landscapes.

Agnes Varda

#18. This is all you need in life: a computer, a camera, and a cat.

Agnes Varda

#19. I'm myself - knowing I'm doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers. We got along very well without trying to make me look like I'm what I'm not.

Agnes Varda

#20. Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."

Agnes Varda

#21. I'd been educated stupidly, I knew nothing about nothing, that's part of being shy.

Agnes Varda

#22. I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo - and I kept it all my life!

Agnes Varda

#23. To change history is very slow. The first two times I came to the States - black people didn't have the right to vote.

Agnes Varda

#24. Sometimes I feel sad, but this is not nostalgia, because I don't want time to come back.

Agnes Varda

#25. I go back to many films that I really love. Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don't watch, unless I need them.

Agnes Varda

#26. The story of a couple is always very fragile, especially over more than thirty years. People know it's not easy, and even though you have strong feeling and desire and endless love, it doesn't always happen.

Agnes Varda

#27. If you know nothing, it could be like an enemy in a way. I think that's the way I felt when I was young.

Agnes Varda

#28. I made a braid because Chinese old people, they say that the God will take you by the hair to join you with - but God didn't take me, so I cut the braid.

Agnes Varda

#29. I know people could tell incredible stories. People have been in concentration camps, or women being raped, or a man going to war and not recovering from it. People have been robbed and beaten. A lot of people have had strong events in their life, which I didn't.

Agnes Varda

#30. In my films I always wanted to make people see deeply. I don't want to show things, but to give people the desire to see.

Agnes Varda

#31. Sometimes I want to work with a DP, sometimes I want to work myself. I go to 35mm, 16mm, it's all the same, but it depends on what you want to tell and what are the tools you need.

Agnes Varda

#32. I didn't go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.

Agnes Varda

#33. I never met Publo Picasso. I took pictures at the Festival d'Avignon, but I was too shy to ask to go in his studio. It does not look like me now, but I was very shy, and shy of men also. I think there was a world that frightened me totally.

Agnes Varda

#34. Cinema is my home. I think I've always lived in it.

Agnes Varda

#35. I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.

Agnes Varda

#36. Happiness is a beautiful fruit that tastes of cruelty.

Agnes Varda

#37. I think I got people confidence because I was not looking at them like insects that I would film.

Agnes Varda

#38. I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn't want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.

Agnes Varda

#39. Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.

Agnes Varda

#40. You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing. But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.

Agnes Varda

#41. I hated myself totally white. So now I cheat. It's my white hair, and I put color there. My grandson says I'm punk.

Agnes Varda

#42. I should say nothing! I'm through with it! I hate to repeat myself all the time.

Agnes Varda

#43. I think I did fifteen long features and fifteen documentaries, or something like this, which is very little when you think of people making a film every year. Some people have done fifty or sixty films.

Agnes Varda

#44. The freedom he gave himself to work and change shape and change ideas and work all the time with joy, the joy of painting was in [Publo] Picasso, which I found beautiful.

Agnes Varda

#45. It's a way of living, sharing things with people who work with me, and they seem to enjoy it.

Agnes Varda

#46. You have to invent life.

Agnes Varda

#47. I wanted to speak strongly about feminism in my life, since it's been a struggle.

Agnes Varda

#48. It's a way of living, cinema. And I see my family, I do this and that, I travel. It's a long process to let it happen.

Agnes Varda

#49. You can buy a good pasta but when you cook it yourself it has another feeling.

Agnes Varda

#50. I'm missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.

Agnes Varda

#51. The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.

Agnes Varda

#52. Some people meet each other again only when I'm there!

Agnes Varda

#53. I see all these students, and I admire them - they're trying to learn something, they go to school, they do film school, they go on shoots, they help. I'm sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was - that's the way I was - autodidact.

Agnes Varda

#54. If I was tall and blonde, I might have been a dancer or singer.

Agnes Varda

#55. I was eighteen, this was back in '46, so we also had these very frightening images of soldiers in the streets of Paris. So the effect of war, plus my shyness, plus my lack of education - I was afraid of men, really. It changes later, but it took me a certain time to adjust.

Agnes Varda

#56. I'm not nostalgic. My memories are back here in my mind.

Agnes Varda

#57. When I started I did not know I wanted to be a filmmaker. I started - I made a film. Then when I finished I said, Oh my god it's so beautiful - I should be a filmmaker!

Agnes Varda

#58. I don't believe in inspiration that arrives like a bolt from the blue ... It seems to me that the more motivated I am by what I film, the more objectively I film.

Agnes Varda

#59. Hands are the tool of the painter, the artist.

Agnes Varda

#60. When I started my first film, there were three women directors in France. Their films were OK, but I was different. It's like when you start to jump and you put the pole very high - you have to jump very high. I thought, I have to use cinema as a language.

Agnes Varda

#61. I cannot say something different to one person and then another.

Agnes Varda

#62. I think we need to have a nest of something which is family.

Agnes Varda

#63. I think people should be different. I love people who don't go by the rule that you have to be careful because you're old, you have to do this and that, you have to eat this and that.

Agnes Varda

#64. with the help of the next picture." There was a click of a slide

Varda Foox

#65. We need to find another way or another shape or an allegory or something that tells us more. Even Vagabond - it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.

Agnes Varda

#66. The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.

Agnes Varda

#67. I'm still fighting. I don't know how much longer, but I'm still fighting a struggle, which is to make cinema alive and not just make another film.

Agnes Varda

#68. Society is so slow. A feminist is a bore.

Agnes Varda

#69. I've changed my approach to people and to filming because of the new equipment, which is important.

Agnes Varda

#70. I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.

Agnes Varda

#71. I have respect for literature. If he found the words, if she found the words - this is a book!

Agnes Varda

#72. I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.

Agnes Varda

#73. I had a world. I don't think I had a career. I made films.

Agnes Varda

#74. [Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.

Agnes Varda

#75. I call [ordinary people] real people, because they have in themselves an incredible treasure - stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.

Agnes Varda

#76. I didn't have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal - because I think cinema should come from cinema. I never adapted anything. Beautiful books are beautiful books, that's it. I don't know why we should transform them.

Agnes Varda

#77. I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.

Agnes Varda

#78. You know, an hour and fifty-four minutes is too much for audiences. They get nervous.

Agnes Varda

#79. The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .

Agnes Varda

#80. The first exhibition [Publo Picasso] was organized by the communist party - because of his position during the war and all that.

Agnes Varda

#81. People think you are an orphan when you are a child, and don't believe that old people can feel that they are orphans.

Agnes Varda

#82. To share a lot of ideas - not ideas - emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.

Agnes Varda

#83. I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn't think I should do less than my brothers.

Agnes Varda

#84. It's nice to think that we have in ourselves the energy. It's somewhere, but it's sleeping sometimes. I try to wake it up when I need it.

Agnes Varda

#85. I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.

Agnes Varda

#86. I thought, If I'm an ancestor and grandmother when I'm twenty-five, I should go peacefully to the real time when I'm an ancestor and a grandmother.

Agnes Varda

#87. People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.

Agnes Varda