
Top 100 Quotes About Studios
#1. I worked hard at that through most of the '80s, and in 1990 my house burned in New Hampshire, and my studios and my offices. I had to decide at what level to rebuild, and I decided that I was going to stop trying to be all things to all people, and just go back to playing the guitar.
Tom Rush
#2. When you're not in studios, you don't have any luxuries; you can't control the elements, so you have to put up with those extremes.
Richard Madden
#3. Studios, to cut through the clutter, want recognisable titles. But that does not excuse you, as a writer, from having an original story.
Roberto Orci
#4. Warner Studios official in the era of silent movies: Who the hell wants to hear actors talk?
H.W. Brands
#5. We have gotten some terrible reviews at times but if we depended on the judgment of the studios or critics, we never would have made more than one movie.
Ismail Merchant
#6. From that time on, I always had the studios on my neck.
Karen Morley
#7. California, that advance post of our civilization, with its huge aircraft factories, TV and film studios, automobile way of life ... its flavourless cosmopolitanism, its charlatan philosophies and religions, its lack of anything old and well-tried rooted in tradition and character.
J.B. Priestley
#8. People want to buy mp3s but can't? Piracy ensues. Then Apple strong-arms the music studios into the iTunes store and music piracy drops somewhat. The same, I believe, is also happening with ebooks.
Charles Stross
#9. I had no allusions of radio success. I just loved being in studios. I was having fun and in that sense I now feel a lot like I did when I did that record.
Matthew Sweet
#10. The studios are making fewer films. They are making more expensive films. Profits are tougher to come by. Not only because of the expense of production. But also because of the expense of promotion and hype. To boil that all down, it's more about hype than it is about filmmaking.
William Friedkin
#11. Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off.
Kellan Lutz
#12. At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
Clint Eastwood
#13. The radical rightwing pegs Hollywood as a leftist town, which is completely wrong. There are a lot of actors, writers, and directors who talk a liberal agenda ... but all the studio bosses, for as long as there have been studios, have all been as far rightwing as you can possibly imagine.
Paul Haggis
#14. More and more what we're licensing, we're licensing on a global basis - even though the studios aren't orchestrated to sell that way yet, my bet is that they will.
Ted Sarandos
#15. I've been singing for six years. I've been in and out of the studios with top producers, but it wasn't something I was ready to express to the public or to the press. I wasn't ready to come out. I wanted to perfect my voice and be 100 percent positive that I could come out right.
Tyra Banks
#16. Last year, when 'Black Swan,' 'True Grit' and 'King's Speech' all grossed over $100 million, it gave studios and independent financiers the confidence to make daring movies and not do the same old you-know-what.
Harvey Weinstein
#17. The studios are very much business. Maybe it was always that way. It is really commercial now. Judgments are made and directions are given to make the cash register ring.
Dianne Wiest
#18. It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.
Terry Gilliam
#19. The company, Tiffany Studios, ended up in bankruptcy in 1930 - early '30s.
Susan Vreeland
#20. The key thing for me is to secure medium-term funding for the Roundhouse studios. It costs around £2m a year to run, but we want to grow it, and of course that will cost more.
Lloyd Dorfman
#21. OSHA had come in and looked at the channel 5 studios and it sort of had something to do with wrestling, but they found that there were some safety concerns that had to be addressed.
Jerry Lawler
#22. I don't have a stack of scripts that, when I get home, studios are clamoring, saying, 'Has Bob read ours yet?'
Bob Newhart
#23. The least important person in a business is the most important person in a business.
Jennifer Ho-Dougatz
#24. 'Black film,' that term allows studios to just marginalize a movie and say, 'We've made our black film. We've made our film with people of color in it,' as opposed to, 'I just feel like people of color should be in every genre.'
Gina Prince-Bythewood
#25. If Barbra Steisand wants to make a picture called 'My Pink Fingernail,' the studios will go, 'Gee, Barbra, what a wonderful idea! Money is no object! Take two years in preproduction and write the music, and you'll direct.'
Mickey Rooney
#26. It's tough, man. Unless it's a tentpole, sequel, remake, or over-the-top comedy, that's all the studios are even doing. They've kind of admitted they're not in the business of doing anything else. The slightest level of irony or intelligence and, boom, you're out of the league, you're done.
Richard Linklater
#27. My experience of test screenings is that you don't know what kind of mood people are going to be in, and sometimes the studios accept what Joe Blo says - and this guy could just be a frustrated filmmaker, or not paying attention.
Antoine Fuqua
#28. I would love to have been around in the Keystone Studios days.
Sally Phillips
#29. The better the script, the less money there is. That's just the economics of the studio system.
Peter Hedges
#30. My family took a vacation to Universal Studios when I was really young. Me and my brother Richard - who's also an actor - were both really intrigued by seeing the behind-the-scenes stuff of how films are made. We kind of begged our parents to get into acting.
Jonathan Jackson
#31. I was used to getting changed in pub toilets before going on set. Then suddenly I had studios in L.A. advising me on my hair.
Harry Treadaway
#32. Despite their rising international acclaim, Sachal Studios remains virtually unknown in Pakistan. The ensemble is faced with a daunting task: to reclaim and reinvigorate an art that has lost its space in Pakistan's narrowing cultural sphere.
Sharmeen Obaid-Chinoy
#33. I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had.
Suzanne Vega
#34. And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.
Ridley Scott
#35. I thought, well, if we're inviting an audience, let's do it right. So I put in a proper studio audience at our studios in Los Angeles and it was just a little showcase and it was just for fun.
Brian Henson
#36. If a script writer had come up with a story resembling what you have just achieved, even the Hollywood studios would have refused.
Lance Armstrong
#37. Things have changed from the old days when movie studios encouraged stars to partner up for publicity. There's been some pressure from Disney Channel for people to not have a personal relationship with their business partners.
Lucas Grabeel
#38. They [traditional studios] probably don't understand is that it's a genuine advancement in the actor's tradition. And you know, the tradition and craft of acting. And it's the latest step. You know, we, we tend to find forms of delivering stories that fit our times.
Andy Serkis
#39. A movie studio is the best toy a boy ever had.
Orson Welles
#40. I remember wearing overcoats, hiding in the bushes outside of Abbey Road Studios, waiting for the traffic to clear. As it did, we would drop our overcoats and run out on to the cross walk and strike our poses.
Jack Irons
#41. Studios felt like Blu-ray was going to be the next panacea, and so they dumped the prices (of traditional DVDs) and devalued the product. That's a misreading of consumer behavior as well as a misreading of the economic environment.
Bill Mechanic
#42. More women have to be in charge of studios, so that they can greenlight films with women.
Jennifer Lawrence
#43. You write a screenplay and then everybody is going to want to get in on it and we have to figure that out. I've written three screenplays that are at studios and I still haven't been making them yet so there is always something that is either going to trip something up or maybe get another pass.
Craig Brewer
#44. I love music. I've just been putting studios together, here and at my house in New Jersey and so I can always make music and express my ideas and work with people to fine tune them to where they need to be.
Queen Latifah
#45. People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
Elvis Costello
#46. The studios basically, besides developing some material, their strength is distribution. Distribution in any other business is a cost that you incur. You know, in a trucking business, you eat it. In a film business, distribution is a profit center.
Michael Douglas
#47. Studios are like hospitals. A lot of people check in, and they don't check out.
Iggy Pop
#48. Maybe studios don't want to see women acting in a way that isn't womanly. Maybe people don't.
Kristen Wiig
#49. I think the big studios shaped and formed the artists that they put under contract.
Nicolas Roeg
#50. I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.
Karlheinz Stockhausen
#51. The free, creative, loving people who shine so brightly in my memory of studios and coffee shops have become models for a huge section of the population. If they in turn can just stay alive in the face of power and terror, they may become the decisive section.
Kenneth Rexroth
#52. The beating heart of your story ... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
Doug Liman
#53. When I'm in the studio, I become a total nerd.
Robyn
#54. We were like a stock company at Warners. We didn't know any of the stars from the other studios.
Olivia De Havilland
#55. The main trouble with Hollywood is that the guys you have to pitch to, the guys who run the studios, are all business school grads.
Terry Zwigoff
#56. I love Buster Keaton. I was a big fan of the stunt shows at Universal Studios. I'm a huge Cirque du Soleil nut.
Neil Patrick Harris
#57. I like the fact that major studios have been attempting horror films recently.
Richard King
#58. Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.
Thomas Lennon
#59. Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression.
Robbie Coltraine
#60. During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums.
Hans Ulrich Obrist
#61. I much prefer being in the studio or on stage and staying out of the mainstream really.
Ian Astbury
#62. I just like to write stuff that makes people laugh, stuff that works, a fun movie that everyone can enjoy. I'm not really worried about the packaging, marketing, and what the studios are going to run next.
Scot Armstrong
#63. If you're a young actor, unless you're on a very short list at the studios, we have to be very creative about moving your career along. Otherwise, all we can do is hope to get lucky and find that perfect role that pops you into stardom.
Patrick Whitesell
#64. Now women are rising to great positions and they run most of the studios now.
Garry Marshall
#65. I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
Aphex Twin
#66. I loved all those classic figures from the '30s and '40s ... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
Grace Jones
#67. That's why you go to a nice studio. You can get a magic take. You don't really have to do anything to it.
Stephen Malkmus
#68. I don't think I'll ever be a producer who's into taking the meetings and fighting the big fights with studios. I really don't like that part. I'm much more interested in the material.
Meg Ryan
#69. Studios, because they are investing a great deal of money in movies, they want a guarantee that when they hire somebody that person can deliver for them. Everything is fear based, so they pigeonhole people. But I've written everything, from Westerns to sci-fi to dramedy, I've done it all.
Melissa Rosenberg
#70. Studios will tell you that they can't turn a profit on female-driven entertainment. Which is like the Gap saying no one is buying clothes anymore. No. No one is buying your clothes.
Emma McLaughlin
#71. Sometimes you can do a TV show on a subject you just can't do in film. Either it's too long or studios will perceive it as not being commercial.
Ridley Scott
#72. Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.
Vincent Cassel
#73. If you look at successful studios, they're the ones with stabilized management.
Irwin Winkler
#74. I love the studio. It's my place to escape and to create and to try anything.
Nicole Scherzinger
#75. I hate normal studios, because you have to say "hi" to the person at the front desk. And then you go into the studio, and there's a second engineer in there that you don't know, and then you're stuck in a glass box with someone talking to you through a walkie-talkie.
Marilyn Manson
#76. I thought that some of my best records was when there wasn't a lot of work being done on it, like 'Winter in America' and 'Secrets' and when there weren't a whole lot of people in the studios.
Gil Scott-Heron
#77. Most of the projects aren't that interesting anymore. There used to be a day when the studios made amazing films, and they were about human beings.
Ramin Bahrani
#78. Yoga has moved from relative anonymity in the West to a well-recognized practice offered in thousands of studios, community centers, hospitals, gyms, and health clubs.
Deepak Chopra
#79. When I think how art education is eliminated whenever we get a budget crunch in the schools, I have to stand up and say that even when there was dire poverty ten blocks away from Tiffany Studios in the Lower East Side of Manhattan, there was art and creativity within.
Susan Vreeland
#80. American Ballet Theatre's rehearsal studios are at 890 Broadway, an old building where exposed pipes clank and hiss in uneven accompaniment to piano music. The high ceilings wear a toupee of dust. The wall paint peels like a newbie ballerina's toes.
Sascha Radetsky
#81. I want to go create my own independent content and entertainment, in new models and in new ways, and essentially show studios and networks that people are good.
Zachary Levi
#83. We never had a giant library or owned a lot of commercial characters the way most studios did. And since we didn't have a lot of internal resources, we had to find ways to be inventive and resourceful, which I think is a healthy way to run a good business.
Toby Emmerich
#84. Yet, that's what studios do. If one thing works, they'll keep doing it till it runs its course and people aren't interested anymore.
Boris Kodjoe
#85. Sometimes it's hard for me to tell the difference between independent filmmaking and studio filmmaking because all the studios have these little independent satellites. It's interesting.
Kerry Washington
#86. Theater owners are exerting a lot of power over the studios to withhold access to content that people want to see. That's bad for consumers, that's bad for studios, and ultimately, I think it will be bad for theaters.
Ted Sarandos
#87. I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.
Laura Dern
#88. Indian films have this obsession with hygienic clean spaces, even though the country's not so clean. They're either shot in the studios or shot in London, in America, in Switzerland - clean places. Everywhere except India.
Anurag Kashyap
#89. I went to underground music studios. In the studios, I learned that you can make a movie without a permit.
Bahman Ghobadi
#90. There are so many venues in which stars are exposed today, that we just know much more and the studios don't have the control over stars like they used to, in the 30s, 40s, and 50s.
Mary Hart
#91. I've had various experiences where I've been called by Hollywood studios to look at a script or comment on various scientific ideas that they're trying to inject into a story.
Brian Greene
#92. I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.
Brendan Fraser
#93. The studios have been taken over by marketing people and accountants.
Joe Eszterhas
#94. I used almost every penny I ever made to build recording studios in every city I lived in. I don't have much to show for all the TV money except a lot of musical gear and a lot of songs.
John Tesh
#95. Off to the STUDIO in my new whip
Lady Gaga
#96. I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
Bob Odenkirk
#97. I get the music, I get the beats. And I go to the studios and write the lyrics.
Obie Trice
#98. Whenever I got a new studio I made the largest possible painting, and since the ceiling was low, the painting became horizontal. As I changed studios and got larger spaces, I made bigger paintings.
James Rosenquist
#99. I don't really have studios. I wander around around people's attics, out in fields, in cellars, anyplace I find that invites me.
Andrew Wyeth
#100. I think a lot of studios today are run by women, and we are entering a time when a lot of women have evolved in Second City and Upright Citizens Brigade and wanted to become writers and comedians.
Judd Apatow
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