Quotes About Robert Morris

#1. Well, I don't know any piece by heart, but Mozart goes something like this ... What do you think?

Robert Morris

#2. My work is so strongly fashion, and it meant I had to downplay my exuberance and sculptural dimension to something that would fit into jewelry cases and sit next to Rolex watches and David Yurman [pieces].

Robert Lee Morris

#3. I'm a huge, huge fan of Chris Morris. I think he's a genius, and it is not a word I use very often. I think he's fantastic.

Robert Webb

#4. I had a slightly inferior endgame that probably should have been drawn, but Kortchnoi kept torturing me with little threats until finally, exhausted and exasperated, I made a losing mistake.

Pal Benko

#5. I never presumed that a technique of composition or an idea was so special that just using it would guarantee the quality of the music.

Robert Morris

#6. I hate funerals and would not attend my own if it could be avoided, but it is well for every man to stop once in a while to think of what sort of a collection of mourners he is training for his final event.

Robert Tappan Morris

#7. It were no virtue to bear calamities if we did not feel them.

Suzanne Curchod

#8. Hearing God's voice is not about something we do. Rather, hearing God is about someone we are. Hearing God is not primarily a behavior. It's a reflection of our identity. We hear God because of who we are and because of whose we are. In

Robert Morris

#9. The necklace is the anchor; it's the classification of jewelry that says what the whole idea is about.

Robert Lee Morris

#10. I do remember, though, when I discovered the third! I was about five years old - it was a very pleasing sound. I remembered that if I hit one note, then skipped one and played the next, I could get this really good sound.

Robert Morris

#11. If a man is talking in the forest, and there is no woman there to hear him, is he still wrong?

Jenny Weber

#12. I came from a good, repressed Catholic background.

Robert Michael Morris

#13. So many of the sounds that contemporary composers were trying to create were to be found in the traditional musics of the world. That was encouraging but also little daunting to think that you had to work so hard to be new and yet it was old.

Robert Morris

#14. Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.

Wesley Morris

#15. No theory is good unless it permits, not rest, but the greatest work. No theory is good except on condition that one use it to go on beyond.

Andre Gide

#16. I do most of my work on the stage, and typically once the show is over, it's over.

Robert Michael Morris

#17. Morris Berman has pointed out that museums characteristically present hard things, such as axes and spears, as evidence of early culture. But culture very likely begins with baskets made of reeds that are "soft" and hold emptiness.

Robert Bly

#18. antagonist having one hand strapped behind his back and the other

Giles Milton