Top 100 Quotes About Ridley Scott
#1. I don't get attached to anything. I'm like a good antique dealer. I'm prepared to sell my most valuable table.
Ridley Scott
#2. I would like to have a bit of a break and do a comedy.
Ridley Scott
#3. When I got the script for Thelma & Louise, when I met with the director, Ridley Scott, I said, "I don't want to do a revenge film. I'm not interested in doing that moment in the script after they shoot the truck, where it says they jump up and down and they're real happy about it".
Susan Sarandon
#4. There's still a lot of investors wondering what to invest in. And, of course, I think entertainment looks attractive when you read the few films that make these insane amounts of money. What they don't know is they don't always do that.
Ridley Scott
#5. I've always avoided sequels, unless I felt there was something fresh.
Ridley Scott
#6. When I started the original 'Alien,' Ripley wasn't a woman, it was a guy.
Ridley Scott
#7. I grew up in the North of England at a time when Stirling Moss was a hero. Everyone wanted to be a racing driver.
Ridley Scott
#8. Look at the people who are coming to television Ridley Scott, Ang Lee or Guillermo del Toro - all these great filmmakers - actively put themselves back into TV. That's because the environment is very encouraging for bold storytelling, storytelling that you've never seen before.
Ron Perlman
#9. In science fiction, we're always searching for new frontiers. We're drawn to the unknown.
Ridley Scott
#10. There's great wine from Australia, New Zealand, South Africa, Chile and, of course, California. But there's nothing like a really great French wine, they're so well balanced. The better the wine, the less you feel the effects I think.
Ridley Scott
#11. My career seems to be a career of non-specific subjects which are all over the place.
Ridley Scott
#12. When I'm actually making a film and trying to find solutions, I like to watch making-of documentaries about huge films, like 'Gladiator.' That couldn't be more apart from what I'm doing, but you see Ridley Scott facing huge problems and fixing them.
Philippe Falardeau
#13. I think I was really bored at school. I was quietly clock watching for years. I went to 10 schools because my dad was in the Army and we moved around a lot.
Ridley Scott
#14. Sometimes I find I'm wearing a divided, split brain in terms of drama and humor.
Ridley Scott
#15. And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.
Ridley Scott
#16. In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
Ridley Scott
#17. There's a big film industry in Egypt, and quite a big one in Syria, and there's a big Muslim community in Paris.
Ridley Scott
#18. Once you crack the script, everything else follows.
Ridley Scott
#19. Unfortunately, we don't seem to learn from history, do we? And you'd think we would.
Ridley Scott
#20. There has to be absolute trust between the tiger and its master, but its master must be the master - there must be no mistake about that.
Ridley Scott
#21. I think there's nothing worse than inertia. You can be inert and study your navel, and gradually fall off the chair. I think the key is to keep flying.
Ridley Scott
#22. I would say that working with Ridley Scott makes the process of directing much more terrifying.
Jon Spaihts
#23. Ridley Scott's 'Prometheus' is a magnificent science-fiction film, all the more intriguing because it raises questions about the origin of human life and doesn't have the answers.
Roger Ebert
#24. I don't go to the cinema often anymore - I'd rather just pop in a disk and get the biggest monitor you've got, and if the quality is superb, I can watch a film, and if I don't like it I can pop it out.
Ridley Scott
#25. I also love Australian movies. I love Muriel's Wedding - I've seen in six times. Baz Luhrmann's best movie is strictly ballroom ... without question.
Ridley Scott
#26. Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.
Ridley Scott
#27. If you ever have a kid who doesn't know what to do, stick him in art school. It's amazing what evolves.
Ridley Scott
#28. I like Wadi Rum - it's the best view I've ever seen of what could be Mars.
Ridley Scott
#29. Everyone sniggered because I was going to do a sandal and toga movie. But I knew exactly how to do it and I know how to make Robin Hood.
Ridley Scott
#30. A hit for me is if I enjoy the movie, if I personally enjoy the movie.
Ridley Scott
#31. That's part of the policy: To keep switching gears.
Ridley Scott
#32. Technology continues to bring us wondrous advances in filmmaking to improve how we view movies.
Ridley Scott
#33. The idea of flying in general does not appeal to me. I can barely understand why people want to fly at all, other than that it's occasionally necessary.
Ridley Scott
#34. Perhaps because of my background as a graphic designer, I'm drawn to rich and beautiful colors.
Ridley Scott
#35. Fundamentally, I always find that most of the films that I've put out are essentially the director's cut. Part of the process with a director's cut is the leaving behind of certain aspects of the movie that we don't feel necessary because they aren't part of the dynamic of the story.
Ridley Scott
#36. If 'formulaic' is somebody who is unlikely to succeed starting down a process and succeeding - then isn't that what most films are about? And art films are about people who aren't likely to succeed and then don't succeed.
Ridley Scott
#37. Sometimes you can do a TV show on a subject you just can't do in film. Either it's too long or studios will perceive it as not being commercial.
Ridley Scott
#38. I've gradually realised that what I do best is universes. And I shouldn't be afraid of that.
Ridley Scott
#39. 'Alien' is a C film elevated to an A film, honestly, by it being well done and a great monster. If it hadn't had that great monster, even with a wonderful cast, it wouldn't have been as good, I don't think.
Ridley Scott
#40. I think, at the end of the day, filmmaking is a team, but eventually there's got to be a captain.
Ridley Scott
#41. Harrison is very much part of this one, but really it's about finding him; he comes in in the third act.
Ridley Scott
#42. The whole process of making movies and writing screenplays is visceral and intuitive.
Ridley Scott
#43. 'Blade Runner' was a comic strip. It was a comic strip! It was a very dark comic strip. Comic metaphorically.
Ridley Scott
#44. Yeah, we're working on [Blade Runner 2] right now - that will happen sooner or later.
Ridley Scott
#45. Some actors - you work with them once and don't even think about working with them again.
Ridley Scott
#46. I think one of the successes of Gladiator is how we manage to turn on a dime the character from one thing to another where you believe he is one thing and he is something very different.
Ridley Scott
#47. I'll reshoot a corridor 13 different ways, and you'll never recognise them.
Ridley Scott
#48. 'Prometheus' was a great experience for me.
Ridley Scott
#49. Do what you haven't done is the key, I think.
Ridley Scott
#51. Audiences are smarter than ever; they know if filmmakers cheat an environment.
Ridley Scott
#52. I try to make films, not movies. I've never liked the expression 'movie', but it sounds elitist to say that.
Ridley Scott
#53. By going to a preview, a director becomes insidiously infected by the process, so by the end of it, you're thinking, 'It may be a bit too long.'
Ridley Scott
#55. I was so excited to work with Ridley Scott. Who wouldn't be?
Natalie Dormer
#57. The hardest single thing you do is get the bloody screenplay right.
Ridley Scott
#58. I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art ... briefly.
Ridley Scott
#59. How can you look at the galaxy and not feel insignificant?
Ridley Scott
#60. The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.
Ridley Scott
#62. There's some politicians who still seriously believe that we haven't got global warming.
Ridley Scott
#63. Your landscape in a western is one of the most important characters the film has. The best westerns are about man against his own landscape.
Ridley Scott
#64. 'Raiders of the Lost Ark' made me want to make films. I am wild about the films of John Carpenter, Ridley Scott, Howard Hawks and Sam Peckinpah.
Neil Marshall
#65. Oddly enough, I find it quite engaging to be working with a female when I'm directing. It's kind of interesting.
Ridley Scott
#66. You could have ten scientists in this room. You could ask them all: 'Who's religious?' About three to four will put their hands up.
Ridley Scott
#67. You just don't know when you get all the paint across the canvas how it will turn out. When you step back after you've finished, you say, 'This one is not so good. This one is good.'
Ridley Scott
#68. You always worry before your movie opens that no one is going to come out.
Ridley Scott
#69. 'Alien' is a landmark. One of the really good science-fiction films.
Ridley Scott
#70. I had a quite unconventional childhood, in the sense that I traveled a lot and I went to 10 or 11 schools. I was completely confused academically, but wherever I went, I could paint. I painted an inordinate amount.
Ridley Scott
#71. The great film editor is not a cutter, he's a storyteller, right?
Ridley Scott
#72. 'The Man In High Castle' is one of Dick's most imaginative and captivating works, and certainly one of my favorites.
Ridley Scott
#73. If you circle above Central Park at night in a helicopter, you're looking down at the most expensive real estate in the world. It's the American Monopoly board.
Ridley Scott
#74. Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.
Ridley Scott
#75. I believe all of us only use one tenth of our brain. I know people who use one per cent only!
Ridley Scott
#76. I like a film such as 'American Beauty,' and I like 'Spider-Man.'
Ridley Scott
#77. I think there are a lot of men who feel they're being emasculated by having the woman be in charge; I've never had that problem.
Ridley Scott
#78. I like my wine and vodka, but that doesn't mean I fall about drunk. I know my limits.
Ridley Scott
#79. Conscience, the power of conscience, can unearth all kinds of things.
Ridley Scott
#80. All of a sudden I pulled up short and harked back to Ridley [Scott] holding up the script in Manhattan, at the St. Regis breakfast room, and saying, "It's very visual, isn't it," and realized it was the key to my whole life since then.
William Monahan
#81. I spend a lot of my time just developing material; or the company does. That material can come from a book, can come from a newspaper, can come from a discussion and sometimes it can come from a script that got passed over and is floating around.
Ridley Scott
#82. I was speaking to Ridley Scott the other day and he makes a film every 18 months. He's amazing really.
Adrian Lyne
#83. Churchill strikes a note in my life because my father worked on Mulberry Harbour, which was the code name for the temporary concrete harbours which were towed across the Channel to make the D-day landings in France possible.
Ridley Scott
#84. Life isn't black and white. It's a million gray areas, don't you find?
Ridley Scott
#85. All I can say is working with Ridley Scott is a dream come true.
Joel Edgerton
#86. From time to time, there are people in the film industry who appear on the horizon with a unique vision. South African director Neill Blomkamp is one of those rare people.
Ridley Scott
#87. A word on 'Kingdom of Heaven:' if you get the four-disc set, which is 3 hr. 8 min., you'll see why it's such a good movie. It was a real passion project, and it's the film I'm most proud of. I think it was treated incredibly unfairly.
Ridley Scott
#88. You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .
Ridley Scott
#89. Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything.
Ridley Scott
#90. I'm a yarn teller. My job is to engage you as much as I can and as often as I can.
Ridley Scott
#91. I'm just trying to think what other sequels there were. There was the James Bond movies and not many. I think sequels have become a recent idea of franchising.
Ridley Scott
#94. It's everything and I always make decisions about the cast.
Ridley Scott
#95. I'm fundamentally a positive person. Otherwise, I wouldn't be doing some of the insane movies that I do.
Ridley Scott
#97. Ridley Scott is a cinematic master and a great man. It was a real honour working with him on 'Prometheus.'
Benedict Wong
#98. The ego is there, but I'm learning to channel it.
Ridley Scott
#99. The thing with Ridley [Scott] is he's been doing this forever, he knows what it is he wants and how to get it. There's absolutely no messing around on set. Having said that, he's very accessible to actors, very open to what you want to do and willing to t.
Orlando Bloom
Famous Authors
Popular Topics
Scroll to Top
