Top 30 Quotes About Oscar Peterson
#1. I have believed for many years that Oscar Peterson is not only the greatest pianist in jazz today, but the greatest it has ever known.
Gene Lees
#2. As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.
Jim Coleman
#3. It has always been Oscar Peterson. He is my Rachmaninoff.
Shirley Horn
#4. Oscar Peterson plays the best ivory box I've ever heard.
Count Basie
#5. I loved when my dad was home. He liked to sit in the living room and watch boxing and baseball on TV. Or he'd be tinkering around or listening to records by his musician buddies - George Shearing, Oscar Peterson and the Jackie Gleason Orchestra.
Natalie Cole
#6. My dream as a child was to play with a bass player like Ray Brown, who played with the Oscar Peterson Trio. The feeling I had listening to his work was almost carnal, so to actually play for him was earth-shattering for me.
Diana Krall
#7. Oscar Peterson is my favorite all-around pianist. There are pianists I like because of one thing and pianists I like because of another. But overall, I like Oscar Peterson best.
Carmen McRae
#8. Oscar Peterson is the greatest living influence on jazz pianists today.
Herbie Hancock
#9. When I joined the trio, it was as if I was capable of driving a sports car at 60, but Ray Brown and Oscar Peterson just kept pressing the pedal down, and I was trying to control the car at 80!
Barney Kessel
#10. I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.
Oscar Peterson
#11. We're not like pop musicians who have to perform the same top ten tunes every night of a tour.
Oscar Peterson
#14. It's the group sound that's important, even when you're playing a solo.
Oscar Peterson
#15. The music field was the first to break down racial barriers, because in order to play together, you have to love the people you are playing with, and if you have any racial inhibitions, you wouldn't be able to do that.
Oscar Peterson
#16. Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play.
Oscar Peterson
#17. Louie Bellson represents the epitome of musical talent. His ability to cover the whole musical spectrum from an elite percussionist to a very gifted composer and arranger never ceases to amaze me. I consider him one of the musical giants of our age.
Oscar Peterson
#18. Sweets [Edison] can say more with one note than any other Jazz player alive ... an approach that stresses simplicity, glorious tone, natural potency and an unmatched affinity. He is a unique stylist in our music.
Oscar Peterson
#20. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea.
Oscar Peterson
#21. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Oscar Peterson
#22. I don't do something because I think it will sell 30 million albums. I couldn't care less. If it sells one, it sells one.
Oscar Peterson
#23. He's not a performer, he's not a composer, he's not even a musician, but Norman Granz is Mr. Jazz.
Oscar Peterson
#24. Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
Oscar Peterson
#25. If you have something to say of any worth then people will listen to you.
Oscar Peterson
#26. Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Oscar Peterson
#27. I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
Oscar Peterson
#28. I'm a musician and, just as the critics are hard on me, I'm hard on the critics.
Oscar Peterson
#29. First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar Peterson
#30. If the average jazz artist uses his head and at the outset of his career realizes he won't play as well at fifty as he does at twenty-five, he won't be in a line-up outside the Salvation Army when he's fifty.
Oscar Peterson
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