Quotes About Mora

#1. Good is the mora that makes all sure.

George Herbert

#2. Are you sad?", asked Blue
"Not yet, a long time ago."
"Those are the opposite.", said Blue
"Not really.", Mora said.

Maggie Stiefvater

#3. Her name was Mora ... and she was waiting.

M.L. LeGette

#4. If Jim Mora loses his job with the Falcons, it most likely will be because of wins and losses. Problem is, when you work for such an image-conscious owner and in the most fickle of sports towns, random acts of dumbness tend to shrink a guy's margin for error.

Jeff Schultz

#5. How are things in Glocca Mora this fine day?

Yip Harburg

#6. If it wasn't the Tai Mora, who would we fight? Ourselves? The Dhai? The Dorinah? Always another face, always the same face.

Kameron Hurley

#7. Writers are always diverse on the inside.

Pat Mora

#8. I have a deep attachment to the natural world. It's a major influence on my writing, and as I look out over the wonderful snow-covered Santa Fe hills, I'm grateful for every day that I live here.

Pat Mora

#9. Told you to get him a bell.

Mora Early

#10. I write because I am curious. I am curious about me.

Pat Mora

#11. I like developing characters who I find to have interesting psychology. Like politics and sex, but I'm really looking at bigger social problems that interest me, and that I can obsess over for a while.

Mora Stephens

#12. Art is free, but of course you have to be alert to catch it when it comes onto the canvas. I don't choose the ideas, they choose me. I don't wait for them. They come without my permission!

Mirka Mora

#13. I want children who feel embarrassed because they speak Spanish to realize that there are places where the beautiful Spanish they speak is an asset.

Pat Mora

#14. The direction and rhythm of human progress do not depend on the masses, even when they add up to hundreds of millions; they depend on superior minorities.

Gonzalo Fernandez De La Mora

#15. It's not stealing, it's retrieving.

Mora Early

#16. I became a good writer when I saw the age of forty coming at me

Pat Mora

#17. Well, I can hardly lick champagne off your dazzling personality, now can I?

Mora Early

#18. I usually begin a poem in longhand. I like to sit where I have a nice view, ideally, although I worked on haiku this weekend at an airport. I'm not one to romanticize inspiration. I try to get to the work.

Pat Mora

#19. Who am I, Joshua? Name me.

Mora Early

#20. I often focus more on language than on the conveying of information.

Pat Mora

#21. Nd I smile
and know
why people write music and paint and dance, lifted as if they can fly,
because this ache
crashing inside
needs to be free.
sometimes, love
becomes a melody
others hum for years.

Pat Mora

#22. Don't be coy, Joshua. No matter how much money the other men here have, they can't buy what you've gotten for free.

Mora Early

#23. When I'm writing poetry, 99.9% of my writing begins in English. I spent most of my life in English, although I am bilingual.

Pat Mora

#24. Yeah, and we could fly in on dragons and release a cloud of sugar plum fairies to tiptoe in an get the watch.

Mora Early

#25. These are the best things I've ever had in my mouth!

Mora Early

#26. Don't be ridiculous. Brussels sprouts are awful. Jail is just jail.

Mora Early

#27. I did realize, as do you, how blessed I was to know bookjoy, the private pleasure of savoring text.

Pat Mora

#28. Your Texas is no different than my Texas.

Pat Mora

#29. Art is the child of imagination and gives life.

Mirka Mora

#30. I don't appreciate the disrespect, because I've been playing hurt for a guy who won't respect you. I don't deserve it ... It's time for me to move on.

Melvin Mora

#31. It is always a tense moment for an author to see how someone hasillustrated his or her story, because the author has lived for so long with these characters, sometimes for years.

Pat Mora

#32. The TARDIS can look like whatever it wants.

Mora Early

#33. There is no equality without coercion.

Gonzalo Fernandez De La Mora

#34. The quality of a society depends on its capacity to produce eminent personalities.

Gonzalo Fernandez De La Mora

#35. When you go to a film festival as an audience member, it's so much fun. But when you bring your own film there, you carry so much stress and excitement.

Mora Stephens

#36. I will never know what it's like to have only one language in my head. I have the pleasure of being able to move back and forth between Spanish and English, and I incorporate both languages in my books.

Pat Mora

#37. The script is the foundation, but it's not the full story for the film, which only comes alive with the actors.

Mora Stephens

#38. If we're trying to excite young people about reading, we need to be experiencingbookjoy ourselves so that we have references to make. It's important to be able to say, "You know, I read the most wonderful poem the other day. Let me tell you about it."

Pat Mora

#39. I think the story only really comes alive on the set.

Mora Stephens