Top 100 Quotes About Mies Van Der Rohe
#1. We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.
Richard Meier
#2. Mies van der Rohe's architecture and modern architecture in general suffered from not only being repetitive, but not explaining to the populous what the different rooms were for.
Charles Jencks
#3. Microinteractions are an exercise in restraint, in doing as much as possible with as little as possible. Embrace the constraints and focus your attention on doing one thing well. Mies van der Rohe's mantra of "less is more" should be the microinteraction designer's mantra as well.
Dan Saffer
#4. The Berlin of the '20s formed the foundation of my future education ... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.
Ken Adam
#5. If you look at a building by Mies van der Rohe, it might look very simple, but up close, the sheer quality of construction, materials and thought are inspirational.
David Chipperfield
#6. Of course I was already familiar with that saying by Mies van der Rohe, Less is more, but I hadn't appreciated before just how sensual less could be, how rich and voluptuous.
J.P. Delaney
#7. I have always accepted and respected all other schools of architecture, from the chill and elemental structures of Mies van der Rohe to the imagination and delirium of Gaudi. I must design what pleases me in a way that is naturally linked to my roots and the country of my origin.
Oscar Niemeyer
#8. God is in the details, said the architect Ludwig mies van der Rohe.
Robert C. Martin
#9. A chair is a very difficult object. A skyscraper is almost easier. That is why Chippendale is famous.
Ludwig Mies Van Der Rohe
#10. It must be possible to solve the task of controlling nature and yet simultaneously create a new freedom.
Ludwig Mies Van Der Rohe
#11. Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
Ludwig Mies Van Der Rohe
#12. Architecture depends on its time. It is the crystallization of its inner structure, the slow unfolding of its form.
Ludwig Mies Van Der Rohe
#16. If teaching has any purpose, it is to implant true insight and responsibility. Education must lead us from irresponsible opinion to true responsible judgement. It must lead us from chance and arbitrariness to rational clarity and intellectual order.
Ludwig Mies Van Der Rohe
#17. I hope you will understand that architecture has nothing to do with the inventions of forms. It is not a playground for children, young or old. Architecture is the real battleground of the spirit.
Ludwig Mies Van Der Rohe
#18. We must remember that everything depends on how we use a material, not on the material itself ... New materials are not necessarily superior. Each material is only what we make it.
Ludwig Mies Van Der Rohe
#22. We must be as familiar with the functions of our building as with our materials. We must learn what a building can be, what it should be, and also what it must not be ...
Ludwig Mies Van Der Rohe
#27. We must have order, allocating to each thing its proper place and giving to each thing is due according to its nature.
Ludwig Mies Van Der Rohe
#28. I thought a lot and I controlled my thoughts in my work - and I controlled my work through my thoughts.
Ludwig Mies Van Der Rohe
#29. We must understand the motives and forces of our time and analyze their structure from three points of view: the material, the functional, and the spiritual. We must make clear in what respects our epoch differs from others and in what respects it is similar.
Ludwig Mies Van Der Rohe
#30. Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Ludwig Mies Van Der Rohe
#31. True education is concerned not only with practical goals but also with values. Our aims assure us of our material life, our values make possible our spiritual life.
Ludwig Mies Van Der Rohe
#32. Form as a goal always ends in formalism. For this striving is directed not towards an inside, but towards an outside. But only a living inside has a living outside.
Ludwig Mies Van Der Rohe
#33. Never talk to a client about architecture. Talk to him about his children. That is simply good politics. he will not understand what you have to say about architecture most of the time.
Ludwig Mies Van Der Rohe
#34. The tendency of our time is wholly oriented toward the secular. The efforts of the mystics will remain episodes. Despite a deepening of our conceptions of life, we will build no cathedrals.
Ludwig Mies Van Der Rohe
#35. I see in industrialization the central problem of building in our time. If we succeed in carrying out this industrialization, the social, economic, technical, and also artistic problems will be readily solved.
Ludwig Mies Van Der Rohe
#36. I really don't know the Chicago School. You see, I never walk. I always take taxis back and forth to work. I rarely see the city.
Ludwig Mies Van Der Rohe
#37. Behrens had a great sense of the great form. that was his main interest; and that I certainly understood and learned from him.
Ludwig Mies Van Der Rohe
#38. The problem of architecture has always been the same throughout time. Its authentic quality is reached through its proportions, and the proportions cost nothing. In fact, most of them are proportions among things, not the things themselves. Art is almost always a question of proportions.
Ludwig Mies Van Der Rohe
#39. It is a hopeless endeavor to make the form and content of earlier architectural epochs usable for our time; in this, even the strongest artistic talent must fail. We see repeatedly how the outstanding builders fail to achieve an effect because their work does not serve the will of the age.
Ludwig Mies Van Der Rohe
#40. Just as we acquaint ourselves with materials, and just as we must understand functions, we must become familiar with the psychological and spiritual factors of the day. No cultural activity is possible otherwise, for we are dependent on the spirit of our time.
Ludwig Mies Van Der Rohe
#41. Industrialization of the building trade is a question of material. Hence the demand for a new building material is the first prerequisite.
Ludwig Mies Van Der Rohe
#43. It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
Ludwig Mies Van Der Rohe
#44. We made drawings the size of a whole quarter of a room ceiling, which we would then send on to the model makers. I did this every day for two years. Even now I can draw cartouches with my eyes closed.
Ludwig Mies Van Der Rohe
#45. The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
Ludwig Mies Van Der Rohe
#47. You can teach students how to work; you can teach them technique - how to use reason; you can even give them a sense of proportions - of order. You can teach them general principles.
Ludwig Mies Van Der Rohe
#48. It took me a long time to understand the relationship between ideas and between objective facts. But after I clearly understood this relationship, I didn't fool around with other wild ideas. That is one of the main reasons why I just make my scheme as simple as possible.
Ludwig Mies Van Der Rohe
#49. Most of our designs are developed long before there is a practical possibility of carrying them out. I do that on purpose and have done it all my life. I do it when I am interested in something.
Ludwig Mies Van Der Rohe
#51. Education must lead us from the irresponsible opinion to true responsible judgment. It must lead us from chance and arbitrariness to rational clarity and intellectual order. Therefore, let us guide our students over the road of discipline from materials, through function, to creative work.
Ludwig Mies Van Der Rohe
#52. The unformed is not worse than the over-formed. The former is nothing; the latter is mere appearance. Real form presupposes real life.
Ludwig Mies Van Der Rohe
#54. Where can we find greater structural clarity than in the wooden buildings of old? Where else can we find such unity of material, construction and form? here, the wisdom of whole generations is stored.
Ludwig Mies Van Der Rohe
#55. Let us guide our students over the road of discipline from materials, through function, to creative work. Let us lead them into the healthy world of primitive building methods, where there was meaning in every stroke of an axe, expression in every bite of chisel.
Ludwig Mies Van Der Rohe
#56. It is much better to have just one idea, and if the idea is clear, then you can fight for it. That is how you can get things done.
Ludwig Mies Van Der Rohe
#57. Architecture depends on facts, but its real field of activity lies in the realm of the significance.
Ludwig Mies Van Der Rohe
#60. If there really is no new way to be found, we are not afraid to stick with the old one that we found previously. So, I do not make every building different.
Ludwig Mies Van Der Rohe
#61. When one looks at Nature through the glass walls of the Farnsworth House, it takes on a deeper significance than when one stands outside. More of Nature is thus expressed - it becomes part of a greater whole.
Ludwig Mies Van Der Rohe
#62. I discovered by working with actual glass models that the important thing is the play of reflections and not the effect of light and shadow, as in ordinary buildings.
Ludwig Mies Van Der Rohe
#63. Loneliness was the price of the quest. I don't belong to the people who cannot live alone
Mies Van Der Rohe
#64. You can use up all the slums for new development. In all the cities of the world, there are large areas of these. Also, you can avoid the spread of these silly suburban houses. Chicago has thousands of them all over the place.
Ludwig Mies Van Der Rohe
#65. The office building is a building for work, organization, lucidity and economy. Light, spacious working rooms, clearly arranged, undivided, only organized according to the pattern of the firm.
Ludwig Mies Van Der Rohe
#68. 1926 was the most significant year. Looking back, it seems that it was not just a year in the sense of time. It was a year of great realisation or awareness. It seems to me that at certain times of the history of man, the understanding of certain situations ripens.
Ludwig Mies Van Der Rohe
#69. Technology is far more than a method, it is a world in itself. As a method, it is superior in almost every respect. But only where it is left to itself, as in gigantic structures of engineering, there technology reveals its true nature.
Ludwig Mies Van Der Rohe
#70. Cheese was the staple. Bread you brought from home. The Schnaps came later. At the end of the week when people got paid, that's when you got your Schnaps, lots of it, five Pfennige a shot.
Ludwig Mies Van Der Rohe
#72. The architect must get to know the people who will live in the planned house. From their needs, the rest inevitably follows.
Ludwig Mies Van Der Rohe
#73. Not yesterday, not tomorrow, only today can be given form. Only this architecture creates.
Ludwig Mies Van Der Rohe
#75. Each material has its specific characteristics which we must understand if we want to use it. This is no less true of steel and concrete.
Ludwig Mies Van Der Rohe
#76. I especially remember that on All Souls Day, when so many people wanted new monuments for the graves, our whole family pitched in. I did the lettering on the stones, my brother did the carving, and my sisters put the finishing touches on them, the gold leaf and all that.
Ludwig Mies Van Der Rohe
#77. The long path from material through function to creative work has only one goal: to create order out of the desperate confusion of our time.
Ludwig Mies Van Der Rohe
#78. It must be understood that every architecture is bound to its time and manifests itself only in vital tasks and through the materials of its age. It has never been otherwise.
Ludwig Mies Van Der Rohe
#79. We do not evaluate the result but the starting point of the creative process. Precisely, this shows whether the form was discovered by starting from life, or for its own sake. That is why I consider the creative process so essential. Life for us is the decisive factor.
Ludwig Mies Van Der Rohe
#80. The building art is man's spatial dialogue with his environment and demonstrates how he asserts himself therein and how he masters it.
Ludwig Mies Van Der Rohe
#81. Nature, too, shall live its own life. We must beware not to disrupt it with the color of our houses and interior fittings. yet we should not attempt to bring nature, houses, and human beings together into a higher unity.
Ludwig Mies Van Der Rohe
#82. I do not think it is an advantage to build planned packaged houses. If you prefabricate a house completely, it becomes an unnecessary restriction.
Ludwig Mies Van Der Rohe
#83. After my time in Holland, an inner battle ensued in which I tried to free myself from the influence of Schinkelesque classicism.
Ludwig Mies Van Der Rohe
#84. What would life be like if everybody insisted you must have actually built such-and-such a thing by yourself? I'd be an old man and have nothing to show for the aging.
Ludwig Mies Van Der Rohe
#85. Nothing can express the aim and meaning of our work better than the profound words of St. Augustine - 'Beauty is the splendor of Truth.'
Ludwig Mies Van Der Rohe
#86. We refuse to recognize problems of form, but only problems of building. Form is not the aim of our work, but only the result. Form, by itself, does not exist. Form as an aim is formalism; and that we reject.
Ludwig Mies Van Der Rohe
#87. We have to know that life cannot be changed by us. It will be changed. But not by us. We can only guide the things that can cause physical change.
Ludwig Mies Van Der Rohe
#88. I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Ludwig Mies Van Der Rohe
#89. Talent is only cream in your coffee. There is no reason to rest on your talent. If you don't present it, then it gets nowhere.
Mies Van Der Rohe
#90. Technology is rooted in the past. It dominates the present and tends into the future. It is a real historical movement - one of the great movements which shape and represent their epoch.
Ludwig Mies Van Der Rohe
#91. What finally is beauty? Certainly nothing that can be calculated or measured. It is always something imponderable, something that lies between things.
Ludwig Mies Van Der Rohe
#94. In addition to the wishes of the client, the position, orientation, and size of the plot also play an important role in determining the final plan of the house. The 'where' and 'how' of the exterior then follows naturally from all of that.
Ludwig Mies Van Der Rohe
#96. In 1912, when I was working in The Hague, I first saw a drawing by Louis Sullivan of one of his buildings. It interested me.
Ludwig Mies Van Der Rohe
#97. Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
Ludwig Mies Van Der Rohe
#98. Simply by not owning three medium-sized castles in Tuscany I have saved enough money in the last forty years on insurance premiums alone to buy a medium-sized castle in Tuscany.
Ludwig Mies Van Der Rohe
#100. If one limits to developing only the kitchen and bathroom as standardized rooms because of their installation, and then also decides to arrange the remaining living area with movable walls, I believe that any justified living requirements can be met.
Ludwig Mies Van Der Rohe
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