Top 63 Quotes About Good Dialogue
#2. As with all other aspects of fiction, the key to writing good dialogue is honesty.
Stephen King
#3. Good dialogue is not real speech-it's the illusion of real speech.
Ernest Hemingway,
#4. Any dialogue about fashion is a good dialogue.
Brad Goreski
#5. Also a good director and good dialogue. That's very important because you're bringing the words to life. So it's very important for an actor to have good dialogue.
Julia Garner
#6. In other words Yates had remembered the lesson of his first great master, Fitzgerald - namely, that people rarely say what they mean, and good dialogue is a matter of catching one's characters "in the very act of giving themselves away.
Blake Bailey
#7. Eyes are the greatest tool in film. Mr. Capra taught me that. Sure it's nice to say very good dialogue, if you can get it. But great movie acting - watch the eyes!
Barbara Stanwyck
#8. Writing good dialogue is art as well as craft.
Stephen King
#9. There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant ... The good dialogue writer is the one who can give you the impression of real speech.
Joseph L. Mankiewicz
#10. All good dialogue perhaps deals with something unprecedented.
Elizabeth Bowen
#11. Good dialogue illuminates what people are not saying
Robert Towne
#12. I've found that good dialogue tells you not only what people are saying or how they're communicating but it tells you a great deal - by dialect and tone, content and circumstance - about the quality of the character.
E. O. Wilson
#13. ... good dialogue encompasses both what is said and what is not said.
Anne Lamott
#14. A good argument, like a good dialogue, is always a proof of life, but I'd much rather go and read a book.
Ali Smith
#15. I like to say good dialogue is a million times easier to memorize than bad dialogue - difficult good dialogue, even if it's difficult. Aaron Sorkin dialogue is easier to memorize, even though it's wildly complicated.
Jesse Bradford
#16. Good fighters, they are so professional and quick, you can't see what's happening. It's very important: the fight is like a dialogue. Everybody has a line and an answer.
Timur Bekmambetov
#17. There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.
Geoffrey Rush
#18. A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet.
Truman Capote
#19. Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
Carl Hiaasen
#20. Silver rights aren't as dramatic and captivating as civil rights. The movement isn't good TV and it's boring or inaccessible to many people. The forums were created to spread awareness, dialogue, and community to forge new partnerships and ideas.
John Hope Bryant
#21. I'm good at coming up with wacky characters and funny dialogue.
Marlon Wayans
#22. Don't go overboard in avoiding "said." Basically, "said" is the default for dialogue, and a good thing, too; it's an invisible word that doesn't draw attention to itself.
Diana Gabaldon
#24. Working on a soap opera is such good training for the novice actor. No rehearsal, 120 pages of dialogue per week, and one take to get the scene right. No room for error.
Dylan Bruce
#25. Sure, I am funny and have a good sense of humor. Mostly, though, I just tell the truth. The internal dialogue people have in their heads - I just write it.
Kara Swisher
#26. I think that's, it's my way of writing, it's my, it's part of you know for lack of a better word, God-given talent that I have that I'm really good at that kind of dialogue.
Quentin Tarantino
#27. In real life, people fumble their words. They repeat themselves and stare blankly off into space and don't listen properly to what other people are saying. I find that kind of speech fascinating but screenwriters never write dialogue like that because it doesn't look good on the page.
Christopher Guest
#28. Moving around is good for creativity: the next line of dialogue that you desperately need may well be waiting in the back of the refrigerator or half a mile along your favorite walk.
Will Shetterly
#29. If you stub your toe, you don't need to dialog yourself to be good to your foot, do you? When you see things that clearly, there's no dialogue or emotional manipulation that you need to do to extend compassion to that being, because that being is a part of you, and if that being hurts, you hurt.
Krishna Das
#30. You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat.
John Leguizamo
#31. I nod seriously, "Supes."
"You're mocking me."
"A little bit."
"People say supes!"
"What people?"
"I can't believe you're shaming me right now. I'm very sensitive about my use of cool vernacular."
"Then we're good. Because you haven't used any." I flash a grin.
Lauren Miller
#32. I've rewritten a lot of the scripts I've done. 'Little Shop Of Horrors' was a complete rewrite, but I didn't touch the dialogue. Essentially, I'm a very good editor.
Frank Oz
#33. There's power in believing there's a God in each of us because if we are made in His/Her/Their image, aren't we all like good horcruxes for God? Because a piece of them is in us?
Luvvie Ajayi
#34. It's supposed to be a good thing that he's got this dialogue started. To me, I think, I just took away something bad from it, because, apparently he had to do this not to convince them of anything. To educate them.
Bill Maher
#35. Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
Owen Wilson
#36. If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself.
Robert Towne
#37. What's that?' Thaniel said, curious. The postmarks and stamps weren't English or Japanese.
'A painting. There's a depressed Dutchman who does countryside scenes and flowers and things. It's ugly, but I have to maintain the estates in Japan and modern art is a good investment.
Natasha Pulley
#38. Much to my surprise, there's a sense for people in the cable industry that fiction writers might actually be good at script writing. You can write dialogue!
Matthew Specktor
#39. What I seek to do is to establish the facts as I see them, or as I understand them, and to engage in constructive dialogue to get good outcomes.
Cory Bernardi
#40. I'm not good at dialogue. I'm not good at holding a mirror up at a real world. I'm not good at believable characterisation.
Jim Crace
#41. It's good for art to make us think, to give us a shared experience that creates a dialogue, makes us talk to each other, including strangers.
Janet Echelman
#42. Critical feedback shared in good faith is inherently a constructive dialogue. A "critique," a term that is both a noun and a verb, represents the systematical application of critical thought, a disciplined method of analysis, expressing of opinions, and rendering judgments.
Kilroy J. Oldster
#43. I would say I have sort of a natural gift for character, and following one person's point of view at a time, and dialogue, but I'm not naturally good at strong plot.
Emma Donoghue
#44. I focus on darker things or bad behavior or explicit dialogue because creatively I am more interested in my mistakes and why I made them than my good deeds and my achievements.
Leslye Headland
#45. My background is sociology. Combined with my graphic approach, if I could do some film projects, I think I'd be very good at making documentaries eventually, but people don't think of me for that, of course. But dialogue is something I know I can be good at.
David Carson
#46. The sensation of never feeling good enough or pretty enough will always be there. It's a constant dialogue, and you just learn to be more powerful than that other voice. When you hear it come up, you shut it down.
Shirley Manson
#47. When you translate the American writers who are best with dialogue into German - someone like Elmore Leonard, or Tom Wolfe, who's also quite good with dialogue. It's very hard to translate them well.
Daniel Kehlmann
#48. You're a damn dog," Adam finally snapped.
"If you're good enough to fuck someone, be a man enough to take responsibility for the result
Suzanne Enoch
#49. I'm totally an anxious mess all the time. There's a constant dialogue going on in my brain, and it's just reminding me of all the failures that I have had, and all of the things I need to do, and all of the things I'm not doing good enough.
Aubrey Plaza
#50. To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.'
John Sayles
#51. For some reason, I have always had a really good ability to write children in a way that's realistic but not annoying. The key to that is underwriting them: peel back the dialogue and keep it simple.
Jeff Lemire
#52. Reading good books is like engaging in conversation with the most cultivated minds of past centuries who had composed them, or rather, taking part in a well-conducted dialogue in which such minds reveal to us only the best of their thoughts.
Rene Descartes
#53. And dialogue, I'm good at it, and it's because it's the only thing you have to work with in TV writing.
Maria Semple
#54. As an actor, you are in a unique position because you're not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.
Jesse Eisenberg
#55. Most of the dialogue in 'Speed' is mine, and a bunch of the characters. That was actually pretty much a good experience. I have quibbles. I also have the only poster left with my name still on it. Getting arbitrated off the credits was un-fun.
Joss Whedon
#56. You're too much of a bitch to go gently into that good night."
"You should put that on a greeting card.
SE Zbasnik
#57. I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue.
Guillermo Del Toro
#58. I might not write fiction in the literary sense. But I write very well. My characters are good. My dialogue is good. And my stories are really involving.
Joy Fielding
#59. There's a lot of things that I've done to stick into the box set. You never have it this good. I think people should bargain. They shouldn't just buy the set, it's a little expensive [anyway]. But they should say - I'll give them dialogue, I'm a good writer.
Mel Brooks
#60. A good film script should be able to do completely without dialogue.
David Mamet
#61. I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent?
George R R Martin
#62. A great many quite good plays could be performed with rhythmic howls in the place of dialogue and lose almost nothing by the change.
Rebecca West
#63. In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenes, moving the plot forward.
Maria Semple
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