Top 39 Quotes About Film Producers
#1. It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.
Bela Lugosi
#2. It may be that the most avid readers of new fiction in America today are film producers, an indication of the trouble were in.
E.L. Doctorow
#3. When you want to make a film abroad, you need producers and people who support you. You need a team that speaks your language.
Bahman Ghobadi
#4. I think when it comes to television as opposed to film, the producers really are the writers. We work with people who are purely financial producers.
Marc Guggenheim
#5. Superman was never previewed because the producers didn't trust Warners with the film.
Richard Donner
#6. Director and producers have to take all the risks they can. We developed this film with the possibility to create departing from a blank page and to discover things as the process went along and as we understood the things that at first we couldn't understand in words.
Alex Abreu
#7. I think I've grown up in an era where character acting on film has become less desirable for the producers and directors and therefore the audience. They have got used to the people that those actors really are.
David Suchet
#8. I remember when I did my Enron film, my executive producers at the time felt very strongly that I should mock the Enron executives more viciously because everybody wanted that moment.
Alex Gibney
#9. My interest in Women in Film came from attending the Crystal Awards in 1998 where Meryl Streep and producers Gale Anne Hurd and Lucy Fisher were honored with the annual award.
Sharon Lawrence
#10. When the producers of 'Why Poverty?' came to me to do a film about poverty in the United States, I asked if I could do a film about wealth instead. I tend to make films about perpetrators, rather than victims.
Alex Gibney
#11. It has absolutely no meaning to me to be an executive producer on a film that I have nothing to do with except come to the wrap party or the premiere on; it's just meaningless.
Rick McCallum
#12. When American producers see my film, they think that I had a big budget to do it, like 23 million. But in fact I had 10 percent of that budget. I did 'Mars et Avril' for only 2.3 million.
Martin Villeneuve
#13. America today remembers its history through visual imagery. Film, print, and electronic media are very capital intensive, which means that most Americans are consumers, not producers, of the images through which they remember.
Jerry Lembcke
#14. My producers give me total freedom. No one asks me for anything; they just tell me to make a good film, and that's what I do.
Michel Ocelot
#15. Actually, after the release of the Bond film, the producers came back to me to offer me another one, but I didn't have any juice left for an immediate encore.
Roger Spottiswoode
#16. Broadway producers are happy to have a big Hollywood name they can post on the marquee, but most of them assume that television and film stars really can't handle stage work. Too often, they're right.
Rue McClanahan
#17. I asked the producers when I was doing 'Y Tu Mama Tambien' if they could give me a VHS recording of the film that I could show to my family, because in Mexico and Latin America, when you do a film, you don't expect anybody to see it, especially not in the cinema.
Gael Garcia Bernal
#18. I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.
Emraan Hashmi
#19. I had thirty weeks of prep on 'Captain America.' I have a small team of qualified, supportive, creative producers who are actually helping me achieve my vision of the film. I had a dream cast headed by Chris Evans. I had the best designers, artists, sculptors, craftspeople.
Joe Johnston
#20. I've often gone to start a film only to find the producers surprised to discover that I'm American.
Alessandro Nivola
#21. I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
Steve Truglia
#22. Composers and lyricists are not responsible for storyline and casting. One can imagine actors shouldering this responsibility, since they charge for half the film. But producers never ask actors to share the losses. Instead, they train their guns on composers and lyricists.
Shaan
#23. At the Hong Kong festival, we were co-producers of the opening film, 'Aberdeen,' which is the third part in a popular movie series.
Victor Koo
#24. I was interested in theatre and media and came to Mumbai to get a job. I imagined that the film industry would be a white building with producers sitting in different rooms, and you could walk in and meet them, and they would interview you and select you.
Imtiaz Ali
#25. With the film, you have a bunch of executive producers, directors, writers, scripts. There's, management, lighting, the union and etc. There are so many components a part of that game, so naturally it isn't my world.
Ashanti
#26. The two Hindi movies that I did were not marketed well, and so not many people came to watch the film, hence the audience doesn't know much about me. I am a newcomer, and I cannot sell a film on my own. There has to be a backing in terms of producers.
Tena Desae
#27. And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.
Andy Serkis
#28. I don't think the subject of a documentary film should be producers on it.
Michael Rapaport
#29. One of the common themes you will read in interview after interview is the call to keep fighting for your vision. This is a message to women directors, producers, writers - anyone who wants to work in the business. Your voice counts. Your vision matters.
Melissa Silverstein
#30. Writing a screen play: One page of an average screen play equals about one minute of screen time. Therefore, the script for a typical feature film should be about 100 pages long. In fact, many studios and producers won't look at screen plays that are much longer.
John Griesemer
#31. I have a lot of respect for, always dig, the crew. Sometimes a lot more than the cast. But a good run production team is paramount to making a good film. You just can't it done without a good line producer, without creative producers, without people who are making stuff happen.
Ben Foster
#32. I think ultimately audience members like to see someone controlling the quality of a film. A lot of films you see are made by committees and studios and producers.
John Carney
#33. Jokes apart, people are constantly asking me, 'What are you doing for the industry?' When one makes a blockbuster, you plough back money into the industry. If my film makes 100 crore, I'm not taking the entire sum home! It gets distributed between the exhibitors, distributors, producers and actors.
Rohit Shetty
#34. Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.
Roger Corman
#35. Since 'A Dangerous Method,' I've had meetings with everyone from J.J. Abrams to the producers of 'Drive.' And they all have the same thing in common; they say: 'Wow you worked with Cronenberg.' He gave me instant film cred.
Sarah Gadon
#36. Well, the film industry is completely sexist and completely class-biased. It's not something I get on the ground level, it's more from financiers and producers and distributors. It's a way of dealing with you that is essentially patronising: I know better than you
Lynne Ramsay
#37. The average film has eight or ten producers on it. That is just in a world that would be unthinkable to me, because to me, to really be a producer of a film, you have to be a line producer.
Rick McCallum
#38. I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
Steven Spielberg
#39. I'm reteaming with the producers of 'Twilight' on an awesome script. It's very serious, dramatic and different for me. I'm excited to see what's next. I love all aspects of film and all genres.
Taylor Lautner
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