Top 50 Quotes About Farber
#1. The cure of even one solid cancer in adults, Farber knew, would singularly revolutionize oncology. It would provide the most concrete proof that this was a winnable war.
Siddhartha Mukherjee
#2. This isolation was key to Farber's early success. Insulated from the spotlights of public scrutiny, he worked on a small, obscure piece of the puzzle. Leukemia was an orphan disease, abandoned by internists, who had no drugs to offer for it, and by surgeons, who could not possibly operate on blood.
Siddhartha Mukherjee
#3. There is something particularly unique about the films of Hong Sang-soo ... it's got to do with his masterful sense of storytelling ... as the critic Manny Farber once said of Hitchcock's ROPE Hong Sang-soo's pictures unpeel like an orange.
Martin Scorsese
#4. Farber had a huge effect on me as a writer. I don't mean I write like him. Farber is, first of all, a great stylist, a great writer. Anyone can read Manny Farber's film criticism, whether that person is a novelist, a poet, another critic, a historian, and learn a lot about writing by reading him.
Greil Marcus
#5. I always enjoyed school, and I enjoyed being focused on learning - and I know that sounds nerdy, but there were so many wonderful elements of going to school with just girls. I wouldn't brush my hair.
Stacey Farber
#7. We are not perfect. None of us is. I apologize for that flaw. I thank the governor for giving me a job with a driver.
Zulima Farber
#8. One of the fine moments in 1940s film is no longer than a blink: Bogart, as he crosses the street from one bookstore to another, looks up at a sign.
Manny Farber
#9. Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
Manny Farber
#10. Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation.
Neil Farber
#11. When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
Stacey Farber
#12. The cold, mean 'Sunset Boulevard' - a beautiful title, though I suspect it was shot on another boulevard - is further proof of the resurgence of art in the Hollywood of super-craftsmen with insuperable taste.
Manny Farber
#13. I will talk about it on Monday. I will answer every one of their questions. I always feel nervous when I have to go to court. This is like going to court. But I will be prepared.
Zulima Farber
#14. ...so much has been laid on the sunset - heavy-handed metaphors, sentimental music. Everyone's always walking into them, and that is some very intense light. Maybe that's where the term "love is blind" comes from, because so many people are walking into sunsets, burning out their corneas.
Kirk Farber
#16. Crime expands according to our willingness to put up with it.
Barry Farber
#17. 'Sunset Boulevard' - the story of Hollywood movies draped on a depressing sex affair - is an uncompromising study of American decadence displaying a sad, worn, methodical beauty few films have had since the late twenties.
Manny Farber
#18. There are several types of movie space, the three most important being: (1) the field of the screen, (2) the psychological space of the actor, and (3) the area of experience and geography that the film covers.
Manny Farber
#19. A peculiar fact about termite-tapeworm-fungus-moss art is that it goes always forward, eating its own boundaries, and, likely as not, leaves nothing in its path other than the signs of eager, industrious, unkempt activity.
Manny Farber
#20. I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
Neil Farber
#21. 'The Big Sleep' is an unsentimental, surrealist excitement in which most of the men in Hollywood's underworld are murdered and most of the women go for an honest but not unwilling private sleuth (Humphrey Bogart).
Manny Farber
#22. Service learning is all about the process: it builds in reflection, takes weeks or months, and culminates in a community celebration.
Katy Farber
#23. Everyone I went to school with went to university, or took a year off and then went, and that was the norm - so I did the same thing.
Stacey Farber
#24. I remember the university as being very encouraging, especially to experimentation. I think you always get a lot of musicians in any art community, and it seemed like a lot of people I knew worked on films that got made locally.
Neil Farber
#25. I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.
Neil Farber
#27. Taboos are always going to be interesting.Our [ with Michael Dumontier] style has its range and there is room for explicitness in violence, but not at the expense of our classy, highbrow image.
Neil Farber
#28. I remember there were days when - and this is kind of gross - I would sleep in my uniform to save time in the morning and then get up and go to school ... it didn't matter because I didn't have to impress anyone, and I didn't have to look cute in class.
Stacey Farber
#29. I think that 'Degrassi' really challenged its actors. I was on it for seven years, and it was one of my first jobs. I can't even watch the early episodes - they're so embarrassing! But I really do think I grew as an actor and learned a lot over the seven years.
Stacey Farber
#30. The new Disney cartoon 'Bambi' is interesting because it's the first one that's been entirely unpleasant.
Manny Farber
#31. The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).
Manny Farber
#32. I think it's sinful to give the audience material it knows already, whether the material is about race relations or the car culture or the depiction and placement of a candy bar.
Manny Farber
#33. This is a source of much embarrassment and puzzlement to me about myself. (It) probably requires psychoanalysis of why there is this aberration in my life. The rest of my conduct, I think you will agree, is not reflective of my driving record, and I apologized for it.
Zulima Farber
#34. Capra is an old-time movie craftsman, the master of every trick in the bag, and in many ways he is more at home with the medium than any other Hollywood director. But all of his details give the impression of contrived effect.
Manny Farber
#35. 'Henry V' is a great deal more than almost any other hell-bent-for-armor movie that you've seen.
Manny Farber
#36. I had so many ideas that I wanted to get out at once that it led to simple little drawings and paintings.
Neil Farber
#37. Leadership is the art of mobilizing others to want to struggle for shared aspirations.
Steve Farber
#38. I think the overall mood of the music informs the artwork, but I've found that good lyrics can be inspirational, too.
Neil Farber
#39. 'The Big Sleep' would have been a more effective study of nightmarish existence had the detective been more complicated and had more curiosity been shown about his sweetheart's relation to the crime.
Manny Farber
#40. I didn't really get into underground comics, though I've liked some of what I've seen. Dame Darcy was very impressive to meet, really talented. In general, I've always been more interested in searching out music, so I think I miss out on a lot of underground art.
Neil Farber
#43. I think it's cool to be smart, and I think it's sexy to be smart.
Stacey Farber
#44. I grew up on a farm with only two TV channels. I didn't grow up around much culture. When I got excited about painting, I never really got further than what would have been in a modern art history textbook.
Neil Farber
#45. The Winnipeg Art Gallery has a good collection of Inuit art, and most of what I've seen I've seen there or in the few books I have. I should spend more time researching.
Neil Farber
#46. I'm always happy when I see something written on an album that wasn't just typed on a computer.
Neil Farber
#47. I don't teach. I don't think I could. I also don't really do anything else artistically, locally.
Neil Farber
#48. Actually, what will be shown from here to eternity will be Burt Lancaster and Deborah Kerr cavorting on the beach. 'From Here to Eternity' must have seemed like a chore to its director, Fred Zinnemann.
Manny Farber
#49. 'From Here to Eternity' happens to be fourteen-carat entertainment. The main trouble is that it is too entertaining for a film in which love affairs flounder, one sweet guy is beaten to death, and a man of high principles is mistaken for a saboteur and killed on a golf course.
Manny Farber
#50. Before seeing 'The Pride of the Yankees,' you may or may not know that the Yankees referred to are the ones who win the World Series each year. After seeing it you will find that the reference is indirect.
Manny Farber
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