Quotes About Cindy Sherman

#1. Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.

Chuck Close

#2. When I do work, I get so much done in such a concentrated time that once I'm through a series, I'm so drained I don't want to get near the camera.

Cindy Sherman

#3. Dreamers are those who have achieved in love and life, because it is a dream that got them there.

Cindy Sherman

#4. I am fine, though it is hard to think of what kind of work to make at this point, other than decorative, escapist or abstract. I suppose I'll explore one or all of these things.

Cindy Sherman

#5. I don't think I can see the world through other people's eyes, but I can capture an attitude or a look that makes others think I can. I have an appreciation for why people choose to look the way they do. But I can't know what they experience.

Cindy Sherman

#6. If I knew what the picture was going to be like I wouldn't make it. It was almost like it was made already.. the challenge is more about trying to make what you can't think of.

Cindy Sherman

#7. Believing in one's own art becomes harder and harder when the public response grows fonder.

Cindy Sherman

#8. My dad was such a bigot. He was a horrible, self-centred person. He was really racist and he'd talk about the Jews and blacks and Catholics even.

Cindy Sherman

#9. I wonder how it is that I'm fooling so many people, I'm doing one of the most stupid things in the world ... and people seem to be falling for it.

Cindy Sherman

#10. Nowadays, with digital printing, it's so easy to make everything perfect, which is not always a good idea. Sometimes the mistakes are really what make a piece.

Cindy Sherman

#11. [My work is] maybe about me maybe not wanting to be me and wanting to be all these other characters. Or at least try them on.

Cindy Sherman

#12. I feel I'm anonymous in my work. When I look at the pictures, I never see myself; they aren't self-portraits. Sometimes I disappear.

Cindy Sherman

#13. Some people have told me they remember the film that one of my images is derived from, but in fact I had no film in mind at all.

Cindy Sherman

#14. I didn't have any interest in traditional art.

Cindy Sherman

#15. I had to redo my last house after the pipes burst, and something was lost in the renovation. The soul of the old space was compromised.

Cindy Sherman

#16. I'm trying to make other people recognize something of themselves rather than me.

Cindy Sherman

#17. I didn't think of what I was doing as political. To me it was a way to make the best out of what I liked to do privately, which was to dress up.

Cindy Sherman

#18. I think people are more apt to believe photographs, especially if it's something fantastic. They're willing to be more gullible. Sometimes they want fantasy.

Cindy Sherman

#19. I was feeling guilty in the beginning; it was frustrating to be successful when a lot of my friends weren't. Also, I was constantly being reminded of that by people in my family making jokes.

Cindy Sherman

#20. Inconsiderate, rude behavior drives me nuts. And I guess the inconsiderate rudeness of social ineptitude definitely fuels my work.

Cindy Sherman

#21. I don't analyze what I'm doing. I've read convincing interpretations of my work, and sometimes I've noticed something that I wasn't aware of, but I think, at this point, people read into my work out of habit. Or I'm just very, very smart.

Cindy Sherman

#22. We're all products of what we want to project to the world. Even people who don't spend any time, or think they don't, on preparing themselves for the world out there - I think that ultimately they have for their whole lives groomed themselves to be a certain way, to present a face to the world.

Cindy Sherman

#23. The way I see it, as soon as I make a piece I've lost control of it.

Cindy Sherman

#24. I'm really just using the mirror to summon something I don't even know until I see it.

Cindy Sherman

#25. People are always trying to find the next groovy thing, and it hasn't gone back to painting ... I'd like it to go back to painting. I'm sick of all this photography and video. There's so much of it, it's almost annoying.

Cindy Sherman

#26. People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.

Cindy Sherman

#27. I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity.

Cindy Sherman

#28. I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that ... Damn it, I'm gonna do that-make this really big picture.'

Cindy Sherman

#29. The work is what it is and hopefully it's seen as feminist work, or feminist-advised work, but I'm not going to go around espousing theoretical bullshit about feminist stuff.

Cindy Sherman

#30. I think I always resented the fact that people thought I was trying to entertain them with my multifaceted, chameleonlike character changes. Although I liked doing that, I wasn't out to fool people and say 'Guess which one is me.'

Cindy Sherman

#31. I was meticulously copying other art and then I realized I could just use a camera and put my time into an idea instead.

Cindy Sherman

#32. Everyone thinks these are self-portraits but they aren't meant to be. I just use myself as a model because I know I can push myself to extremes, make each shot as ugly or goofy or silly as possible.

Cindy Sherman

#33. I can't work without it [music]. And it has to be the right kind, because if it's not then I get into a bad mood. I work with a remote so that I can change CDs instantly if I need to.

Cindy Sherman

#34. I was supporting myself, but nothing like the guy painters, as I refer to them. I always resented that actually.. we were all getting the same amount of press, but they were going gangbusters with sales.

Cindy Sherman

#35. The still must tease with the promise of a story the viewer of it itches to be told.

Cindy Sherman

#36. One reason I was interested in photography was to get away from the preciousness of the art object.

Cindy Sherman

#37. I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.

Cindy Sherman

#38. I wanted to create something that people could relate to without having read a book about it beforehand.

Cindy Sherman

#39. Every time you have to come up with a new body of work for a new show, you're aware that people are just ready to rip you apart, they're just waiting for you to fall or make the slightest trip up.

Cindy Sherman

#40. The models have always been the least interesting thing about fashion.

Cindy Sherman

#41. My ideas are not developed before I actually do the pieces.

Cindy Sherman