Top 100 Quotes About Bret
#1. Bret Michaels and Dee Snider and I know how to step on a stage and front a band, and we're not ashamed to. We're not shoe gazers.
Sebastian Bach
#2. When I came into the WWF, the first thing I really didn't want to have was being Bret Hart's little brother.
Owen Hart
#3. You're looking good today Bret. Very hot ... hotter than Jemaine. You have a refined bone structure, while Jemaine's facial features are too deep set to be classically handsome.
Kristen Schaal
#4. I remain a fan of my friend Bret Easton Ellis's 'American Psycho.' I think as a book about New York in the '80s it was pretty excellent.
Jay McInerney
#5. I would imagine that Bret would taste like a warm goat cheese, and Jemaine would taste like harvati with dill. Hmm ... I'm hungry actually.
Kristen Schaal
#6. My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."
Tao Lin
#7. I think Bret Easton Ellis has said that he doesn't completely identify with his characters. And I think he has referred to them as immoral before.
Tao Lin
#8. I'm not a racist like Bret Hart, I hate everyone equally!
Jerry Lawler
#9. There was a bit of a comparison that Bret was making between Vince McMahon and my dad. He looked up to Vince as a dad and stuff, and it was a shame to see the whole thing end the way it did.
Owen Hart
#10. I love the novels of Didion and Bret Ellis and consider them L.A. writers because they write about L.A.
Rachel Kushner
#11. Brands are useful ways of short-handing practically anything - look at the way Tom Wolfe first used brand name lists to sharpen up a character and a situation. Look at the most brand-referenced novel, Bret Easton Ellis's 'Glamorama.'
Peter York
#12. Nobody has wrestled everybody in the business like I have, especially not Bret Hart.
Ric Flair
#13. Not only was it that I surprised people by beating Bret Hart, but it was a great match. They still rate it as one of the best wrestling matches of all time.
Owen Hart
#14. We had a very exhaustive, extensive search for the guy that is going lead our football team over the next few years. We spent about two months in an in-depth interview process, and Bret came out with flying colors. We are absolutely thrilled that he is our head coach.
Ron Jaworski
#15. I miss the city Bret and I live in, Wellington. It's a good place to be creative, in the same way New York is.
Jemaine Clement
#16. Even the successful 1985 Bret Easton Ellis book (and 1987 film) Less Than Zero, which tracks the falling from grace of wealthy Los Angeles teens, could not be imagined with the logically equivalent title: Negative.
Neil DeGrasse Tyson
#17. 'Rock of Love' with Bret Michaels was fun. He's a lovable guy.
Kristen Schaal
#18. The characters I've played, especially Bret Maverick and Jim Rockford, almost never use a gun, and they always try to use their wits instead of their fists.
James Garner
#19. Mel: Does Bret's girlfriend look anything like me? Murray: A little, around the eyes. Mel: Oh yeah? Big eyes huh? Murray: Well ... she's got eyes.
Kristen Schaal
#20. Bret, you got it goin on! "Got it goin on!" Not in a gay way but in a hey-your-lookin-ok-man!
Flight Of The Conchords
#21. I think when Fox News goes to the Megyn Kellys, the Bret Baiers, and people who don't have much experience who haven't covered campaigns, the result is sometimes you have these inane questions that come out and, frankly, waste everybody's time.
David Shuster
#22. In this deeply nuanced portrait of an American family, Bret Anthony Johnston fearlessly explores the truth behind a mythic happy ending. In Remember Me Like This, Johnston presents an incisive dismantling of an all-too-comforting fallacy: that in being found we are no longer lost.
Alice Sebold
#23. I'd come from the bottom of the barrel. Just Owen Hart getting out of the shadow of Bret Hart's little brother. Everyone figured, this is a joke, Owen's going to get squashed.
Owen Hart
#24. JEMAINE
Lisa?
BRET
Yes, she's in Delta Force. She's been deployed to Fallujah.
JEMAINE
But she works in the croissant shop.
BRET
Yeah, she's got two jobs. She's a pastry chef and a sniper.
Flight Of The Conchords
#25. I'm really shocked when critics get morally outraged at my fiction because they think I'm condoning what's going on. I never come in as the author and say, "Hey, okay. I'm interrupting the narrator here. I'm Bret Easton Ellis, and I'm the author."
Bret Easton Ellis
#26. I know Bret Easton Ellis has said he has some amount of empathy for every character he has written about, though, so maybe I am similar to him in terms of that. I'm not sure what he thinks exactly.
Tao Lin
#27. If Bret went in there and stunk the place out, then they probably wouldn't have brought the little brother in. So just by being successful himself, it opened the door for me.
Owen Hart
#28. Did I tell you Jeb threatened to turn Bret into a smashed pumpkin if I don't get home by midnight? Taking a sweet fairy tale like "Cinderella" and twisting it into a death threat. That's seriously warped.
A.G. Howard
#29. Now little kids come to my front door and give me cookies. You see that smile on their face, they're looking at me the same way I used to look at Hulk Hogan and Bret Hart, and that's pretty cool.
Edge
#31. As a baby, Bret Hart was so ugly that they had to put tinted windows on his incubator!
Jerry Lawler
#32. I like Bret Easton Ellis' sense of humor. I feel like mine is sometimes similar to his. And how his characters sometimes seem really confused in a humorous manner. I like that. And I have that sometimes in my characters.
Tao Lin
#33. Sometimes I would take Nietzsche or something. And I wouldn't read it, but more just scan the words. Sometimes I would get whatever the popular thing at the time was. I don't know, something like Bret Easton Ellis. It was just a very random, inefficient education.
John Brandon
#34. Bret Easton Ellis is a social satirist; I consider myself aligned with how he does things. Bret doesn't write about that which he loves about the world, he writes about what disgusts him. You'd be a disturbed individual if you came out and said, 'I love these characters'.
Roger Avary
#35. I wouldn't think of my characters' moralities at all. And I think I identify fully with every main character I've written about and would say that I am them pretty much. So in terms of that I don't think I'm similar to Bret Easton Ellis .
Tao Lin
#36. I passed what I thought was a Halloween parade, which was disorienting since I was fairly sure this was May. When I stopped on the corner of Sixteenth Street and made a closer inspection it turned out to be something called a "Gay Pride Parade," which made my stomach turn.
Bret Easton Ellis
#37. My mind reeling with the concept that a human being, a man, could feel pride over sodomizing another man,
Bret Easton Ellis
#38. Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
Bret Easton Ellis
#39. Sometimes when you play music, you start thinking, "This is rocking!"
Bret McKenzie
#40. A bird in hand is a certainty. But a bird in the bush may sing.
Bret Harte
#41. Writing a novel is not method acting and I find it easy to step out of it at cocktail hour.
Bret Easton Ellis
#42. I think in life, there are certain choices you make that are timeless and universal, and don't necessarily have anything to do with the particulars of a certain decade.
Bret Easton Ellis
#43. I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
Bret Easton Ellis
#45. For me as a solo artist, I never want to be a nostalgia act.
Bret Michaels
#46. I felt on my back gentle pats like fragile wings just touching me, touching me: my grandchildren's hands.
Bret Lott
#48. In taking care with language, we take care of ourselves.
Bret Stephens
#49. I've forgotten who I had lunch with earlier, and even more important, where.
Bret Easton Ellis
#50. The best there is, the best there was, and the best there ever will be
Bret Hart
#51. I say, staring at her, quite clearly but muffled by "Pump Up the Volume" and the crowd, "You are a fucking ugly bitch I want to stab to death and play around with your blood," but I'm smiling. I
Bret Easton Ellis
#52. It's like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
Bret Easton Ellis
#53. Hope E. L .James doesn't think I'm being a prankster. I really want to adapt her novels for the screen. Christian Grey is a writer's dream.
Bret Easton Ellis
#54. But this was what happened when you didn't want to visit and confront the past: the past starts visiting and confronting you.
Bret Easton Ellis
#56. She's simply another girl who has gotten by on her looks - her currency in this world - and it will not be fun to watch her grow old.
Bret Easton Ellis
#57. You don't market-research a novel; you really are writing it for yourself. It's a hobby, in many ways. The problem becomes what you do when you're confronted by criticism. You just don't listen to it.
Bret Easton Ellis
#58. Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control.
Bret Easton Ellis
#59. I guess the consolation is that she's not going to be beautiful forever," he says. "But I'd like to be with her before that happens.
Bret Easton Ellis
#60. By the time you finish reading this sentence, a Boeing jetliner will take off or land somewhere in the world.
Bret Easton Ellis
#62. I'm also staring at the fortune cookie. Its got a lot of blood on it and I shrug and say, as jovially as I can, Oh, you know me.
Bret Easton Ellis
#63. I feel like after Money in the Bank in Phoenix, I almost took a nose dive, career-wise. I couldn't get the reigns on it, but I feel like I finally got the reigns on my career again, and that happens in entertainment.
Bret Hart
#65. There are a lot of good shows that don't get picked up. Like that Ben Stiller pilot, Heat Vision And Jack? That would have been a great show, but somehow it slipped by.
Bret McKenzie
#66. There was, I think, a prevailing
impression common to the provincial mind, that his misfortune was
the result of the defective moral quality of his being a stranger.
Bret Harte
#67. Never a lip is curved with pain that can't be kissed into smiles again.
Bret Harte
#68. You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you
Bret Easton Ellis
#69. Perhaps there is no gift of nature that requires as little exertion on the part of the owner as personal beauty. I am not certain but that it is this very absence of effort which excites our admiration.
Bret Harte
#70. I definitely miss New Zealand. Mainly friends and family.
Bret McKenzie
#72. I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say "I love you I love you I love you" while stripping. I want you so bad it stings.
Bret Easton Ellis
#74. Why not? Give me one good reason why we shouldn't get married.
Because trying to fuck you is like trying to french-kiss a very ... small and ... lively gerbil? With braces?
Bret Easton Ellis
#76. In the Middle East there are two kinds of regimes - those that could be worse, and those that couldn't be worse.
Bret Stephens
#77. Everyone I know who is successful has issues with their father, regardless of whether it was sports or business or entertainment.
Bret Easton Ellis
#79. Is that your real name?
Does it really matter?
It makes me wonder what else is not real.
Bret Easton Ellis
#80. Descansado," he tells me.
"What does that mean?"
"Descansado," Rip says. "It means 'take it easy,'" he whispers, clutching the child next to him.
"Yeah?"
"It means relax.
Bret Easton Ellis
#81. Before I leave, the Eurotrash girl tells me she likes my gazelleskin wallet. I tell her I would like to tit-fuck her and then maybe cut her arms off, but the music, George Michael singing "Faith," is too loud and she can't hear me. Back upstairs I find Patricia where I left her,
Bret Easton Ellis
#82. But ... what about us? What about the past?" she asks blankly.
"The past isn't real. it's just a dream," I say. "Don't mention the past.
Bret Easton Ellis
#83. For the glory born of Goodness Never dies, And its flag is not half-masted In the skies.
Bret Harte
#84. I can't disagree. I laugh weakly, walking him to the door. As he leaves I'm wondering and not wondering what happens in the world of Tim Price, which is really the world of most of us: big ideas, guy stuff, boy meets the world, boy gets it.
Bret Easton Ellis
#86. I convinced myself I hadn't seen anything, ... I had done this many times before ... I was adept at erasing reality.
Bret Easton Ellis
#87. The dominant expression of a child is gravity.
Bret Harte
#88. You should never mistake affection for ... passion," I warn her. "It can be ... not good. It can ... get you into, well, trouble.
Bret Easton Ellis
#89. I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care.
Bret Easton Ellis
#91. I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.
Bret Easton Ellis
#92. She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass.
Do you own a briefcase? I ask her, swallowing.
Bret Easton Ellis
#94. Hillary Clinton, as awful as I find her, is a survivable event. I'm not so sure about [Donald] Trump.
Bret Stephens
#95. The past was a bridge that looked solid and sturdy, but once you were on it, you saw that it extended only far enough to strand you, to suspend you between loss and longing with nowhere to go at all.
Bret Anthony Johnston
#96. Learning to write ... is a desperately idiosyncratic, eccentric, single-souled, lifelong quest.
Bret Lott
#97. It was always the A booth. It was always the front seat of the roller coaster. It was never Let's not get the bottle of Cristal.
Bret Easton Ellis
#99. And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn't matter. That all that does is that I want to see the worst
Bret Easton Ellis
#100. Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I'm tortured by.
Bret Easton Ellis
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