Quotes About Art Studios

#1. I'm old fashioned. I really think you should know how to draw before you start painting. I use charcoal and graphite; I put a skylight in. In my house, I turned the garage into an art studio. So I'm awash in art studios.

Peter Falk

#2. We are more closely connected to the invisible than to the visible.

Novalis

#3. There is no special protection when you cross that invisible line from your ordinary life to that parallel world where tragedies happen. It happens just like this. You don't become someone else. You're still exactly the same. Everything around you still smells and looks and feels exactly the same.

Liane Moriarty

#4. What surprises me is that I did not talk for One and a Half Year....when I was born....I can still feel the claustrophobia of those times and now vent out my thoughts all the time !!

Abha Maryada Banerjee

#5. Don't carry worries around," she always says. "They're heavy.

Sona Charaipotra

#6. We're going to have shortages and prices are going to go up. Gasoline is going to be extremely tight for us.

T. Boone Pickens

#7. If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.

Bruce Nauman

#8. He laid himself down on top of her, careful not to put too much weight on her. Her hands played in his hair. "I'm yours completely."
She laughed. "I somehow doubt that."
And she would be wrong.

-Nykyrian & Kiara

Sherrilyn Kenyon

#9. Some prescient American collectors, including Vicki and Kent Logan and Mera and Donald Rubell, began collecting Chinese art before 2000 with a genuine passion, but as the auction prices exploded everyone was beating a path to the galleries and artist studios in China. It became the 'China thing.'

Arne Glimcher

#10. We are to introduce our people into the life of the Church, which is salvation, that they may grasp its meaning, its contents and purpose, to taste and see how good the Lord is.

Arthur Middleton

#11. I have lived among enough painters and around studios to have had all the theories - and how contradictory they are - rammed down my throat. A man has to have a gizzard like an ostrich to digest all the brass-tacks and wire nails of modern art theories.

D.H. Lawrence

#12. Sometimes what we want or don't want doesn't matter in the end. Sometimes magic doesn't listen after all.

Janni Lee Simner

#13. I think, aesthetically, car design is so interesting - the dashboards, the steering wheels, and the beauty of the mechanics. I don't know how any of it works, I don't want to know, but it's inspirational.

Paloma Picasso

#14. Art comes from life, not from the studio

Marina Abramovic

#15. It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.

Ben Gazzara

#16. I need to be working with the art world in N.Y.C. as much as I need to be working in my studios in Chicago and rural Wisconsin.

Michelle Grabner

#17. When I think how art education is eliminated whenever we get a budget crunch in the schools, I have to stand up and say that even when there was dire poverty ten blocks away from Tiffany Studios in the Lower East Side of Manhattan, there was art and creativity within.

Susan Vreeland

#18. During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums.

Hans Ulrich Obrist

#19. To help others develop, start with yourself! When the boss acts like a little god and tells everyone else they need to improve, that behavior can be copied at every level of management. Every level then points out how the level below it needs to change. The end result: No one gets much better.

Marshall Goldsmith

#20. Eventually, ritual was developed as a means of contacting and utilizing the energy within humans as well as in the nature world.

Scott Cunningham

#21. Despite their rising international acclaim, Sachal Studios remains virtually unknown in Pakistan. The ensemble is faced with a daunting task: to reclaim and reinvigorate an art that has lost its space in Pakistan's narrowing cultural sphere.

Sharmeen Obaid-Chinoy