Top 100 Petit Philippe Quotes
#1. If I had been born in the circus, my parents would have pushed me on that little high wire at four years old. That's when the body is most limber to learn those acrobatics.
Philippe Petit
#3. If I have to make a self-portrait, I would put poetry and rebellion on the list. To be able to walk on a wire, to be able to juggle six hoops, you need focus, another word for tenacity, which is passion.
Philippe Petit
#4. One more thing: Philippe, you are not a coward-so what I want to hear from you is the ecstatic truth about the twin towers.
Werner Herzog
#5. I walk on the wire; it's my profession, and there are no two high wire walks alike.
Philippe Petit
#6. I was not born into the world of the stuntman and the daredevil; I was born into the world of theater and writing and sculpting and classical music.
Philippe Petit
#7. When you are a young person, the world is yours. You can do the impossible.
Philippe Petit
#8. If I look at the performance of another friend Sting, whenever I hear him take over a stage and share his art with millions, it's very inspiring to me. So I have a lot in my life, a lot of friends who inspire me and I'm sure it goes the other way around, or so that I inspire them.
Philippe Petit
#10. My time is always divided when I prepare for a wire walk. First I dream, technically and artistically, and then I go to work, and I am the master rigger, climbing trees and ladders and constructing. Only then I change my cap and become the performer.
Philippe Petit
#11. Of course, the slightest little mistake on the wire will deprive me of my life, so in that sense, yes, it is a dangerous profession. You have to pay attention; if not, you will lose your life.
Philippe Petit
#12. When I was learning by myself, despite my parents, despite my teachers, despite society, when I was fighting for building my life as a young wire walker at age 16, I didn't have feelings, I had certainties.
Philippe Petit
#13. Everybody wanted me to be rich and famous on my art. And I said no to all the commercials and all the seedy offers.
Philippe Petit
#14. Believe marvels exist around you, inside others, within yourself. Go search for them. Gallop through life and without dismounting your horse manage (like a Cossack!) to pick up bits of otherworldliness lying on the path. Feed your imagination that way. That way, shape your destiny.
Philippe Petit
#15. If it's a problem of fire, fire might very well be the answer.
Philippe Petit
#16. Limits exist only in the souls of those who do not dream.
Philippe Petit
#17. The essential thing is to etch movements in the sky, movements so still they leave no trace. The essential thing is simplicity. / That is why the long path to perfection is horizontal.
Philippe Petit
#18. Death frames the high wire. But I don't see myself as taking risks. I do all of the preparations that a non-death seeker would do.
Philippe Petit
#19. I hate all electronic things that are supposed to help the human being. You don't smell, you don't hear, you don't touch anymore.
Philippe Petit
#20. And do not forget that the blood of rebellion flows through your veins, that around your soul meanders the river of perfection; above all stay devoted to your art - even if it is only the art of living! - above all remain loyal to it.
Philippe Petit
#21. I started very early, from five or six years old, to climb. To climb trees, to climb rocks everywhere I could. At some point, of course, I used a rope.
Philippe Petit
#22. The impossible - we are told - cannot be achieved. To overcome the 'impossible,' we need to use our wits and be fearless. We need to break the rules and to circumvent - some would one say to cheat.
Philippe Petit
#23. Talking about theater, actually, I built a little barn in upstate New York, and I call it 'the smallest theater in the world,' but it has a mini stage and a red velvet curtain.
Philippe Petit
#24. I would like to continue to tell stories of what I did in a biographical way, so I will continue to write.
Philippe Petit
#25. My destiny no longer has me conquering the highest toowers in the world, but rather the void they protect.
This cannot be measured.
Philippe Petit
#26. Would anyone but a crazed bicephalous being, half engineer, half poet, willingly shackle himself to a venture of such magnitude? I am prisoner of my dream.
Philippe Petit
#28. If a leaf fell from a tree, I'd stop juggling and play with the leaf. I went to my prop bag and got a little bandage and stuck the leaf back on the tree. People loved it.
Philippe Petit
#29. I will never fall prey to celebrity because I am too busy. I have other things to do than look at myself in the mirror.
Philippe Petit
#30. Whenever other worlds invite us, whenever we are balancing on the boundaries of our limited human condition, that's where life starts, that's where you start feeling yourself living.
Philippe Petit
#31. I've been arrested many times for illegal high wire walking and illegal street performing.
Philippe Petit
#32. When I was six years old, I fell in love with magic. For Christmas, I got a magic box and a very old book on card manipulation. Somehow, I was more interested in pure manipulation than in all the silly little tricks in the box.
Philippe Petit
#33. There is a child inside me that wants to come out and do something to surprise all the adults.
Philippe Petit
#34. As I'm studying magic, juggling is mentioned repeatedly as a great way to acquire dexterity and coordination. Now, I had long admired how fast and fluidly jugglers make objects fly. So that's it. I'm 14; I'm becoming a juggler.
Philippe Petit
#35. My journey has always been the balance between chaos and order.
Philippe Petit
#36. I was never part of the sailing circle, but I enjoy when I'm invited to sail.
Philippe Petit
#37. It's very normal - when you're not used to the world of the high wire, it's very normal to be simply terrified. The reason I'm not is because I've done it for so many years.
Philippe Petit
#38. Every year, I am conscious of the anniversary of my 1974 World Trade Center walk.
Philippe Petit
#39. I usually practice on a small, low wire, that features the predominant wind. I study the meteorology of the place at the time that I am supposed to do my walk, and then I find the predominant direction and velocity of the wind and I train to fight that wind.
Philippe Petit
#40. It is very normal for people on the ground to look at somebody apparently walking in midair and thinking first that person is crazy and thinking secondly that person risks his or her life.
Philippe Petit
#41. Wire-walking in performance is one thing - I never fell, of course. If I had, I wouldn't be here talking about it.
Philippe Petit
#42. My first walk illegally at 20 years old was between the towers of Notre Dame.
Philippe Petit
#43. I am fascinated by the engineering. The science of constructing and understanding why it stands. And I am drawn by the madness, the beauty, the theatricality, the poetry and soul of the wire. And you cannot be a wire-walker without mingling those two ways of seeing life.
Philippe Petit
#44. There is no such thing as motivation in my world. I am not motivated to do what I do. As an artist, I am driven, I am compelled, I am thrust forward by a force so rooted inside me, so convincing, that it seems futile to try to explain it. Although it has a name: passion.
Philippe Petit
#45. I would not describe my personality. And I think when you describe people, you are making a mistake. That's not how they are; that's how you perceive them at that moment. It's limiting in front of something that is magnificent and unlimited: life.
Philippe Petit
#46. As a high wire walker, I do not allow myself to 'leave the wire' during a performance.
Philippe Petit
#47. On a very long and very high wire, I will not hope to not be blown off by high winds. I will have the certitude that such could not happen.
Philippe Petit
#48. An intellectual challenge presents itself? I am in bliss. Instantly, it brings forth the notion of triumph.
Philippe Petit
#49. If I am practicing on the wire, and you pushed me, I would not move, and if you take a piece of wood and beat me up on the shoulder and the head, I would not move. You would not put me out of balance. You would not be able to. I am solid as granite when I am on the tight rope, and I should be.
Philippe Petit
#50. It's always easy to describe something complex by applying to it an already known label.
Philippe Petit
#51. Truly, from a very early age, I started distancing myself from other kids, not out of willingness, but just out of the nature of my energy. I liked to do things solely, and I already had a taste of the quest for perfection, which is unusual in a little kid.
Philippe Petit
#52. The rest is usually just an inhuman amount of tenacious work.
Philippe Petit
#53. I needed more knowledge in rigging and knotting. I started collecting books on knots and really learning more and more. That's how it started. And also in magic, of course. With a piece of rope, you can do magic.
Philippe Petit
#54. Certainly, in the story of my life, the walk between the Twin Towers was one of the grandest, one of the most memorable, but not solely the grandest and the most memorable.
Philippe Petit
#55. I wanted all my life to give my world into other arts - books, plays, movies - but I didn't want to sell out.
Philippe Petit
#56. It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
Philippe Petit
#57. When I perform outside, the major problem that could arise is strong wind.I spend months preparing for the types of wind that occur in different locations.
Philippe Petit
#58. I love or hate things straight away. I like to go directly to action to see the result. I think I must be difficult, but at the same time, it's not for me to say.
Philippe Petit
#59. Life should be lived on the edge of life. You have to exercise rebellion: to refuse to tape yourself to rules, to refuse your own success, to refuse to repeat yourself, to see every day, every year, every idea as a true challenge - and then you are going to live your life on a tightrope.
Philippe Petit
#60. I started putting a wire up in secret and performing without permission. Notre Dame, the Sydney Harbor Bridge, the World Trade Center. And I developed a certitude, a faith that convinced me that I will get safely to the other side. If not, I will never do that first step.
Philippe Petit
#61. Most of 'Let the Great World Spin' is centered on the day in 1974 when Philippe Petit walked on a tightrope between the two towers of the World Trade Center, creating an astonishing spectacle that intersects with the lives of many of the novel's multiple protagonists.
Susan Barker
#62. You see, it's actually very good that a human activity is performed very close to death, because that's where life is. Life is, at its most valuable and most full, very close to the boundary of life.
Philippe Petit
#63. I'm a wire-walker, but actually, I'm a moviemaker that hasn't done his first movie.
Philippe Petit
#64. I have been expelled from five different schools when I was a kid. And I learned basically all what I do by myself.
Philippe Petit
#66. I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
Philippe Petit
#67. If you see how carefully I prepare for any kind of walk, legal or illegal, small or big, you will see that, actually, I narrow the unknown to virtually nothing. And that's when I am ready to walk on the wire.
Philippe Petit
#68. If I see three oranges, I have to juggle. And if I see two towers, I have to walk.
Philippe Petit
#69. This moment where we think we rest, when the brain is floating, you know, in sleep, is actually a moment where I could be very creative in a very strange, uncontrolled way.
Philippe Petit
#70. Art is maybe a subversive activity. There is a certain rebellion when you are an artist at heart, even if only in the art of living.
Philippe Petit
#71. I found out that total creativity involves a certain intellectual rebellion - not to become a criminal, but somehow. to be totally creating, you have to do things that are a little bit forbidden. You have to feel free, and we know freedom is a hard thing to get.
Philippe Petit
#72. I am very sensitive to all form of music, painting, sculpting, dancing, and I love cinema also. For example if I look at the work of the dancer Mikhail Baryshnikov, who happens to be a friend of mine, everything he does is inspiring to me.
Philippe Petit
#73. It cannot be done all at once. To overpower vertigo - the keeper of the abyss- one must tame it, cautiously.
Philippe Petit
#74. Wirewalker, trust your feet! Let them lead you; they know the way.
Philippe Petit
#75. Improvisation is empowering because it welcomes the unknown. And since what's impossible is always unknown, it allows me to believe I can cheat the impossible.
Philippe Petit
#76. The practical answer is, no it would be totally impossible for young or foreign people to get access to roof of a building that stands in the heart of a giant city and to put a cable across.
Philippe Petit
#77. Many people use the words 'death defying' or 'death wishing' when they talk about wire-walking. Many people have asked me: 'So do you have a death wish?' After doing a beautiful walk, I feel like punching them in the nose. It's indecent. I have a life wish.
Philippe Petit
#78. I was in art school once a week from six to 16, which was essential in shaping my artistic sensitivity.
Philippe Petit
#79. Right after my Twin Towers walk, I was approached by hundreds of people, and I said no to all the offers. I could have become a millionaire overnight, obviously, but I said no, and I continue to be uninterested.
Philippe Petit
#80. For me, since I have a life wish, not a death wish, for me, I was not gambling my life. I was doing something much more beautiful. I was carrying my life across.
Philippe Petit
#81. I am the poet of the high wire - I never do stunts; I do theatrical performances.
Philippe Petit
#82. My parents wanted me to have an honorable profession and not to be a jester.
Philippe Petit
#83. I am not up there by chance. I am there by choice. And I know the wire. And I know my limits. And I am a madman of details.
Philippe Petit
#84. On one day of the week, I relax - which is not true, I work furiously on other things. 'Relax' is not a word to me.
Philippe Petit
#85. To fight adversity, to improvise, to solve problems, and to save the coup, I had gathered all my senses into unusual configurations, which made me grow wild and enhanced my perceptions.
Philippe Petit
#86. The union of altitude and solitude fills me with an arrogant sense of ownership.
Philippe Petit
#87. I've frowned at the idea of breaking records, the first one to do something, or do it longer, higher, more difficult.
Philippe Petit
#88. To be able to create fully, it's maybe fine that you learn the rules, but you have to forget and to rebel against those rules.
Philippe Petit
#89. It's impossible, that's for sure. So let's start working.
Philippe Petit
#90. I was thrown out of different schools because I was practicing my arts - magic, juggling, and the high wire.
Philippe Petit
#92. I am a thief of knowledge, and in a survival way, I had to solve all the problems around me.
Philippe Petit
#93. It is treacherous on a high wire to change your focus point and suddenly look down.
Philippe Petit
#94. I love to remember the World Trade Centre walk, but it should not define me.
Philippe Petit
#95. Metaphorically speaking, of course, if I put a problem behind my pillow and fall asleep, very often because my brain went to sleep with that idea or the problem alive, very often in the middle of the night I wake up, and I wake up with a solution or with a direction of solution.
Philippe Petit
#96. I have walked many times around the world and each time it's different from the last one. It feels a little bit like I am a theatrical director, creating a theatre in space. It's really a theater in the sky. But of course the World Trade Center is certainly the most well-known of my productions.
Philippe Petit
#97. For me, when I am on the wire, I do not have a problem of eliminating or blocking fear. I do not really feel fear, although it is a fearful activity to walk in thin air, as I do without any safety device, but I am not fearful.
Philippe Petit
#98. I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
Philippe Petit
#99. Fame was never something I was seeking in my artistic journey. It's to be used as a tool for an artist to break open doors and keep creating. That's how I enjoyed fame in '74; it was not just for the emptiness of being famous.
Philippe Petit
#100. When art in general, and film in particular, succeeds is when it pulls you away onto a voyage. Then it's a good film.
Philippe Petit
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