Top 34 Oh Boy Film Quotes
#1. I did The Newton Boys and during the whole process of making the film, I may have spent a week in Los Angeles.
Richard Linklater
#2. The other thing is this industry has decided it only has one market. Unlike any other industry in the world, unlike film or books or sports even, this industry has decided it has only one market and that's 14 year old boys.
Rob Walton
#3. I've got a reputation for doing a certain type of film: lads' movies that glamorise violence. The more my reputation as a bad boy grows, the more my life moves away from that.
Nick Love
#4. Ray Comfort's got a fabulous film. Oh boy, this is going to cause the halls of academia to have a few conversations around the cafeteria.
Janet Parshall
#5. He was exactly the type of boy who caught Jason's eye. Seeing him on display in the film, eager and vulnerable, left Jason breathless with arousal. On
Leta Blake
#6. If you film a little boy going to school, the big event in that boy's day and all the classmates' and teachers' day is you being there filming, not the school.
Joshua Oppenheimer
#7. Boy, I'd hate to shoot on tape or disc or whatever the hell they're talking about. I love film.
Frank Darabont
#8. A movie in production is the greatest train set a boy could ever have.
Orson Welles
#9. About how you survived when You-Know-Who tried to kill you and how he disappeared and everything and how you've still got a lightning scar on your forehead" (his eyes raked Harry's hairline) "and a boy in my dormitory said if I develop the film in the right potion, the pictures'll move.
J.K. Rowling
#10. When I see a short schedule, my question to the director is, are you really comfortable with this, or are you doing it to be a good boy? At the end, you only win the medal if the film is good, you don't win a medal if the movie is on time.
Guillermo Del Toro
#11. It's a film made in a very radical creative manner. It was possible because we didn't have to pander to capitalism. I think the film is also a humanistic cry for help for animation. It's a film [Boy and the World] with sensitivities completely opposite to what the market wants to sell.
Alex Abreu
#12. My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.
Ryan Phillippe
#13. For my first week as a new boy at Radley College, back in the summer of 1979, I was followed around by a film crew.
James Lovegrove
#14. I think that, on television and in film, I will continue to be the mother to hot boys until, inevitably, I am their grandmother.
Julie White
#15. I always felt more like a girl than a boy, I don't know. Music was very important to me, movies were not important. I was not dreaming of becoming a film director.
Lukas Moodysson
#16. When I was going for my graduate degree, I decided I was going to make a feature film as my thesis. That's what I was famous for-that I had my thesis film be a feature film, which was 'You're a Big Boy Now.'
Francis Ford Coppola
#17. You cannot hurt animals, so what do I do? I kill the dog first. Then I do it with the boy. You're not supposed to break the illusion of this being a film, so I make the actor talk to the audience. Provocation is the principle of the whole film [ Funny Games]. It is very ironic.
Michael Haneke
#18. I'm interested in making films of all sizes. During this time I've made a film called 'The Boy in the Striped Pajamas', which is a modest-sized film. I was involved in 'I Am Legend' and 'Yes, Man', but 'Potter' is unique. There'll never be anything like 'Potter' again.
David Heyman
#19. The film [Boy and the World]gave me the possibility to create a new language. Animation is a very rich medium but hasn't fully been exploited by artists. Often artists are trapped by words.
Alex Abreu
#20. I hadn't made a big-budget film, and in Hollywood there's a sort of man and boys situation. You're a man, you make $80 million movies! As if it's harder to make an $80 million movie. Well, I guess businesswise it is because you have more executives to argue with.
Gus Van Sant
#21. I went out for a film where they wanted seven brothers and one sister, so I was there for half a day while they were waiting for 'Archie' to read for a boy ... I've had drivers come to pick me up in England looking for a blond, blue-eyed Scottish boy.
Archie Panjabi
#22. Making a film from the point of view of a young boy's eyes opened the door to another universe with lots of freedom and to explore a new dimension. This was achieved as I started doing things that were close to what exists in a child's universe.
Alex Abreu
#23. 'Slow West' is a film that I did with Michael Fassbender in New Zealand and Scotland. The director was John McLean. It's a film set in the 1800s. I play a young Scottish boy brought up in the royal family. I fall in love with someone who works on our land.
Kodi Smit-McPhee
#24. 'The Road' is about that fear that all parents can have. What's going to happen to your child if you're not around? It takes those concerns to an extreme. In the film, without me the boy has no food, no shelter, no resources at all.
Viggo Mortensen
#25. I saw a film today, oh boy,
The English army had just won the war,
A crowd of people turned away,
But I just had to look, having read the book ...
The Beatles
#26. In New York, I get people coming up to me because 'The History Boys' was such a hit on Broadway, and they show the film all the time on cable over there, so people recognise you.
Samuel Barnett
#27. There's nothing like the discipline of having to work on a cold film set on the Danubian plain in Bulgaria. Boy, does it get cold.
John Rhys-Davies
#28. This is one of the factors that also made me very much want to make this film, apart from the fact that I loved it. If the boy hadn't been Jewish and the man hadn't been Muslim, it wouldn't have made any difference to the film. I don't think it's relevant, really.
Omar Sharif
#29. I go into a young film director's office these days and he says, 'Hey man, I know who you are. I grew up watching 'McHale's Navy'. And I think, 'Oh boy, here we go again'.
Mako
#30. When I went to the cinema as a boy, when I saw a war film, I thought the general was the star, and that Cary Grant was an extra. I had no idea about the structure of film, but I loved going to the cinema.
Nicolas Roeg
#31. I think of 'The Hobbit' as more like a boy's own film, like those annuals from the 1930s and 1940s.
Mark Hadlow
#32. Boy, there's nothing more thrilling than a chase. I'd often thought, over the years, that someone should do a whole film where it's nothing but a chase.
Mel Gibson
#33. I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, 'Hey I wanted to film it in Mississippi.' It would seem like it was a hometown boy just wanting to be home.
Tate Taylor
#34. The first thing I wanted to do, as a boy, was to be a skier, because I had seen film footage of somebody skiing.
Kenneth Cranham
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