Ng Quotes

#1. If I die of heatstroke, I want to be reincarnated as a beauty queen, I thought. Ma-experience ko man lang>ngng> na sumakay ng>ngng> pink na float at hindi maglakad habang>ngng> nauusukan ng>ngng> tambutso.

Kath C. Eustaquio-Derla

#2. Christian growth doesn't happen by first behaving>ngng> better, but by believing>ngng> better
believi ng>ngng> in bigger, deeper, brighter ways what Christ has already secured for sinners.

Tullian Tchividjian

#3. I can kind of envision one person with a lot of machines, tapes, and electronic set-ups ... sing>ngng>i ng>ngng> or speaking>ngng> and using>ngng> machines ...

Jim Morrison

#4. All action is prayer. All trees are desire-fulfilli ng>ngng>. All water is the Gang>ngng>a. All land is Varanasi. Love everything>ngng>.

Neem Karoli Baba

#5. The only skill that will be important in the 21st century is the skill of learning>ngng> new skills.Everythi ng>ngng> else will become obsolete over time.

Peter Drucker

#6. You can't fight an evil disease with sweet medicine,' says the ng>ngng>'ang>ngng>a.

Panashe Chigumadzi

#7. In Tagalog, we call undocumented people 'TNT,' which means tago ng>ngng> tago, which means 'hiding>ngng> and hiding>ngng>.' So that's literally what undocumented means in Tagalog. And that kind of tells you how Filipinos think of this issue, and really any culture, right?

Jose Antonio Vargas

#8. Ng Security Industries Semi-Autonomous Guard Unit #A-367 lives in a pleasant black-and-white Metaverse where porterhouse steaks grow on trees, dang>ngng>ling>ngng> at head level from low branches, and blood-drenched Frisbees fly through the crisp, cool air for no reason at all, until you catch them.

Neal Stephenson

#9. All love starts with a sense of attraction or liking>ngng>- physical, spiritual, intellectual or emotional. Pero hindi lahat ng>ngng> pagkagusto ay masasabing>ngng> tunay na pag-ibig.

Ronald Molmisa

#10. The content of worship comes from the Bible, the goal of worship is to give praise to God, and the basis for worship is the saving>ngng> work of Jesus Christ. Put more simply, true Christian worship is Word-communicat ing>ngng>, God-glorifying>ngng>, and Christ-confessi ng>ngng>.

Philip Graham Ryken

#11. The problem is, lahat na lang>ngng> kasi ng>ngng> pelikula pinipilit gawing>ngng> pampamilya. one size fits all. kaya tuloy ang>ngng> material for movies nagiging>ngng> too mature for kids and too cheesy for adults.

Bob Ong

#12. The hell I care with your flavor of the month?' Sabi ko. Yeah, yun yung>ngng> girlfiend niya which I consider his flavor of the month. Or should I say, flavor of the week? Ang>ngng> bilis niya kasing>ngng> magpalit ng>ngng> babae, well I'm the only exception! Hahaha!" - Arkisha

Ruth Mendoza

#13. Will you have a touch of ng>ngng>-ka-py?"
"You mean the drink that tastes of good rotten apples?"
"Yes. I can talk better with it."
"Maybe I can listen better," said Samuel.

John Steinbeck

#14. Your mistake," Ng says, "is that you think that all mechanically assisted
organisms
like me
are pathetic cripples. In fact, we are better than we
were before.

Neal Stephenson

#15. Real prayer, the soul-transformi ng>ngng> kind, is self-discontinu ity. It is a conscious act of self-suspension arising>ngng> from the wish for something>ngng> new to occur..

Guy Finley

#16. Every time she kissed him, every time he opened his arms and she crawled into them, felt like a miracle. Coming>ngng> to her made him feel perfectly welcomed, perfectly at home, as he had never in his life felt before.

Celeste Ng

#17. I am one wing>ngng> and you are equally the other

Clara Ng

#18. I don't remember the first picture I took, but I actually found a picture of myself on a trip back to my old family home in Malaysia. I'm five years old, sitting>ngng> on the floor with the family camera in my hand. It was a film camera - not a DSLR - with a fixed lens and a nice manual zoom.

Ren Ng

#19. With Illum, we're able to start to customize that supply chain in a very deep way ... to rethink the entire imaging>ngng> pipeline.

Ren Ng

#20. Photography has always been a passion of mine, but I began to study light field photography when I was in the Ph.D. program at Stanford University.

Ren Ng

#21. With light field technology, there is a huge opportunity for creativity in photography that hasn't been available in the past.

Ren Ng

#22. How he'd asked for a telescope for his fourteenth birthday and received a clock radio instead; how he'd saved his allowance and bought himself one. How, sometimes, at dinner, Nath never said a word about his day, because their parents never asked.

Celeste Ng

#23. Like many people out there, I'm inspired by the level of attention to detail, design and execution of Apple products.

Ren Ng

#24. You have to have a government that does give both money and energy to function in a leadership role modeling>ngng> giving>ngng> for the people. Government is supposed to lead by example in many cases.

Maya Soetoro-Ng

#25. She understands. There is nowhere to go but on. Still, part of her long>ngng>s to go back

Celeste Ng

#26. Styles are tailor made to different situations. Different leaders must have their own styles and these styles must be able to adapt to different people and situations.

John Ng

#27. You don't feel like smiling>ngng>? Then what? Force yourself to smile. Act as if you were already happy, and that will tend to make you happy.

Celeste Ng

#28. After a while, the fear became a habit, too.

Celeste Ng

#29. Over the past two weeks she's worked her way through it [the book], a little each night, savoring>ngng> the words like a cherry Life Saver tucked inside her cheek.

Celeste Ng

#30. For low light, all the light rays participate. We're using>ngng> all the light coming>ngng> through a large aperture to make a picture with a large depth of field - totally impossible with a conventional camera.

Ren Ng

#31. She will figure out what happened to Lydia. She will find out who is responsible. She will find out what went wrong>ngng>.

Celeste Ng

#32. Yes, we are a producer of cameras, but we understand that at the end of the day, you have to make photos in software. A lot of companies focus on the camera side, and a lot are on the software side. There's a chasm between the two.

Ren Ng

#33. Irony: a contradictory outcome of events as if in mockery of the promise and fitness of thing>ngng>s,

Celeste Ng

#34. There's something>ngng> really magical about trying>ngng> to see thing>ngng>s in new ways that go beyond, in some sense, the biological human experience. Light-field photography, too, goes beyond the human experience because our eyes work like conventional cameras.

Ren Ng

#35. In the dark they are careful of each other, as if they know they are fragile, as if they know they can break.

Celeste Ng

#36. I am very active on Twitter and one thing>ngng> that keeps popping>ngng> up is "How do I balance having>ngng> a kid and writing>ngng>?" And I know it should not be as aggravating>ngng>, but I know no one ever asks a male writer that. Or, any male that.

Celeste Ng

#37. condolences; a few of them pat Hannah on the head, as if she's

Celeste Ng

#38. I just love taking>ngng> pictures.

Ren Ng

#39. One day, I decided to be an island. I took off my clothes and walked into the sea, then floated there, bobbing>ngng> along>ngng> with the tide, suspended by my inflatable tube and water wing>ngng>s.

Ng Yi-Sheng

#40. the night before? He had been away four whole

Celeste Ng

#41. People decide what you're like before they even get to know you

Celeste Ng

#42. As if they were two halves of a mold. He

Celeste Ng

#43. Lydia is dead. But they don't know this yet. 1977, May 3, six thirty in the morning>ngng>, no one knows anything>ngng> but this innocuous fact: Lydia is late for breakfast.

Celeste Ng

#44. It will be all right, she told herself, and she stepped out of the boat into the water.

Celeste Ng

#45. By tomorrow Marilyn would forget this moment: Lydia's shout, the shattered edges in her tone. It would disappear forever from her memory of Lydia, the way memories of a lost loved one always smooth and simplify themselves, shedding>ngng> complexity like scales.

Celeste Ng

#46. Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking>ngng>.

Ren Ng

#47. In kindegarten, he had learned how to make a bruise stop hurting>ngng>: you pressed it over and over with your thumb. the first times it hurt so much your eyes watered. The second time it hurt a little less. The tenth time, it was barely an ache.

Celeste Ng

#48. I would never tell myself, you have to write 20 pages today or something>ngng>. But I do try to show up. Read what I wrote, fix thing>ngng>s.

Celeste Ng

#49. The thing>ngng>s that go unsaid are often the thing>ngng>s that eat at you--whether because you didn't get to have your say, or because the other person never got to hear you and really wanted to.

Celeste Ng

#50. Everyone keeps looking>ngng> on their defects. It's not like everyone's perfect, we all are are ugly and at the same time beautiful. It's just how we should carry and believe in ourselves. Nasa attitude yan, wala sa hitsura

HaveYouSeenThisGirL

#51. What made something>ngng> precious? Losing>ngng> it and finding>ngng> it.

Celeste Ng

#52. I loved photography but was frustrated by the limitations of cameras. When trying>ngng> to take a picture of a friend's young>ngng>, active daughter using>ngng> my DSLR, it was impossible to capture the fleeting>ngng> moments.

Ren Ng

#53. You could stop taking>ngng> their phone calls, tear up their letters, pretend they'd never existed. Start over as a new person with a new life. Just a problem of geography, he thought, with the confidence of someone who had never yet tried to free himself of family.

Celeste Ng

#54. Developing>ngng> a prototype early is the number one goal for our designers, or anyone else who has an idea, for that matter. We don't trust it until we can see it and feel it.

Win Ng

#55. Light field photography unleashes the power of the light, to forever chang>ngng>e how everyone takes and experiences pictures.

Ren Ng

#56. For moving>ngng> would never have been enough; he sees that now. It would have been the same anywhere. Children of Mixed Backgrounds Often Struggle to Find Their Place.

Celeste Ng

#57. My life is surround by books.

Cindy Ng

#58. It's too late. He's already learned how not to drown.

Celeste Ng

#59. He can guess, but he won't ever know, not really. What it was like, what she was thinking>ngng>, everything>ngng> she'd never told him. Whether she thought he'd failed her, or whether she wanted him to let her go. This, more than anything>ngng>, makes him feel that she is gone.

Celeste Ng

#60. They never discussed it, but both came to understand it as a promise: he would always make sure there was a place for her. She would always be able to say, Someone is coming>ngng>. I am not alone.

Celeste Ng

#61. Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going>ngng> to be for everyone - not something>ngng> in a huge room in a research facility.

Ren Ng

#62. But at that moment she had known, with a certainty she would never feel about anything>ngng> else in her life, that it was right, that she wanted this man in her life. Something>ngng> inside her said, He understands. What it's like to be different.

Celeste Ng

#63. Remembering>ngng> the past gives power to the present.

Fae Myenne Ng

#64. Imagine if your success in life is determined only by your guts, your hard work, and your willpower, and not by the wealth of your parents. I think it'll be a much more interesting>ngng> world. I think this could chang>ngng>e the way the planet is run.

Andrew Ng

#65. My whole family was Muslim, and most of the people I knew were Muslim.

Maya Soetoro-Ng

#66. How had it begun? Like everything>ngng>: with mothers and fathers. Because of Lydia's mother and father, because of her mother's and father's mothers and fathers.

Celeste Ng

#67. The reason we know as human being>ngng>s that pictures have to be focused before you take the shot is because we know if we're not focusing>ngng> our eyes on something>ngng> that happens, then it's too late - you can't go searching>ngng> in your memory to find it because that light never struck your mind.

Ren Ng

#68. The people are maybe still as aware of the differences but they are more accepting>ngng> of it that what we saw in the 70s and 80s, but the undercurrent is still there. There are maybe no racial slurs anymore, no firecrackers in mailboxes, the distinction is much more subtle.

Celeste Ng

#69. You never got what you wanted; you just learned to get by without it.

Celeste Ng

#70. When you mention to people growing>ngng> up in Cleveland they bring>ngng> up the river catching>ngng> on fire, or LeBron James leaving>ngng>, they have these references, but no one imagines ending>ngng> up there.

Celeste Ng

#71. Before that she hadn't realized how fragile happiness was, how if you were careless, you could knock it over and shatter it.

Celeste Ng

#72. The intricate gears of her mind ticking>ngng> silently at no one, thoughts ping>ngng>ing>ngng> the closed windows like a trapped bee. p. 251

Celeste Ng

#73. Morning>ngng> sun fills the house, creamy as lemon chiffon, lighting>ngng> the insides of cupboards and empty closets and clean, bare floors.

Celeste Ng

#74. I think this is something>ngng> that is naturally built in in people, a need for attention and a need to be special and we are always trying>ngng> to find a balance.

Celeste Ng

#75. I've always been very interested in the question of how computation can fundamentally advance the thing>ngng>s that we can see. This led me to have a fascination with medical imaging>ngng>, especially thing>ngng>s like MRI and scanning>ngng>, and eventually computer graphics.

Ren Ng

#76. Giving>ngng> these students, teenagers, any form of power over the use of their own words, allowing>ngng> them to turn everyday raw material into some form of beauty, is a gift beyond measure.

Gloria Ng

#77. This is it, Marilyn told herself. Let it
go. This is what you have. Accept it.

Celeste Ng

#78. He had forgotten that anything>ngng> could be so tender. He breaks the bun open, revealing>ngng> glossy bits of pork and glaze, a secret red heart.

When he puts it to his mouth, it is like a kiss: sweet and salty and warm.

Celeste Ng

#79. DSLRs take beautiful pictures, but they are hard to focus.

Ren Ng

#80. James slid into his seat and the girl next to him asked, "What's wrong>ngng> with your eyes?" It wasn't until he heard the horror in the teacher's voice - "Shirley Byron!" - that he realized he was supposed to be embarrassed; the next time it happened, he had learned his lesson and turned red right away.

Celeste Ng

#81. this was the first reason he came to love her: because she had blended in so perfectly, because she had seemed so completely and utterly at home.

Celeste Ng

#82. If a news camera shows up, people will line up, they want to be seen. But at the same time they want both to be chosen and not sing>ngng>led out. I think that is an endless struggle within most.

Celeste Ng

#83. The megapixel war in conventional cameras has been a total myth. It's taking>ngng> us all in the wrong>ngng> direction. Once a picture goes online, you're throwing>ngng> away 95 to 98 percent of those pixels.

Ren Ng

#84. Hannah, as if she understood her place in the cosmos, grew from quiet infant to watchful child: a child fond of nooks and corners, who curled up in closets, behind sofas, under dang>ngng>ling>ngng> tablecloths, staying>ngng> out of sight as well as out of mind, to ensure the terrain of the family did not chang>ngng>e.

Celeste Ng

#85. wasn't until he heard the horror in the teacher's voice - "Shirley Byron!" - that he realized he was supposed to be embarrassed; the next time it happened, he had learned his lesson and turned red right away. In

Celeste Ng

#86. There is nowhere to go but on. Still, part of her long>ngng>s to go back for one instant - not to chang>ngng>e anything>ngng>, not even to speak to Lydia, not to tell her anything>ngng> at all. Just to open the door and see her daughter there, asleep, one more time, and know all was well.

Celeste Ng

#87. And Lydia herself - the reluctant center of their universe - every day, she held the world together. She absorbed her parents' dreams, quieting>ngng> the reluctance that bubbled up within.

Celeste Ng

#88. If you think about all the light that enters - that enters the lens of a camera, that's much more than a photo. The light field is all the higher-dimensional information that's lost in a regular photo. When we record all this information, that provides us the opportunity in software after the fact.

Ren Ng

#89. There is something>ngng> about Midwest in general, that has kind of an underdog quality.

Celeste Ng

#90. No one knows what the right algorithm is, but it gives us hope that if we can discover some crude approximation of whatever this algorithm is and implement it on a computer, that can help us make a lot of progress.

Andrew Ng

#91. She did not know how to explain what happened, how everything>ngng> has chang>ngng>ed in just one day, how someone she loved so dearly could be there one minute, and the next minute: gone.

Celeste Ng

#92. It's very difficult to take candid portraits of children because they're moving>ngng> around all the time.

Ren Ng

#93. For my relationships with men to chang>ngng>e, I needed to chang>ngng>e my relationship to myself as a woman.

Gloria Ng

#94. Catching>ngng> the right fleeting>ngng> moment, with the right focus, is a very difficult thing>ngng> to do.

Ren Ng

#95. That long>ngng>-ago day, sitting>ngng> in this very spot on the dock, she had already begun to feel it: how hard it would be to inherit their parents' dreams. How suffocating>ngng> to be so loved.

Celeste Ng

#96. If you told people you were moving>ngng> to Ohio, they wouldn't cong>ngng>ratulate you. They'd say "OH WHY would you move there?" as if that was something>ngng> that happened to you and you had to deal with.

Celeste Ng

#97. She drove on into the night, homeward, her hair weeping>ngng> tiny slow streams down her back.

Celeste Ng

#98. as her mother promised to teach them everything>ngng> a young>ngng> lady needed to keep a house. As if, Marilyn thought, it might run away when you weren't looking>ngng>.

Celeste Ng

#99. Lydia has never really had friends, but their parents have never known.

Celeste Ng

#100. Dreaming>ngng> of his future, he no long>ngng>er heard all the thing>ngng>s she did not say.

Celeste Ng