Top 84 Mondrian's Quotes
#2. The great obstacle to the 'struggle toward clear vision of the universal' is the human trait that Mondrian variously calls 'individuality,' 'personality'... [p.73]
Roger Lipsey
#3. We need words to name and designate things. But we have only a static language with which to express ourselves.
Piet Mondrian
#4. The spiritual (i.e. the supersensory) has many degrees; thus, the term 'spiritual' is used both for the scale of degrees away from the physical towards the spirit, but also only for the spiritual proper.
Piet Mondrian
#5. By the unification of architecture, sculpture and painting a new plastic reality will be created.
Piet Mondrian
#6. The mind itself is an art object. It is a Mondrian canvas onto whose homemade grids it fits its own preselected products. Our knowledge is contextual and only contextual. Ordering and invention coincide: we call their collaboration knowledge.
Annie Dillard
#7. I like nature but not its substitutes ... Mondrian opposed art to nature saying that art is artificial and nature is natural. I do not share this opinion ... Art's origins are natural.
Hans Arp
#8. I think that the destructive element is too much neglected in art.
Piet Mondrian
#9. Let us note that art - even on an abstract level - has never been confined to 'idea'; art has always been the 'realized' expression of equilibrium.
Piet Mondrian
#10. If the paying public demands naturalistic art, then an artist can use his skills to produce such pictures - but these are to be clearly distinguished from the artist's own art.
Piet Mondrian
#11. The clarification of equilibrium through plastic art is of great importance for humanity. It reveals that although human life in time is doomed to disequilibrium, notwithstanding this, it is based on equilibrium. It demonstrates that equilibrium can become more and more living in us.
Piet Mondrian
#12. All individual thought is dissolved in universal thought, as all form is dissolved in the universal plastic means of Abstract-Real painting.
Piet Mondrian
#13. All painting - the painting of the past as well as of the present - shows us that its essential plastic means were only line and color.
Piet Mondrian
#14. I'm inspired by artists who use a limited palette, like painter Piet Mondrian, and the White Stripes, two musicians who create an incredible sound. Our food is starting to go back to a 'less is more' style.
Graham Elliot
#15. The purer the artist's 'mirror' is, the more true reality reflects in it. Overseeing the historical culture of art, we must conclude that the mirror only slowly is purified. Time producing this purifying shows a gradual, more constant and objective image of reality.
Piet Mondrian
#16. Dance, theatre, etc. as art, will disappear along with the dominating 'expression' of tragedy and harmony: the movement of life itself will become harmonious.
Piet Mondrian
#17. Non-figurative art is created by establishing a dynamic rhythm of determinate mutual relations which excludes the formation of any particular form.
Piet Mondrian
#18. It has become progressively clearer that the plastic expression of true reality is attained through dynamic movement in equilibrium. Plastic art affirms that equilibrium can only be established through the balance of unequal but equivalent oppositions.
Piet Mondrian
#19. Abstract art is not the creation of another reality but the true vision of reality.
Piet Mondrian
#20. I, too, find the flower beautiful in its outward appearance. But a deeper beauty lies concealed within.
Piet Mondrian
#21. The more basic the color, the more inward, the more pure.
Piet Mondrian
#22. Subjectivity ceases to exist only when the mutation-like leap is made from subjectivity to objectivity, from individual existence to universal existence.
Piet Mondrian
#23. Colored planes, by their position and size as well as by their value, express only relationships, not forms.
Piet Mondrian
#24. If the universal is the essential, then it is the basis of all life and art. Recognizing and uniting with the universal therefore gives us the greatest aesthetic satisfaction, the greatest emotion of beauty.
Piet Mondrian
#25. I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects.
Piet Mondrian
#26. In art the search for a content which is collectively understandable is false; the content will always be individual.
Piet Mondrian
#27. Things are beautiful or ugly only in time and space. The new man's vision being liberated from these two factors, all is unified in one unique beauty.
Piet Mondrian
#28. The artist sees the tragic to such a degree that he is compelled to express the non-tragic.
Piet Mondrian
#29. Everything is expressed through relationship. Colour can exist only through other colours, dimension through other dimensions, position through other positions that oppose them. That is why I regard relationship as the principal thing.
Piet Mondrian
#30. Vertical and horizontal lines are the expression of two opposing forces; they exist everywhere and dominate everything; their reciprocal action constitutes 'life'. I recognized that the equilibrium of any particular aspect of nature rests on the equivalence of its opposites.
Piet Mondrian
#31. In past times when one lived in contact with nature, abstraction was easy; it was done unconsciously. Now in our denaturalized age abstraction becomes an effort.
Piet Mondrian
#32. I want to abolish time, especially in the contemplation of architecture.
Piet Mondrian
#33. One can rightly speak of an evolution in plastic art. It is of the greatest importance to note this fact, for it reveals the true way of art - the only path along which we can advance.
Piet Mondrian
#34. Cubism did not accept the logical consequences of its own discoveries; it was not developing abstraction towards its own goal, the expression of pure reality.
Piet Mondrian
#35. Every true artist has been inspired more by the beauty of lines and color and the relationships between them than by the concrete subject of the picture.
Piet Mondrian
#36. What is natural does not have to be a representation of something. I'm now working on a thing that is a reconstruction of a starry sky, and yet I'm making it without a given from nature. Someone who says he uses a theme from nature can be right, but also someone who says he uses nothing at all.
Piet Mondrian
#37. The meaning of words has become so blurred by past usage that 'abstract' is identified with 'vague' and 'unreal,' and 'inwardness' with a sort of traditional beatitude ... The conception of the word 'plastic' has also been limited by individual interpretations.
Piet Mondrian
#38. Intuition enlightens and so links up with pure thought. They together become an intelligence which is not simply of the brain, which does not calculate, but feels and thinks.
Piet Mondrian
#39. Why should art continue to follow nature when every other field has left nature behind?
Piet Mondrian
#40. True Boogie-Woogie I conceive as homogeneous in intention with mine in painting: destruction of melody, which is the equivalent of destruction of natural appearance, and construction through the continuous opposition of pure means - dynamic rhythm.
Piet Mondrian
#41. I do not know how I shall develop, but for the present, I am continuing to work within ordinary, generally known terrain, different only because of a deep substratum, which leads those who are receptive to sense the finer regions.
Piet Mondrian
#42. Reality manifests itself as constant and objective - independent of us, but as changeable in space and time. Consequently, its reflection in us contains both properties. Mixed up in our mind, these properties are confused and we do not have a proper image of reality.
Piet Mondrian
#44. I had to find a way to paint abstractly, which is what I wanted to do. I couldn't forget [Wassily] Kandinsky and [Kazimir] Malevich and [Piet] Mondrian, I mean that was the basis.
Frank Stella
#45. It is a task of art to express clear vision of reality.
Piet Mondrian
#46. The essence of painting has actually always been to make it [the universal] plastically perceptible through colour and line.
Piet Mondrian
#47. Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
Piet Mondrian
#48. The relation of color and the relation of proportion are both based on the relation of position.
Piet Mondrian
#50. The most advanced minds as well as the least advanced are obliged to use the same words. If we adopt new words, it will be even more difficult - if not impossible - to make ourselves understood. The new man must therefore express himself in conventional language.
Piet Mondrian
#51. The colored planes, as much by position and dimension as by the greater value given to color, plastically express only relationships and not forms.
Piet Mondrian
#52. As tradition, the female element clings to the old art and opposes anything new - precisely because each new art moves further away from the natural appearance of things.
Piet Mondrian
#53. The only problem in art is to achieve a balance between subjective and objective.
Piet Mondrian
#54. The autonomy of art that emerged through Post-Impressionism, Cubism, Mondrian, and the Russian Constructivism had seen painting develop independent of imitations or decoration, and so the content of art became much closer to that of music.
Neville Weston
#55. The surface of things gives enjoyment, their interiority gives life.
Piet Mondrian
#56. This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary, it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.
Piet Mondrian
#57. Only conscious man can mirror the universal: he can consciously become one with the universal and so can consciously transcend the individual.
Piet Mondrian
#58. Graphic design, which evokes the symmetria of Vituvius, the dynamic symmetry of Hambidge, the asymmetry of Mondrian; which is a good gestalt, generated by intuition or by computer, by invention or by a system of coordinates, is not good design if it does not communicate.
Paul Rand
#59. The position of the artist if humble. He is essentially a channel.
Piet Mondrian
#60. It is not important to make many pictures but that I have one picture right.
Piet Mondrian
#61. Just as pure abstract art is not dogmatic, neither is it decorative.
Piet Mondrian
#62. I began as a naturalistic painter. Very quickly I felt the urgent need for a more concise form of expression and an economy of means. I never stopped progressing toward abstraction.
Piet Mondrian
#63. The rhythm of relations of color and size makes the absolute appear in the relativity of time and space.
Piet Mondrian
#64. All that is base in the masses is temporary, no doubt serving only to prevent evolution (that of the elite, as well) from proceeding too quickly and thus not becoming 'reality.'
Piet Mondrian
#65. I am only satisfied insofar as I feel 'Broadway Boogie Woogie' is a definite progress, but even about this picture I am not quite satisfied. There is still too much of the old in it.
Piet Mondrian
#66. The natural does not have to be a specific representation. I am now working on a thing which is a reconstruction of a starry sky, yet I make it, nevertheless, without a given in nature.
Piet Mondrian
#67. We must look not to the negative (the misery, the bestial in life), although we undergo it and sympathize with it, but rather to the burgeoning life around us, which is strengthened by the negative.
Piet Mondrian
#68. I don't want pictures, I want to find things out.
Piet Mondrian
#69. The unconscious in us warns us that in art we have to followoneparticular path. And if wefollow it, it isnotthe sign of anunconscious act.On the contrary, it showsthat there is in our ordinary consciousness a greater awareness of our unconsciousness.
Piet Mondrian
#70. The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
Piet Mondrian
#71. If you follow nature you will not be able to vanquish the tragic in any real degree in your art ... We must free ourselves from our attachment to the external, for only then do we transcend the tragic, and are enabled consciously to contemplate the repose which is within all things.
Piet Mondrian
#72. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual.
Piet Mondrian
#73. Art is not made for anybody and is, at the same time, for everybody.
Piet Mondrian
#74. Whoever says he is starting from a given in nature may be right, and so is he who says he is starting from nothing!
Piet Mondrian
#75. Reality only appears to us tragical because of the disequilibrium and confusion of its appearances.
Piet Mondrian
#76. The desire for freedom and equilibrium (harmony) is inherent in man (due to the universal in him).
Piet Mondrian
#77. To move the picture into our surroundings and give it real existence has been my ideal since I came to abstract painting.
Piet Mondrian
#78. The truly modern artist is aware of abstraction in an emotion of beauty.
Piet Mondrian
#79. Through the very culture of representation through form, we have come to see that the abstract - like the mathematical - is actually expressed in and through all things, although not determinately.
Piet Mondrian
#80. The subjectivization of the universal in art brings the universal downward on one hand, while on the other it helps raise the individual toward the universal.
Piet Mondrian
#81. The positive and negative states of being bring about action. They cause the loss of balance and of happiness. They cause the eternal revolutions - the changes that follow one upon the other. They explain why happiness cannot be achieved in time.
Piet Mondrian
#82. The position of the artist is humble. He is essentially a channel.
Piet Mondrian
The Artist's Way A Spiritual Path to Greater Creativity by Julia Cameron
Piet Mondrian
#83. By turning from the surface, one comes closer to the inner laws of matter, which are also the laws of the Spirit.
Piet Mondrian
#84. Observing sea, sky and stars, I sought to indicate their plastic function through a multiplicity of crossing verticals and horizontals. Impressed by the vastness of Nature, I was trying to express its expansion, rest and unity.
Piet Mondrian
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