Milton Resnick Quotes

#1. And I don't like people who eat powdered doughnuts. I don't car how careful you are, they're just plain messy. I can't believe they taste good enough to justify getting that sugar all over everything, especially me.

Erin McKean

#2. It was told in the Bible. A man fell. He bit into knowledge and fell ... How do you fall without falling completely? What do you bring as knowledge to a blank canvas? How do you begin?

Milton Resnick

#3. Pulling yourself up again is the most important part of your life. Getting out of the bottom that you put everything into - yourself!

Milton Resnick

#4. As soon as you set yourself up in the position of transferring paint from one place to another, your whole culture invades you. It tells you all about the history of art ...

Milton Resnick

#5. Putting lessons in young adult books is very dangerous.

Ned Vizzini

#6. The act, the doing, the taking up of paint and putting it down - the immediate impact upon your psyche or soul that occurs when you do that - has so much danger in it.

Milton Resnick

#7. The religions never wanted an art where you paint only what you see.

Milton Resnick

#8. I painted myself out of my painting.

Milton Resnick

#9. Keep search in sci-fi and many other places books, stories and many other stuff... Keep searching, don't stop and you will find it!

Deyth Banger

#10. I craved for the past, resented the present, and dreaded the future.

Wilfred Thesiger

#11. There's something peculiar about artists. They have ups and downs ... After a while everything you do is just wonderful ... then you slide back. If you're a good artist you're going to go down. And then it's up to you.

Milton Resnick

#12. Nothing in the world excites the culture today so much as a question. A question seems very appropriate to whatever you have in mind. Allowing your work to remain questionable is a way of satisfying your cultural condition.

Milton Resnick

#13. As soon as you see what you're looking at you have a name for it. You don't see it. The whole process of your thinking is not to see. You overcome sight by thinking ...

Milton Resnick

#14. You have to give in to what the paint says ... You have to do what it's telling you to do.

Milton Resnick

#15. I'd fallen asleep thinking I was much too tired to go on working and if I went on working, I'd lose it. I'd get a better hold of it in the morning; feel stronger. But I looked and looked at it and it seemed to me there was nothing to do.

Milton Resnick

#16. You have to become complete in some way; a universe - a complete thing in yourself - in order to reach across and breathe some unity onto this thing you're faced with. If you intentionally avoid that unity that is within yourself then you will avoid unity in your work.

Milton Resnick

#17. Each of us has a universal within us. There's always that making of parts - but it doesn't touch the universal within you.

Milton Resnick

#18. Disorder. But completeness ...

Milton Resnick

#19. There are people who can't stand the pain. What happens is they begin to develop some kind of technique to keep out of that hole. Once they do that, they're finished. They never go any further. They're done.

Milton Resnick

#20. When you don't know how to pick up a brush, you don't know anything; at that moment you're an artist. I'll simply say, 'If you know less, you're better off as an artist.

Milton Resnick

#21. As long as you can change paint, you don't change. For you to change - for paint to do something to you - paint must stay constant.

Milton Resnick

#22. I don't live to work. I work to live. Before I die, I know I lived.

Jill Telford

#23. Vin closed her eyes, simply feeling the warmth of being held. And realized that was all she had ever really wanted.

Brandon Sanderson

#24. Your culture demands that you bring some kind of crisis to your work and therefore you can not bring any unity to it. In order to bring crisis into your work you have to bring it to a state of expectancy. In other words you have to leave your work in the state of mind of being a question.

Milton Resnick

#25. If there's no unity in your work, then you've deliberately made yourself into that kind of person. You don't want that unity in your work. You've made some kind of satisfactory arrangement with your culture.

Milton Resnick

#26. You always have the memory of the bottom, and fear of the bottom. And when you start going to the bottom you panic.

Milton Resnick

#27. I am not a follower of Monet. I am not an admirer or follower of De Kooning. I am not an action painter. I am not an abstract expressionist. I am not younger or older. I will not take my hat off to any other artist living or dead in all the world. I know this.

Milton Resnick