Top 37 Milford Quotes
#2. It is not merely our adversaries we must investigate ... We must always work to know ourselves better, too.
Kate Milford
#3. He fought for his very survival. If he fought dirty sometimes that does not diminish the fact that he refused to give up.
Nancy Milford
#4. Places, like people, are complex, and loving them isn't simple.
Kate Milford
#6. In reality, there is no materialist like the artist, asking back from life the double and the wastage and the cost on what he puts out in emotional usury.
Nancy Milford
#7. Nobody said it had to be a story with an ending all neatly tied up like some ridiculous fairy tale. This story's true, and true stories don't have endings, because things just keep going.
Kate Milford
#8. The world is not simple. The world is not one place. It's the sum of an impossible number of incomprehensible things, and if you start out on any road in the world and follow it for any distance at all, sooner or later you enter into a strange country.
Kate Milford
#9. For years, I went around the world looking and then painting, but now I have to think first and then paint. It's driven me to find the design concept first, and to rely on my memory and technical skills to supply only those details that are needed.
Milford Zornes
#10. She was thirteen, the daughter of a bicycle mechanic, and she couldn't ride this bicycle. It fought her; it threw her; it hated her.
Kate Milford
#11. To be a biographer is a somewhat peculiar endeavor. It seems to me it requires not only the tact, patience, and thoroughness of a scholar but the stamina of a horse.
Nancy Milford
#12. You have to look at a thing long enough for it to really show itself to you ...
Kate Milford
#13. But if home suddenly becomes not like home, what then?
Kate Milford
#14. Everyone know - or at least, was probably told as a child - that you can make a wish on a shooting star. Not everyone knows that the only way to be sure it will come ture is to speak it aloud before the star disappears, and this is a nearly imposssible fet to manage.
Kate Milford
#15. Always check for traps, left is always right unless there's a middle, always put your healer in the best armor and wear your magic rings on your toes instead of your fingers ... What else? ... Always have rope.
Kate Milford
#16. Life is impermanent and in the face of that impermanence, cavort! Look death in the eye, tell him you're as cute as a button, flash a little deviant guile his way, and tell him to go feast on somebody's else's sweet flesh.
Nancy Milford
#17. I hope I'll never get ambitious enough to try anything. It's so much nicer to be damned sure I could do it better than other people - and I might not could if I tried...
Nancy Milford
#18. Every city, every town, hides beneath a certain amount of glamour that- either intentionally or not- can misdirect the eye or hide something worth finding. Learning to see through those glamours is part of the process of calling any place home.
Kate Milford
#19. In a city, with all of its enclaves and boundaries, both real and imagined, it is impossible not to feel the presence of those who are not like you and impossible not to feel like an outsider.
Kate Milford
#20. Aboard a sailing ship sometime around the War of 1812,
Kate Milford
#21. Troube comes when a person starts asking for money; it never does what they think it will do. And then there's the problem of destiny. Things never turn out well when you try to outwit destiny. Only fools do that.
Kate Milford
#22. Even places you know well can take on a touch of the unknown when you arrive there from a different direction.
Kate Milford
#23. I was in love with a whirlwind and I must spin a net big enough to catch it,
Nancy Milford
#24. But it was not her beauty that was arresting. It was her style, a sort of insolence toward life, her total lack of caution, her fearless and abundant pride.
Nancy Milford
#25. Well . . . well, yes, I suppose it's very old. Perhaps someone just assumed that since it was an antique, it must be worth something.
Kate Milford
#26. The hats were nearly all as though made by somebody who had once heard about flowers but never seen one huge muffs of horror.
Nancy Milford
#27. The beauty of fantasy is that it allows the protagonist to pass through fear to come to know this different reality and to find a place in it.
Kate Milford
#28. Cities have the capability to at any moment shift out of the familiar, even if you've lived in one all your life.
Kate Milford
#29. And this is the world you saved. Did you expect it to be different, suddenly? Did you expect it to be grateful?
Kate Milford
#30. All art is abstract, because art is an abstraction of the truth.
Milford Zornes
#31. Any book in the world - if there was only one way to read and understand it, what would be the point of reading that book?
Kate Milford
#32. But Milo had a shiny gold present to open, and presents trumped sad trees any day of the week.
Kate Milford
#33. Zelda was a creature who overflowed with activity, radiant with desire to take from life every chance her charm, youth, and intelligence provided so abundantly.
Nancy Milford
#34. It was not, Zelda wrote, prosperity or the softness of life, or any instability that marred the war generation; it was a great emotional disappointment resulting from the fact that life moved in poetic gestures when they were younger and had since settled back into buffoonery.
Nancy Milford
#35. I always assume people are hiding parts of themselves from each other. People do that.
Kate Milford
#36. There are more hidden spaces in a city, more hidden lives and hidden emptinesses, and more darkened windows where shadow people pass fleetingly in and out of sight.
Kate Milford
#37. I started grasping at moments that weren't misery. Slowly, slowly, I found them.
Kate Milford
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