Top 83 Max Von Sydow Quotes
#1. I think it's good that we're sometimes reminded of important events in history.
Max Von Sydow
#2. I would like to do 'King Lear.' But I would like to do it in Swedish.
Max Von Sydow
#3. No doubt, the most important thing in my career was my time with Mr. Bergman, with whom I worked in so many films and also in so many stage productions, so it was a continuous working relationship and also a friendship, of course, that lasted for so many years.
Max Von Sydow
#5. I'm getting too old to play some parts, but I'm still greedy.
Max Von Sydow
#6. New York is a fascinating city. I think it's a very inspiring city, but it's overpowering when you get older. It tires me now. But it's wonderful for young people - very inspiring and full of surprises and full of ideas.
Max Von Sydow
#7. I remember those days with Bergman with great nostalgia. We were aware that the films were going to be quite important, and the work felt meaningful.
Max Von Sydow
#8. In Hollywood they usually cast me as villains or priests.
Max Von Sydow
#9. I was in such a hurry to be an actor. Now I'm sometimes mad at myself that I didn't stop and study for a couple of years.
Max Von Sydow
#10. I could never learn to be totally fluent in any other language.
Max Von Sydow
#12. It's very difficult being an actor and being away for a lot of time, but my sons haven't complained too much too often.
Max Von Sydow
#13. In a silent film, you speak but the audience does not hear you.
Max Von Sydow
#14. It often disturbs me, when I see a film set in a historical time, that the people are too modern.
Max Von Sydow
#15. Playing the role of Christ was like being in a prison. It was the hardest part I've ever had to play in my life. I couldn't smoke or drink in public. I couldn't.
Max Von Sydow
#16. I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film!
Max Von Sydow
#17. During my military service, I performed a sketch in which I played a flea called Max. So when critics kept misspelling my name, I decided to change it and thought, 'Ah! Max!'
Max Von Sydow
#18. Human beings are human beings whether they speak or not.
Max Von Sydow
#19. Sometimes you remember more about the location where you shot the film than the film itself.
Max Von Sydow
#20. Ingmar Bergman had a great sense of humor, and he had a very special, characteristic laugh that you always recognized - if he went to watch a theater show, 'Ah! He is here tonight.'
Max Von Sydow
#21. I would love to do parts I have never done before, but unfortunately, if you have had success in a particular type of character, the casting agents think, 'Oh! We'll have something exactly like that.' It's very boring.
Max Von Sydow
#23. I've never been in a barroom brawl in my life. I just don't do such things.
Max Von Sydow
#24. It was great to watch Orson Welles, not only as an actor but as a director.
Max Von Sydow
#25. The studio rented a house for my wife in Los Angeles under a phony name to keep reporters away. Whenever I wanted to visit her and my children, I would have to sneak in the back door after dark.
Max Von Sydow
#26. The Devil, of course, must have been or must be a very charming person.
Max Von Sydow
#27. I admired Stephen Daldry very much; I think he's a brilliant director, and also, I feel close to him because he has a lot of theater behind him. He's also a man of great imagination and a lovely sense of humor.
Max Von Sydow
#28. A vacation spot out of season always has a very special magic.
Max Von Sydow
#29. Between you and me, odd things happen always on set.
Max Von Sydow
#30. Mr. Bergman was a man of great working discipline. He forced everyone to concentrate when it was important. No disturbing noise during rehearsal. A code of silence.
Max Von Sydow
#31. Hiroshima has become a metaphor not just for nuclear war but for war and destruction and violence toward civilians. It's not just the idea we should not use nuclear arms. We should not start another war because it's madness.
Max Von Sydow
#32. Bergman was courageous in choosing people to do things that they themselves might not expect to play.
Max Von Sydow
#33. When I finished the role of Christ, I felt as though I'd been let out on parole. A man who has served 18 months isn't eager to go back to prison.
Max Von Sydow
#34. I just feel I shouldn't work too much, because there are so many other things to do.
Max Von Sydow
#35. You cannot study acting in books. Do it, do it, do it. And watch good actors. See what they are doing and how they are doing it. You have to practically participate, I think, in order to develop yourself.
Max Von Sydow
#36. I don't have a philosophy for choosing roles. Sometimes, it's just, 'This might be interesting; that might be fun to do.' There might be interesting actors or directors in the project, even if the part is not important. And then sometimes, you need the money.
Max Von Sydow
#37. The more I had to act like a saint, the more I felt like being a sinner.
Max Von Sydow
#38. It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it.
Max Von Sydow
#39. I like to play with things a while before annihilation.
Max Von Sydow
#42. Producers are not gamblers. They want a good return on their investment.
Max Von Sydow
#43. In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.
Max Von Sydow
#44. When I know what the character I'm supposed to play wants in general terms, and when I know what did the other characters want to do, that's when all these wills collide and the emotions show up.
Max Von Sydow
#45. Film work can be very interesting, but it also can be awfully boring because who creates the film? The actors? No. It is the director. It's his piece of work.
Max Von Sydow
#46. My parents were brought up in families which believed theatre people weren't to be trusted. But they were nice people.
Max Von Sydow
#47. There comes a time, thief, when the jewels cease to sparkle, when the gold loses its luster, when the throne room becomes a prison, and all that is left is a father's love for his child.
Max Von Sydow
#48. If people ask me, 'For you, what is your most important film?' I have a feeling that they all sort of want me to answer with one of the Bergman films. But I cannot choose.
Max Von Sydow
#49. Playing Christ, I began to feel shut away from the world. A newspaper became one of my biggest luxuries. I noticed that some of my close friends began treating me with reverence.
Max Von Sydow
#50. Italians are great improvisers. If something unforeseen happens, they throw up their hands, and they adjust.
Max Von Sydow
#51. My father was a professor of folklore, and my mother was a teacher until she was married. I had a good relationship with them, and the only argument we had was when I went to university and wanted to go into the theater instead of studying to be a lawyer.
Max Von Sydow
#52. I'm not in retirement. I just don't want to work so much, and I don't get that many offers any more.
Max Von Sydow
#53. I don't believe in devils. Indifference and misunderstandings can create evil situations. Most of the time, people who appear to be evil are really victims of evil deeds.
Max Von Sydow
#54. The offers I get are for grandfathers, uncles - and they often die very quickly in the script.
Max Von Sydow
#55. Most screenplays I receive are boring, and some are straight-out bad.
Max Von Sydow
#57. Bergman has a very special eye for people. His background taught him to listen and to feel.
Max Von Sydow
#58. The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.
Max Von Sydow
#60. I accept a role only if it's something I really, really like.
Max Von Sydow
#61. Sometimes you become friends with the characters you portray.
Max Von Sydow
#62. I actually know the moment I became known. It was at the Cannes Film Festival, when they showed 'The Virgin Spring.' I walked into that theater as one person, and I walked out as another.
Max Von Sydow
#63. In this country, you have movie actors and theatre actors and television actors.
Max Von Sydow
#66. I began imagining scenes in public which some drunk would come up to me and slap me in the face. Nothing like that ever happened, but I often wonder if I would have turned the other cheek.
Max Von Sydow
#67. I've been the type of father who tries desperately to be perfect but doesn't succeed all the time.
Max Von Sydow
#68. Movies give me an opportunity to go places. I'm not only a Swede but an American, not just a man of my time, but I've been living 2,000 years ago-and not just in a new country, America, but in the Holy Land, too.
Max Von Sydow
#69. When I was brought up in Sweden, there was a great opportunity for young people to learn how to act in our municipal theaters with their small companies. You would be under contract for eight months and have the summer free to take other opportunities.
Max Von Sydow
#70. Unfortunately, not all stories end positively.
Max Von Sydow
#71. We should look back now and then. Our politicians should look back every now and then.
Max Von Sydow
#72. Only very rarely are foreigners or first-generation immigrants allowed to be nice people in American films. Those with an accent are bad guys.
Max Von Sydow
#73. The most difficult part of playing Christ was that I had to keep up the image around the clock. As soon as the picture finished, I returned home to Sweden and tried to find my old self. It took six months to get back to normal.
Max Von Sydow
#74. Spielberg knows his craft so well, he can also improvise, and that is a lot of fun.
Max Von Sydow
#75. To me, part of the fascinating profession of acting is to participate in all these strange situations, to try to understand all these interesting characters, fictitious or real, their human nature ... It's extraordinarily fascinating.
Max Von Sydow
#76. There are those who want to believe but can't, and there are those who believe as children and it's no problem for them at all.
Max Von Sydow
#77. There are many documentary filmmakers who have a tough time because they don't really get what they need to do what they want. There are so many people with good visions that should be encouraged and helped. And they will deliver, I'm sure.
Max Von Sydow
#79. There are casting directors with lots of imagination, but also some with not as much imagination.
Max Von Sydow
#80. It's not a matter of learning lines. It's a matter of getting into the ideas and the will of the person. It's a matter of, 'What does he want to do? What does he want to achieve?'
Max Von Sydow
#81. Mr. Bergman had a great imagination and saw the possibilities within every one of his actors, and he gave us great challenges. It was very inspiring.
Max Von Sydow
#82. What is important, I think, is to reach as many people as you can and do it as well as you can. Reach them and inspire them or amuse them, or maybe in some odd moments help them to discover something they hadn't thought of before.
Max Von Sydow
#83. I think English is a fantastic, rich and musical language, but of course your mother tongue is the most important for an actor.
Max Von Sydow
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