Top 14 Max Bruch Quotes
#1. The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's.
Joseph Joachim
#2. All it can see in an original idea is potential change, and hence an invasion of its prerogatives. The most dangerous man, to any government, is the man who is able to think things out for himself, without regard to the prevailing superstitions and taboos.
H.L. Mencken
#3. I was able to support myself by acting alone about six years ago. Until then, I was just scraping by.
Edie Falco
#4. Follow your own path, and you'll get lost. Follow His, and you won't.
Susan Gaddis
#5. Stern duties need not speak sternly. He who stood firm before the thunder worshipped the still small voice.
Sydney Thompson Dobell
#6. Leaders should never, ever try to look cool - that's for dictators
Ben Elton
#7. Certainty ... lurks at the door of faith and threatens to devour it.
Soren Kierkegaard
#8. Love is the answer to a question that I have forgotten
Regina Spektor
#9. The noise of the trees, the breaking of moon into silver fish bouncing off the leaves of asters outside.
Michael Ondaatje
#10. Fake realities will create fake humans. Or, fake humans will generate fake
realities and then sell them to other humans, turning them, eventually, into
forgeries of themselves.
Philip K. Dick
#12. The culture war is between the winners and those who think they're losers who want to become winners. The losers think the only way they can become winners is by banding together all the losers and them empowering a leader of the losers to make things right for them.
Rush Limbaugh
#13. If they were shocked, then Gregor was no longer responsible.' This passage betray's Gregor's premeditation and points to the idea that Gregor wanted to change into a monstrous vermin- something incapable of working in an office.
Franz Kafka
#14. The white in her hair verged on silver-plate. The style was some cosmetologist's ode to meringue.
Jonathan Kellerman
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