Top 47 Mahajan Quotes
#2. Village people had no central conception of truth or time or even of other people's memories; they always just played dumb when he told them they'd changed their stories
Karan Mahajan
#3. Well,Happiness and sadness are two virtues of mind.When one captures you,other is no more in the frame.
Sarang Mahajan
#4. I BELIEVE IN LOVE <3 AT FIRST SIGHT BECAUSE I M LOVING MY MOM SINCE I OPENED MY EYES
Aditya Mahajan
#5. It's not only just difficult but very complicated to loose someone very close to you, the person goes away but the void remains to kill the living until they learnt to let go.
Viraj J. Mahajan
#6. Why do the poor refuse to give an accurate picture of their suffering?
Karan Mahajan
#7. I just remembered something you said when we first talked. That your pain only went away when you started thinking about others." "Not just that," Ayub said. "But when I found God."
Karan Mahajan
#8. Like men who have failed together, they wanted nothing more than to never see each other again.
Karan Mahajan
#9. You've read Gandhi-ji? He said that the two worst classes of human beings are doctors and lawyers. Lawyers because they prolong fights and doctors because they cure the symptoms, not the cause. Doctors don't eliminate disease--they perpetuate the existence of doctors.
Karan Mahajan
#10. But there was no sign of the bomb in the market. Like all other tragedies, it had been covered up; the market had gone into a huddle of concrete and commerce around the blast, paving over the scars like a jungle coming back over a burnt field
Karan Mahajan
#11. People come and go from our life; this is one of the most haunting laws of this nature. But these people teach us many things which we might not see at first but when they are gone, we really understand their meaning in our life.
Viraj J. Mahajan
#12. To ask a child to feel sympathy for the poor is harder than getting him to feel sympathy for a chicken or a goat - at least you can see a goat being slaughtered.
Karan Mahajan
#13. Describing colors to a blind is what writing is all about.
Viraj J. Mahajan
#14. There are always two sides of a coin, our Life too has two sides... on one side there is life where there are questions and fears but, on the other side there is a whole new world full of answers and peace.
Viraj J. Mahajan
#15. There are so many moments in our life which we cannot describe with mere words. There are not enough adjectives to justify the emotions behind such moments. Those moments are your life- they define who you truly are
Viraj J. Mahajan
#16. The best thought any writer ever come up with is of having a world with Dragons.
Viraj J. Mahajan
#17. they were excited by these bombings in a way that only victims of esoteric, infrequent tragedies are motivated by horrors
Karan Mahajan
#19. We are all puppets in front of god. He gives things to us and he takes them back. It is his way of showing his existence.
Viraj J. Mahajan
#20. These stories always take us to some far away places which we can never visit in real life.
Viraj J. Mahajan
#21. What if I've died a long time ago and come here? he wondered. What if the defining characteristic of hell is that you're locked in an endless, blind battle to reform it?
Karan Mahajan
#22. Yes, madam," he said, with the exceeding politeness of a man who has just imagined raping you.
Karan Mahajan
#23. Finally, on a windswept, befogged afternoon, the sort in which all of Delhi is wearing a sweater of atmospheric dirt, he went over with the driver to see the Khuranas.
Karan Mahajan
#24. No literature can ever soothe the hearts of those who have lost their loved ones.
Viraj J. Mahajan
#25. The months and years of struggle were suddenly canceled by three weeks of exercise and some visualization and focus.
Karan Mahajan
#26. He was a person who thrived on company, who desired camaraderie, even in its lowest, most base form; he felt that just seeing other people, no matter the circumstances, even if the people were enemies, filled you with health, gave you a reason to live
Karan Mahajan
#27. She was now drowning in that pool of desires without having any idea about the depth of it.
Viraj J. Mahajan
#28. Artists, who are selfish people, become anxious around the self-sacrificing
Karan Mahajan
#29. Every way he turned, his past was detonated, revealing tunnels and alternative routes under the packed, settled earth of the present.
Karan Mahajan
#30. She was few inches taller than him and when for the first time her promising eyes met with his, he knew it would be more than friendship. He was too young to name that feeling then. But love...above all relationships knows no age.
Viraj J. Mahajan
#31. Growing up in Delhi, one gets addicted to pollution.
Karan Mahajan
#32. Back in the market, people collapsed, then got up, their hands pressed to their wounds, as if they had smashed eggs against their bodies in hypnotic agreement and were unsure about what to do with the runny, bloody yolk. Most
Karan Mahajan
#33. There was a contradiction within Vikas, an open wound: though he was fascinated by the poor, good at joshing with them, he was afraid, thanks to his bourgeois background, of being perceived as poor. Poverty equaled failure.
Karan Mahajan
#34. It occurred to him now that people are defined much more by their association with death than by what they do in life.
Karan Mahajan
#35. When things are good, you can see no other way of living; when things are in ruins, there appear a million solutions for how this fate could have been avoided.
Karan Mahajan
#36. And you know what happens when a bomb goes off? The truth about people comes out. Men leave their children and run away. Shopkeepers push aside wives and try to save their cash. People come and loot the shops. A blast reveals the truth about places. Don't forget what you're doing is noble.
Karan Mahajan
#37. Divide and rule. It wasn't just the British toward the Indians but all parents toward their children.
Karan Mahajan
#39. Every child is a packet of disappointments, hurts, dangers.
Karan Mahajan
#41. Inside him, in a broth of blood and water, organs bumped softly, organically into one another, like fish in an aquarium.
Karan Mahajan
#42. He had the slick, proprietary attitude that small men from big cities sometimes bring toward big men from small cities
Karan Mahajan
#43. Mr. and Mrs. Khurana were forty and forty, and they had suffered the defining tragedy of their lives, and so all other competing tragedies were relegated to mere facts of existence.
Karan Mahajan
#45. there was a long silence before the screams started, as if, even in pain, people watched each other first to see how to act.
Karan Mahajan
#47. Most of the people in the audience were white and old. They had the gaunt look of people who have seen all the important movies and can now only look forward to reruns.
Karan Mahajan
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