Top 46 Kohan Quotes
#1. Clearly, I'm committed to women's issues and stories and promoting gender equality. I have two incredible role models in Jenji [Kohan] and Shonda [Rhimes].
Alysia Reiner
#2. I've done a lot of television in life, and I don't remember the last time that I felt so consistently happy [working with Jenji Kohan].
Kate Mulgrew
#3. 'Girls' is one of my favorite shows of all time. One of the things I love about Lena Dunham and Jenji Kohan and Shonda Rhimes is that they're all willing to show complex, amazing women.
Alysia Reiner
#4. I'm not a public figure; I shouldn't have to be held to a certain standard of beauty.
Jenji Kohan
#5. A TV touchstone for me is 'The Days and Nights of Molly Dodd.' That series was whimsical and smart and had the mix of comedy and drama that I now trade in - but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
Jenji Kohan
#6. We still have this prudish, puritanical culture, but we also have so little exposure to a diversity of bodies. Bodies are beautiful and great and compelling.
Jenji Kohan
#7. I think great writers should write great shows, and I have trouble with, like, what you are in life shouldn't automatically make you what you do in your art. It doesn't necessarily translate.
Jenji Kohan
#9. I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.
Jenji Kohan
#10. Mainly, I'm doing my thing, and I hope people like it. I don't say, 'I'm going to write something radical and hope it reverberates throughout society.' The goal is to write a solid, entertaining, engaging show.
Jenji Kohan
#11. I'm never going to look like a Nordic model, so I play with what I've got. Instead of going gray, I dye my hair bright colors; I have bad vision, so I wear sparkly glasses. I embrace that I look like a crazy lady.
Jenji Kohan
#12. There's more to us than the moment we made a bad decision.
Jenji Kohan
#13. Also, this is our lives for a huge part of the year and we did not want to be in prison, 24/7. It was too oppressive. So, we were like, "How can we get out? Let's see their lives, a little bit." That was really fun.
Jenji Kohan
#14. By nature, I sit alone in a room and type ... My goal was never celebrity.
Jenji Kohan
#15. I think shows that are completely dramatic are a lie. People use humor to cope. That is how we deal with things. In the darkest situations, there's humor. And if you don't show that, you're not being true to real life.
Jenji Kohan
#16. I think a good story, well told is a good story, well told, whether you're watching the episodes all in a row or not. However, it might be fun to take a closer look at how the previous episode ends and how that end relates to the beginning of the next episode.
Jenji Kohan
#17. My first job is to entertain, but if, while you're enjoying, you start to question something you never thought about before or empathize with, relate to, love someone you only thought of as 'other' once upon a time - how awesome is that.
Jenji Kohan
#18. I begged her to write a song and she said yes. I am a huge Regina Spektor fan. I think she's a genius and just a lovely soul, and I wanted her voice on it. And she agreed, which is just the coolest thing, ever. She knocked it out of the park.
Jenji Kohan
#19. I think my immediate reaction was, "I'm so tired. I need a little more time." But, it was very quickly followed up by excitement. It's very flattering, and it's a wonderful vote of confidence. We dream of getting to do what we do.
Jenji Kohan
#20. 'Be nice' is my family's basic rule but one that often goes unfollowed in Hollywood. There's always a moment when you can choose between being snarky and being kind. I opt for the latter - it's much less exhausting!
Jenji Kohan
#21. It was enormously challenging because you want that all-American girl, but you also want the cool WASP, privileged white girl. Usually, women in that package aren't funny.
Jenji Kohan
#22. I don't set out to write female lead shows, necessarily. I like deeply flawed characters. When they come to me, or when I'm introduced to them, I follow the stories and the people, rather than setting out to do a female lead thing.
Jenji Kohan
#24. It can go two ways with girls: They either bond or eat each other alive.
Jenji Kohan
#25. Personally, I like to yearn a little and long for the next episode. On the other hand, I'm also a glutton. My kids love to dive in and eat whole series at once.
Jenji Kohan
#26. I can shoot off my big mouth and write my shows and run my shows, and I can recognize how lucky I am because my position is rare and my position is privileged.
Jenji Kohan
#27. First of all, I find everything funny, which is upsetting to my children sometimes, and to people in my life, in general.
Jenji Kohan
#28. You want everyone to be a full character. No one is just evil, or very few people are, hopefully. They're characters, so you want to flush them out. You've got to show all sides of them. There is definitely an antagonistic relationship between guards and prisoners, and I do think it flares up.
Jenji Kohan
#29. We fell in love with different people. Looking back, we might have done it in a different order, but we got invested. We really wanted to do the flashbacks because we wanted to explore who these women were on the outside versus the inside, and get a fuller picture of the masks we wear.
Jenji Kohan
#30. We're also talking a lot in the room about planting seeds that can grow over the course of the season, knowing that people might be watching them in bulk. We'd like to bury some Easter eggs and let people find them, later on.
Jenji Kohan
#31. I was broke when I lived in New York City during college, so I'd spend weekends walking around town, grabbing something to eat, and interacting with strangers. That ritual has stuck with me.
Jenji Kohan
#32. I think it would be exhausting and depressing, to write, to watch and to live, if it was just focused on drama. It's heavy. Also, I think the humor really highlights the pathos and the struggle. You can slam it up against drama, and it makes both shine.
Jenji Kohan
#33. I'm a huge Ira Glass fan; I'm a huge fan of radio in general.
Jenji Kohan
#34. We watched these auditions and could only pick one. Sometimes we would add new characters 'cause we wanted to use another actress. There were so many people who were just waiting for something like this.
Jenji Kohan
#35. As long as there are still interesting stories and still interesting people that we want to meet, I can keep it going. But, we all have to be invested. If the room starts getting bored or I start getting restless, then we'll either have to change something in the show or maybe end it.
Jenji Kohan
#36. My ex-boyfriend said, 'You have a better chance of getting elected to Congress than getting on the staff of a television show.' Which was the perfect thing for him to say, because my entire career is, 'Well, screw you.' And we broke up.
Jenji Kohan
#37. Home is where your family is. Wherever you are, it's about the people you're surrounded by, not necessarily where you lay your head.
Jenji Kohan
#38. I remember one of my writers on 'Weeds' got a new apartment and didn't get cable or a dish. He just hooked his computer up to the TV. I was like, 'This is it. This is how it's happening.'
Jenji Kohan
#39. On the other hand, we worked a year on this and some people are going to watch it in a night and go, "We want more!" And there is something I miss about the longing and the anticipation for the next episode.
Jenji Kohan
#40. For a lot of people, film is still the dream - the captive audience in the darkened theater - but I love TV. I think it's fantastic.
Jenji Kohan
#41. You spend so much of your life crafting this stuff that you want to laugh in the room. I don't want to sit there and slit my wrists. And I think it reflects reality. People use humor to survive, even in the most horrific situations.
Jenji Kohan
#42. I'm from the creative side of Hollywood. I'm up for anyone that wants to support my work. If you have eyeballs and give me a budget and are nice to me, I'm in.
Jenji Kohan
#43. To be able to be there first, I love the pioneer thing. It's exciting to me. And they pay full rate, they're really nice, they support the work, and they said yes. What could be bad? It's the Wild West. You can do what you want.
Jenji Kohan
#44. But if I had my way, there would be so much more, in everything. It's so vital and integral in life, and it should be reflected in what we're watching, if we're reflecting our experiences. And it's hot. I love the sex stuff, and I want more.
Jenji Kohan
#45. What offends me more than something sexist is something poorly written or unfunny or cliched.
Jenji Kohan
#46. I'm always looking for a nexus, where you can put all these diverse people together, see how they respond to one another, see what they learn about each other, and what they like and don't like.
Jenji Kohan
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