King Krule Quotes

#1. I changed from 'Zoo Kid' to 'King Krule' mainly because I didn't want to be called a 'Kid' when I was 20, so I just thought I'd get rid of that alias and change it now while I'm younger. I wanted to change it quick. and 'King Krule' was the first thing that came into my head.

King Krule

#2. My dad is an art director for BBC TV shows, and my mum does screen printing workshops. Both of my parents played instruments, too, and my mum used to have crazy house parties when me and my brother were young - dub and garage would be banging through my house.

King Krule

#3. Stuff like Buena Vista Social Club and Fela Kuti were quite a main thing to my childhood. As soon as I reached an age where I realized that Fela was singing in English, when I got past his accent, I loved the rawness of it, and the funk and the rhythm and the melody.

King Krule

#4. I want to get more and more sophisticated. I'm ready to go from being a kid to being a king.

King Krule

#5. Jazz is more raw than punk in a lot of ways. It's so expressive. A lot of people say to me, especially older people, 'It took me ages to get into jazz.'

King Krule

#6. There's a lot of tension in London, but then you realize it's always been there, in its history, and that the best thing about London, that there's always been this tension.

King Krule

#7. I guess from 12 onwards I was always into my music.

King Krule

#8. I was always wrapped around music being a tradition, a skill.

King Krule

#9. Life is about growing and improving and getting better.

Conor McGregor

#10. What divine imagination could conjure something so imperfect as life?

Anthony Marra

#11. I actually find a lot of pleasure in writing lyrics.

King Krule

#12. Because the Internet's there, I have access to a lot of the legends, like Fela Kuti. I used to watch a lot of Fela Kuti videos, just to see how he performed. He inspired me a lot, actually, because he was a man of many words, many good words.

King Krule

#13. It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.

King Krule

#14. I've got rid of a lot of cynicism and anger. I feel positive about my development, and I just want to carry on making music and building myself as a person.

King Krule

#15. My uncle was in a ska band called the Top Cats; that was my first proper influence, as I was taken to see them every week. It sort of built up, the want to replicate it creatively.

King Krule

#16. Blue and green eyes will be so common that dark brown will become the rare and newly desired eye color.

Tyra Banks

#17. Sometimes I'll listen to a lyric and I'll be so pissed off that I didn't write it.

King Krule

#18. Growing up in any big city, you get exposed to so many beautiful cultures. I've grown up with a lot of open eyes around me that's influenced my eyes to open.

King Krule

#19. I do love the music aspect of the Internet. The Internet made me.

King Krule

#20. Carving is easy, you just go down to the skin and stop.

Michelangelo

#21. My mum used to work in New York in Spike Lee's shop; she did the outfits for the video for P.M. Dawn's 'Set Adrift on Memory Bliss.'

King Krule

#22. I got a lot from my uncle who is a really good ska guitarist. Very ragged makeshift rhythms and intricate lines.

King Krule

#23. I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.

King Krule

#24. I don't know what the explosion did, but it damaged something deep and irreparable. Never mind. If I get home, I'll be so stinking rich, I'll be able to pay someone to do my hearing.

Suzanne Collins

#25. I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over. It's got interpretations of a lot of different genres, too, a lot of dubby-ness and experimental stuff.

King Krule

#26. I'm trying to create a collection of stories - the 'U.F.O.W.A.V.E.' songs are all stories. I haven't really taken direct lyrical influence from other songwriters, but my dad bought me a book of W.H. Auden's poems when I was younger, and the imagery really interested me.

King Krule

#27. All of my stuff is raw, it's emotive, it's real.

King Krule

#28. A lot of the time, I was unhappy as a kid, so I spent it, I guess, in a gray place.

King Krule

#29. I got alright GCSEs, but I was lost. I didn't know what to do, whether to continue with education, go to uni, go to art school - then again, I was like, 'Maybe I should just go and get a job, start early and make money.'

King Krule

#30. The first record I bought myself could have been 'Oh Lonesome Me' by Don Gibson or 'Wake Up Little Susie' by the Everly Brothers.

John Oates

#31. When I make music, it's a very visual thing. Conjures up a lot of images.

King Krule

#32. When I was younger, I used to do that a lot: I would hear a part of a song that would really relax me and then put it on repeat. That would send me to sleep. It was quite obvious classical music, people like Penguin Cafe Orchestra, Erik Satie, Claude Debussy, Maurice Ravel.

King Krule

#33. We don't pay taxes. The little people pay taxes.

Leona Helmsley

#34. skintight layer of clothing that extends from my feet to my neck that's supposed to help improve my hypertrophic scarring. The Iron Maiden describes hypertrophic scarring as skin that exhibits the three Rs of being red,

Alan Russell

#35. I went through quite a few establishments that maybe weren't great for myself - security units, youth-offender places. I guess that was going to the lions' den. Social services said, 'You've got to go to some sort of school.'

King Krule

#36. Darkness scares us. We yearn for the comfort of light as it provides shape and form, allowing us to recognize and define what's before us. But what is it we're afraid of really? Not the darkness itself, but the truth we know hides within.

Emily Thorne

#37. Especially with the live, just the way I curve words, it's about expression. It's so emotive, to be able to release these words into a mike. It really emphasizes this insane tingle down my spine whenever I play.

King Krule

#38. A lot of people who have been perceiving my music have been trying to formulate a genre for it, and I think it's just a natural thing; it doesn't need to be categorized. It doesn't need to be sectioned, if you will.

King Krule