Top 12 Incandenza Quotes
#1. Hal Incandenza has an almost obsessive dislike for deLint, whom he tells Mario he sometimes cannot quite believe is even real, and tries to get to the side of, to see whether deLint has a true z coordinate or is just a cutout or projection.
David Foster Wallace
#2. If you're poor old Mario Incandenza you take your competitive strokes where you can find them.
David Foster Wallace
#3. Charles Tavis knows what James Incandenza could not have cared about less: the key to the successful administration of a top-level junior tennis academy lies in cultivating a kind of reverse-Buddhism, a state of Total Worry.
David Foster Wallace
#4. Mr. Incandenza, this is the Enfield Raw Sewage Commission, and quite frankly we've had enough shit out of you.
David Foster Wallace
#5. There were only three names on the map of the region we had brought with us, but we now filled in more than two hundred.
Heinrich Harrer
#6. But thats their image of us so we stay tense, holding our breath, hoping we wont be found out. - about being gay from the film Love My Life
Ebine Yamaji
#7. I was about to ask about it when Daniel flopped down on the mattress. He pulled off his shoes and went for the zipper of his jumpsuit. A flash of panic went through my body. I turned my head and lowered my gaze.
"Don't worry prescious," Daniel said "I'm not going to violate your virgin eyes.
Bree Despain
#8. A man would have no pleasures in discovering all the beauties of the universe, even in heaven itself, unless he had a partner to whom he might communicate his joys.
Marcus Tullius Cicero
#9. When strangers start acting like neighbors ... communities are reinvigorated.
Ralph Nader
#11. You're very good. Are you a professional artist?"
"I dabble," she said.
Shadow had spent enough time talking to the English to know that this meant either that she dabbled, or that her work was regularly hung in the National gallery or the Tate Modern.
Neil Gaiman
#12. Visually Agincourt is a pre-Raphaelite, perhaps better a Medici Gallery print battle - a composition of strong verticals and horizontals and a conflict of rich dark reds and Lincoln greens against fishscale greys and arctic blues.
John Keegan
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