In Too Deep Film Quotes

#1. Actors are the flowers of the film, of the set, and of the director. The term 'Flowers of the Screen' holds a deep meaning.

Kim Jee-woon

#2. Acheron is the Greek Underworld river, timelessly flowing beneath Middle World consciousness, circulating through our bloodstreams in varying states from polluted to pristine. Freud was fond of this line from Virgil's Aeneid: "If I cannot bend the gods, then I shall stir up Acheron.

Mary Trainor-Brigham

#3. 'Noah' doesn't merely get the story wrong; like all Biblical adaptations, it's bound to do that (although some aspects of the film are out and out ridiculous). It gets the morality of the story wrong, and in the process turns God into Gaia and morality into radical deep green environmentalism.

Ben Shapiro

#4. Religions fulfill deep-seated psychological needs for people, and if you don't get it from a specific religious doctrine, you'll get it from the kind of films I like to make. A film like The Terminator is consciously meant to give a sense of empowerment to the individual.

James Cameron

#5. I think that the film Clueless was very deep. I think it was deep in the way that it was very light. I think lightness has to come from a very deep place if it's true lightness.

Alicia Silverstone

#6. Science has done much for us; but it is a poor science that would hide from us the great deep sacred infinitude of Nescience, on which all science swims as a mere superficial film.

Thomas Carlyle

#7. The photobook occupies that deep area between the novel and the film.

Lewis Baltz

#8. I often make movies that involve depression or deep holes of sadness, although there are also these other great things in 'New Moon,' like this epic set-piece at the end of the film in Italy.

Chris Weitz

#9. There's always an intellectual side to the films Ang Lee's doing and to the characters, and there's such a deep knowledge when you've worked with the actors that he's worked with, on stage in particular, but also in film.

Jake Gyllenhaal

#10. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.

Ingmar Bergman

#11. I don't believe that people are robots. I think you should try to get personal, try to put yourself in the film in a deep way, and try to give that to the viewer, even if some of them will not connect with that kind of universe and surreality.

Miguel Gomes

#12. It might be more useful, if not necessarily more true, to think of photography as a narrow, deep area between the novel and film.

Lewis Baltz

#13. If there isn't a deep core reason for a film existing, what is the point? For me to be known as a filmmaker that makes films that have a point, I'm stoked.

Neill Blomkamp

#14. Making a film is a beautiful mystery. You go deep into the wood, and you don't want to come out of that wood.

David Lynch

#15. I don't think there's much point in putting me a deep, dark, heavy, emotional film because there are people who do it so much better than I do.

Hugh Grant

#16. I was thrown in the deep end at 18 when I got cast in a movie that I didn't audition for. The director just sort of found me and put me in a film, so the decision was really made for me.

Teresa Palmer

#17. One filmmaker makes films that are deep, intellectual, profound and confrontational. And the other one makes purely vacuous, escapist films. I'm not sure the one who makes escapist films is making a poorer contribution than the one who makes the deeper films.

Woody Allen

#18. Some people look at the surface, while some see what's deep down. The most important thing is that the film should somehow stay with them until the very end.

Esra Saydam

#19. Film analysis enables us to recognize how the filmmakers have their magic on us, how all the constituent elements of the film have combined to create that magic. Rather than rob us of the pleasures of watching films, this approach affords us the even greater pleasure of deep engagement

Jon Lewis

#20. For me, something dangerous would be playing thebabe in a huge studio film. That would be terrifying because I'dstink ... I want to explore human beings on as deep a level as I can.

Jennifer Jason Leigh

#21. I use my film-making to work through my deep questions and my deep problems. I think I could watch each film and tell you exactly which part of my psyche I'm trying to work out.

George Clooney

#22. 'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries.

Dario Argento

#23. Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.

Ingmar Bergman

#24. My family didn't film anything. But then you look deeper and realize, maybe there are photographs, there are things. It's also context: You give something a context, and suddenly it becomes really deep or meaningful footage.

Asif Kapadia

#25. In the case of 'The Deep,' because of the people involved, the talent and the real lives of people who died, I wanted to make the most honest film I could. And sometimes that's the best way to go: Just make the best version of the film you can.

Baltasar Kormakur

#26. Even if you have money, access to MoCap technology, and strong choreographic and computer-animation abilities, don't try to make a film like this if you don't have a lot of patience, perseverance and a deep affinity for risk-taking.

Martine Epoque

#27. Leaving a role is a terrible sadness. The last day of the shooting is surreal. Your soul, your body and your mind are not ready at all to see the end of this experience. In the following months after a film shoot, one feels a deep sense of void.

Daniel Day-Lewis

#28. Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things.

Isabelle Huppert

#29. With a film, things constantly have to go up in the story, and you're constantly putting pressure on the main character. It allows to go really deep into what its relationship is.

Jennifer Lee

#30. 'Battle For The Planet Of The Apes', was just a film for kids and didn't have any deep meaning.

J. Lee Thompson